We don't know when or if this item will be back in stock.
Today Only: "Amazon Exclusive: The James Bond Collection + Spectre" for $119.99 (60% Off)
For one day only: "Amazon Exclusive: The James Bond Collection + Spectre" is at a one day special price. Offer valid on February 9, 2016, applies only to purchases of products sold by Amazon.ca, and does not apply to products sold by third-party merchants and other sellers through the Amazon.ca site. Learn more.
Top Customer Reviews
The "Roman salute" myth is the myth that the straight-arm salute was an ancient Roman custom, later borrowed by Mussolini and the National Socialist German Workers' Party. The myth arose because of the made-up Hollywood-style portrayals in those films. Those films are notable also because they led to the historic discovery by the journalist and historian Rex Curry that the U.S. Pledge of Allegiance was the origin of the salute of the monstrous National Socialist German Workers' Party (Nazi Party).
The "Roman Salute" myth grew because the viewing public forgot that the U.S. Pledge of Allegiance originally used the straight-arm salute. The creator of the U.S. Pledge of Allegiance was a National Socialist in the U.S. (Francis Bellamy). The salute is not in any Roman art or text.
Dr. Martin Winkler of the American Philological Association has written that in imitation of such films, self-styled Italian "Consul" Gabriele D 'Annunzio borrowed the salute as a propaganda tool for his political ambitions upon his occupation of Fiume in 1919. Earlier, D'Annunzio had worked with Giovanni Pastrone in his colossal epic Cabiria (1914). Mussolini worked with D'Annunzio. Even so, evidence shows that the National Socialist German Workers' Party officially adopted the salute before Mussolini did, not vice versa.Read more ›
The opening scene could be considered as an art film scene because it has many camera angles, slow motion, beautiful photography and background music. After this scene, the narration of the 1936 Olympic Games begins, and it's impressive to see how many swastikas were at sight in the games, it's in flags and in the uniforms of the german athletes.
One might think that the athletes in 1936 were very inferior to the current athletes, but "Olympia" shows how great those athletes were, in most of the disciplines they look as impressive as the current athletes. The use of different camera speeds and angles, can make you feel very close to the athletes. You can see their effort and competitive spirit thanks to the excellent use of the cameras.
Definitely "Olympia" is one of the best documentaries ever made. Absolutely recommendable.
Overall image quality was quite good, but some of the darker scenes were almost too muddy for clarity. Nevertheless, the camera work was much smoother than that in Triumph of the Will. The parading of national flags was identical to the earlier film, and the music from its cavalry event appeared just before the opening scene to the officers' pentathlon. Such re-use of material and ideas is a trademark of Leni Riefenstahl's.
What struck me greatly about the film was the amount of sound overdubbing, footfalls, pistol-cracks, hoof beats, and many other background sounds mixed in with the music score and crowd response. Aside from the music, many of these sounds were simply repeats of one master element reintroduced again and again. The pistol cracks, for example, were identical -as far as I could tell - no matter what the model of pistol used. And the horse sounds in the cross country events were pretty similar, too.
This technique carries over to her use of a linking scene. For example, in Triumph of the Will she uses the same shot of Hitler surveying the crowd, three times, instead of using the ones that would have been there in reality. In Festival of Beauty, for the sail- boat race, she twice uses the same few frames of the signal ball dropping.Read more ›
The film opens up with a film tribute to the history of Greece and the games. We get to see the names of the nations at the time that the torch passes through as it reached Berlin. A much more realistic torch than today's is ran into the stadium with a few pauses to let everyone see just before the final dash to the to Olympic torch at the stadium. It would be great to recapture this in the present day. Some of the tribute leads me to believe that our athletes are overly clothed for the sports.
It may be unique reasons that brought you to this point such as Leni or photography, or interest in history, or, or, or. But once the action starts you feel that you are there and get lost in the "who will win what and how. " Even being aware of the outcome does not prepare you to "not bite your nails" as you watch each athlete barley besting the next until it is over too soon. I noticed that instead of placing medals over the winners, they used laurel wreaths.
Any way you cut it, this movie is worth watching.
Most recent customer reviews
Bud Greenspan, the Olympic documentary-maker, called this movie one of his great inspirations. "Olympia" is in the same vein as Greenspan's films, but far better. Read morePublished on Aug. 6 2003 by Jesse Squire
Riefenstahl's triumphant masterpiece celebrating the human body, the spirit of competition and the appreciation of beauty. Read morePublished on Sept. 2 2002 by Nelson Aspen
Though "a viewer from the United Kingdom" grew "[tired] of watching the heats of the decathlon", Riefenstahl probably did not. Read morePublished on April 24 2002
Timeless Video should be ashamed of itself, putting out such a poor version of this classic documentary film. Read morePublished on Nov. 8 2001 by Daniel J. Cragg
Leni Riefenstahl's record of the 1936 Berlin Olympics is not really a sports film. The movie's best and most exciting moments are those that simply focus on the events as any TV... Read morePublished on Oct. 12 2001 by darragh o'donoghue