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The Office Collection
 
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The Office Collection

Ricky Gervais , Martin Freeman , Ricky Gervais , Stephen Merchant    NR (Not Rated)   DVD
4.8 out of 5 stars  See all reviews (12 customer reviews)
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It feels both inaccurate and inadequate to describe The Office as a comedy. On a superficial level, it disdains all the conventions of television sitcoms: there are no punch lines, no jokes, no laugh tracks, and no cute happy endings. More profoundly, it's not what we're used to thinking of as funny. Most of the fervently devoted fan base watched with a discomfortingly thrilling combination of identification and mortification. The paradox is that its best moments are almost physically unwatchable. Set in the offices of a fictional British paper merchant, The Office is filmed in the style of a reality television show. The writing is subtle and deft, the acting wonderful, and the characters beautifully drawn: the cadaverous team leader Gareth (Mackenzie Crook); the monstrous sales rep, Chris Finch (Ralph Ineson); and the decent but long-suffering everyman Tim (Martin Freeman), whose ambition and imagination have been crushed out of him by the banality of ! the life he dreams uselessly of escaping. The show is stolen, as it was intended to be, by insufferable office manager David Brent, played by codirector-cowriter Ricky Gervais. Brent will become a name as emblematic for a particular kind of British grotesque as Basil Fawlty, but he is a deeper character. Fawlty is an exaggeration of reality, and therefore a safely comic figure. Brent is as appalling as only reality can be. --Andrew Mueller

The second series exceeded even the sky-high standards of the first. Indeed, it ventured beyond caricature and satire, touching on the very edge of darkness. Ricky Gervais is once again excruciatingly superb as David Brent, but in this series, Brent's to-the-camera assertions concerning his management qualities and executive capabilities are seriously challenged when the Slough and Swindon branches are merged and his former Swindon equivalent Neil (Patrick Baladi) takes over as area manager. To compensate, Brent cultivates his pathologically mistaken image of himself as an entertainer-motivator-comedian whose stage happens to be the workplace. Meanwhile, Tim, who can only maintain his sanity by teasing the priggish Gareth, continues to wrestle with his yearning for receptionist Dawn Tinsley (Lucy Davis), a sympathetic character persisting in a relationship with a man about whom she still maintains unspoken reservations. As ever, it's the awkward, reality TV-style pauses and silences, the furtive, meaningful and unmet glances across the emotional gulf of the open-plan office, that say it all here. As for Brent, his own breakdown is prefaced by a moment of hideous hilarity--an impromptu office dance, a mixture of "Flashdance and MC Hammer" as Brent describes it, but in reality bad beyond description. Then, when his fate is sealed, he at last reveals himself in a memorable finale to perhaps the greatest British sitcom, besides Fawlty Towers, ever made. --David Stubbs

The brilliant and devastating comedy of The Office is brought to a satisfying conclusion in The Office Special, originally a two-part Christmas special on the BBC, set three years after the end of the faux-documentary's second season. The former office manager David (Ricky Gervais) now ekes out a desperate existence as an oblivious quasi-celebrity, making awkward, humiliating visits back to the office staff he still believes loves him. Gawky Gareth (Mackenzie Crook) has risen to manager and become a petty tyrant, while the sweet but snide Tim (Martin Freeman) continues to pine for former receptionist Dawn (Lucy Davis), who fled to Florida with her fiance. When the documentary crew pays for Dawn to return for the holiday party, an unpredictable reunion looms ahead. The Office fuses scathing humor and genuine empathy, turning excruciating social discomfort into inspired satire. Fans will find this special rewarding in all respects. --Bret Fetzer

Description

Welcome to The Office, a place of petty rivalry, bad flirting, and easily-bruised egos. Filmed in documentary-style, this sharply observed and highly acclaimed comedy exposes the excruciating truth about the world of nine-to-five. Complete collection includes all twelve episodes plus the special.

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Customer Reviews

12 Reviews
5 star:
 (10)
4 star:
 (2)
3 star:    (0)
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Average Customer Review
4.8 out of 5 stars (12 customer reviews)
 
 
 
 
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1 of 1 people found the following review helpful
4.0 out of 5 stars Welcome to the office!, Jan 10 2009
By 
E. A Solinas "ea_solinas" (MD USA) - See all my reviews
(HALL OF FAME)    (TOP 10 REVIEWER)    (REAL NAME)   
This review is from: The Office Collection (DVD)
It's a dark "Dilbert," a realistic "Office Space." Hit Brit-comedy "The Office" takes mockumentaries to the small screen, featuring the hilariously unfunny David Brent, and his unhappy employees. This three-pack includes both seasons, plus the satisfying holiday special, which also serves as the grand finale.

The first season opens with David Brent (Ricky Gervais) learning that either his branch or another branch of paper corporation Wenham-Hogg will shortly be downsized. So this wannabe-comedian sets out to prove that his branch is better, stumbling as he tries. Trailing in his wake is bored everyman Tim (Martin Freeman), dead-looking yes-man Gareth (MacKenzie Crook), and pretty, quietly cynical receptionist Dawn (Lucy Davis).

The second season, while more unsteady than the first, takes some new and darker steps. Now David's rival Neil (Patrick Baladi) is his boss, and David has a slew of new employees who are less than thrilled about his racist jokes, chicken suits, and the lack of any actual work going on. Dawn becomes jealous when Tim gets a girlfriend, and Gareth searches for any way to bed Tim's girlfreind. And after a catastrophic managerial meeting, David learns that the next downsizing just might be him...

After the dismal ending of the second season, the feature-length "Office Special" provides a satisfying wrap up. Three years later, everyone from Wenham-Hogg -- including those who no longer work there -- is being called back for a special reunion. Tim is given one last chance to win Dawn's affections, and David finally learns the truth about himself. (Anyone disappointed by the end of the second season had better check out the new endings)

Don't expect a typical sitcom in "The Office." No laughtracks. No punch lines. No gag humor... well, not much. And no episode has a clear-cut ending. Instead, we have the format seen in "This is Spinal Tap" and the Christopher Guest mockumentaries -- hidden cameras watching the madness. And what those cameras see is enough to make the world's cubicle-dwellers cry. Okay, most offices don't have giant inflatable genitalia, or a comedy-for-charity day, but the core of it is frighteningly close to home.

The series gets off to a slightly bumpy start -- at first, the jokes are a bit too thinly-spread. But soon "The Office" gets its footing and the humor steadies itself ("Tim's put my stapler inside a jelly again. That's the third time he's done it!" Gareth complains, displaying the stapler in a Jell-O mold). And a lot of the humor is a subversive, subtle kind -- it creeps into your mind, and by episode two you'll be laughing your head off at David's bad jokes, his spastic chimp dance, and his prejudices hidden behind a veil of political correctness.

Ricky Gervais is brilliant. David is every bit as annoying and obnoxious as the immortal Basil Fawlty, but hides it under a genial mask and stupid jokes. Mackenzie Crook is wonderful as the obsequious boot-licker with a bit of a sex fixation; his Dirty Bertie toy is one of the most tasteless, horribly funny scenes on TV. Tim, like Dilbert, is a lovable loser who can't get himself out of his soul-sucking job. And Dawn is mired in a relationship with an obnoxious cheapskate, yet it takes her the whole series to finally do something about it.

Clearly destined for cult status, this is "The Office" as it was meant to be, with a darkly funny storyline culminating in a satisfying finale. Funny, strange and immensely entertaining.
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5.0 out of 5 stars A Painfully good watch..., Mar 26 2011
This review is from: The Office Collection (DVD)
...seriously painful. For anyone who even has the slightest tendency to emulate TV personalities, STAY AWAY FROM THIS SHOW! These characters have little to no redeeming qualities; total prats, the whole lot of 'em. It's funny on TV, but not fully in real life. And that gap is bridged on far too many occasions through this 2 season series. Lord help me if I ever see someone break out a guitar during a meeting at my office...
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5.0 out of 5 stars I Cannot Look Away, Aug 13 2010
By 
Jeffrey Swystun (Ottawa & New York) - See all my reviews
(TOP 50 REVIEWER)    (REAL NAME)   
This review is from: The Office Collection (DVD)
The Office (UK) is like watching those horrendous wedding speeches. All at the same time you cringe, tune out, mentally attempt to speed it up, laugh at the speaker's ineptitude, watch the reaction of others, celebrate when the content is relevant and entertaining, and generally marvel at how we humans can miscommunicate and be unaware of our behavior and how we present ourselves. Anyone who has worked in an office can relate to bizarre co-workers, incapable leaders, office politics, relationships that cross any acceptable boundaries, in fact, it is amazing that any work at gets done in the workplace which is so ably demonstrated in this series.

And that is what Ricky Gervais and Stephen Merchant have extraordinarily captured in a very original format. It borders on voyeurism as we follow the excruciatingly painful missteps of a hapless boss and his unambitious team as they are followed in a quasi-documentary format. But where the brilliance lies is in the exploratory of topics and situations that regular sitcoms never remotely touch. I still cringe at many scenes too numerous to mention which make it relatable, believable, and at the end of the day, real.

The ensemble cast must get huge credit given what Gervais brings to the role. It is an incredible portrayal and catalogue of what must be every excruciating interaction he ever had with a bad boss. The writing is terrific and so is the amazing ad lib. Having watched the whole thing five times in six years (damn you Gervais - my time is precious), I am continually surprised how much the U.S. version continues to mine the brief U.K. version for story-lines and one-liners.
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