The Pact: A Love Story [Mass Market Paperback]

Teenage suicide is the provocative topic that Picoult plumbs, with mixed results, in her fifth novel. Popular high-school swimming star Chris Harte and talented artist Em Gold bonded as infants; their parents have been next-door neighbors and best friends for 18 years. When they fall in love, everyone is ecstatic. Everyone, it turns out, except for Em, who finds that sex with Chris feels almost incestuous. Her emotional turmoil, compounded by pregnancy, which she keeps secret, leads to depression, despair and a desire for suicide, and she insists that Chris prove his love by pulling the trigger. The gun is fired in the first paragraph, and so the book opens with a jolt of adrenaline. But Picoult stumbles in delineating both sets of parents' responses to the tragedy. Unconvincing behavior and dialogue inappropriate to the situation (plus, most importantly, the fact that the parents fail to discuss crucial topics) never touch the essence of bereavement and thus destroy credibility. Picoult redeems herself in flashbacks that reveal the two marital relationships and the personalities of both couples; and she sensitively explores the question of how well parents can ever know their children. After Chris is accused of murder and jailed, the narrative acquires impressive authenticity and suspense, with even the minor characters evoked with Picoult's keen eye for telling detail. The courtroom scenes (reminiscent of Picoult's 1996 novel, Mercy), are taut and well paced. Readers may remain unconvinced, however, that an intelligent young man like Chris would not have sought some help rather than respond to his lover's desperate request. Literary Guild and Doubleday Book Club selections; foreign rights sold in Germany, France, Poland and Norway.
Copyright 1998 Reed Business Information, Inc. --This text refers to the Hardcover edition.

Picoult is a writer of high energy and conviction who has, in her fifth novel, brought to life a cast of subtly drawn characters caught up in a tragedy as timeless and resonant as those of the Greeks or Shakespeare. That is not to say that Picoult is anything but accessible; in fact, this psychologically shrewd tale is as suspenseful as any best-selling legal thriller. The Hartes and the Golds, professional folk living next door in an affluent New Hampshire town, are close friends, and their children, the Hartes' son, Chris, and Emily Gold, were born just weeks apart. Inseparable all through childhood, they slipped from the haven of intimate friendship into the tempestuous realm of love in high school, a transition their parents fully expected and welcomed. But Emily is secretly appalled by the incestuous nature of her relationship with Chris, and when she discovers that she is pregnant, she can imagine only one solution: suicide. Chris is with her when she dies and is consequently charged with her murder. As Picoult takes us through the nightmare that follows, examining each character's struggle with guilt and sorrow, she forges a finely honed, commanding, and cathartic drama. Donna Seaman --This text refers to the Hardcover edition.

In this brooding fourth novel, Picoult (Picture Perfect, 1995, etc.) creates an affecting study of obsession, loss, and some of the more wrenching varieties of guilt. It all begins with a failed suicide pact between two teenagers: Emily Gold dies, but the precise motivations behind her death remain obscure. And who pulled the trigger? Her boyfriend Chris Harte, who survives because of having faintedapparentlybefore he could kill himself, seems unwilling to offer an explanation. Zipping back and forth through time, the story traces the growth of the long, complex relationship between the kids. When the two families first settle down next to each other, the Hartes and Golds seem meant for each other: Both families are upper-class New Englanders; both the husbands are doctors; both the wives are pregnantand so in a sense the pairing of Chris and Emily takes place even before their birth. Eventually, they sleep in the same bassinet, go on to develop their own secret language, accompany each other everywhere and, when they become adolescents, are inevitably drawn into a fervid romance. While it seems inconceivable that Chris could have killed Emily, a preponderance of forensic evidence suggests that it just may be. On his 18th birthday, Chris is hauled off to jail and the perfect harmony between the families instantly dissolves. Melanie Gold, unable to accept the notion that her perfect daughter could have been suicidal, focuses her anger on the murderer next door, and, emotionally, James Harte disinherits his son, whos now a liability to the doctor's prestigious career. Chris himself, saddled with a hot-shot lawyer more interested in building a case than in hearing the truth, sinks into despair. The trial scenes, alternating rapid-fire testimony with flashbacks to the actual suicide, are particularly powerful, and what Chris finally says when he takes the stand comes, thanks to Picoult's skill, as a considerable surprise. A moving story, mingling elements of mystery with sensitive exploration of a tragic subject. (Author tour) -- Copyright ©1998, Kirkus Associates, LP. All rights reserved. --This text refers to the Hardcover edition.

'The novelist displays an almost uncanny ability to enter the skins of her troubled young protagonists.' -- New York Times 'Picoult has become a master ... It is impossible not to be held spellbound by the way she forces us to think, hard, about right and wrong.' -- Washington Post 'Jodi Picoult's fifth novel, THE PACT, is so good that we can't put it down ... It is suspenseful, intelligently written, topical.' -- Detroit Free Press 'Picoult's characters are so compelling that the reader hopes this won't be the last time we meet.' -- USA Today 'Picoult is a writer of high energy and conviction, who has, in [THE PACT], brought to life a cast of subtly drawn characters caught up in a tragedy as timeless and resonant as those of the Greeks or Shakespeare ... She forges a finely honed, commanding, and cathartic drama.' -- Booklist 'Anyone who doubts that there is any more vivid, original fiction being written must read THE PACT. Jodi Picoult has written a truly fine book, a piece of total contemporary America.' -- Anne River Siddons 'Engrossing ... Picoult has a remarkable ability to make us share her characters' feelings of confusion and horror ... THE PACT is compelling reading' -- People 'You will find this novel impossible to put down- and if you take it on holiday with you, just don't plan on doing any sightseeing until you've finished it!' -- Daily Mail "If you haven't yet read any of Picoult's novels get your hands on one. ... This story will make you wonder whether we ever know the people we love". -- You Magazine, South Africa --This text refers to the Paperback edition.

Until the phone calls came at three o'clock on a November morning, the Golds and their neighbors, the Hartes, had been inseparable. It was no surprise to anyone when their teenage children, Chris and Emily, began showing signs that their relationship was moving beyond that of lifelong friends. But now seventeen-year-old Emily is dead—shot with a gun her beloved and devoted Chris pilfered from his father's cabinet as part of an apparent suicide pact—leaving two devastated families stranded in the dark and dense predawn, desperate for answers about an unthinkable act and the children they never really knew.

From New York Times bestselling author Jodi Picoult—one of the most powerful writers in contemporary fiction—comes a riveting, timely, heartbreaking, and terrifying novel of families in anguish and friendships ripped apart by inconceivable violence.

Jodi Picoult is the #1 New York Times bestselling author of seventeen novels, including The Pact, The Tenth Circle, Nineteen Minutes, Change of Heart, Handle with Care, and House Rules. She received the 2003 New England Book Award for fiction and was the recipient of the ALA's Alex Award for her novel My Sister's Keeper. She lives in New Hampshire with her husband and three children.