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The Performance of 16th-Century Music: Learning from the Theorists Paperback – Apr 13 2011

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"The 200-plus pages are spilling over with practical information, historical details, amusing and often provocative quotes from composers and performers of the period, and just about anything else that today's performers of 16th-century music need to know. An added bonus is a companion web site that Oxford University press created." --Early Music America

"Written by a performer and teacher with years of hands-on experience, this is much more than a tutor or set of rules; it is a dialogue with musicians of the past that provides modern performers - both sixteenth-century specialists and those just entering the field - with a technical, artistic, and cognitive framework for singing and playing this eminently expressive music." --Bruce Haynes, Université de Montréal, Senior Fellow of the Canada Council and author, The End of Early Music

"Anne Smith proves that taking the theorists seriously, and consequently applying all the information they give us, does change the picture indeed. We learn to read and to hear with 16th-century eyes and ears, we learn the language from within. Now we performers must have the courage to approach this wonderful repertoire with a fresh look, departing from our comfortable habits and common beliefs. We will be surprised and, more importantly, profoundly moved by the results - to the benefit of our audiences." --Dr. Barthold Kuijken, Royal Conservatories of Brussels and The Hague

"Very much a teacher's book." --The Performance Practice Review

"If you're in any way interested in music from the period, indeed in the discipline of understanding, advising on, teaching or generally appreciating the evolution of performance practice, this will prove an informative and highly useful book." --Classical Net

About the Author

For almost forty years, 16th-century music - particularly on renaissance flutes - has been the focus of Anne Smith's work at the Schola Cantorum Basiliensis.

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4 of 4 people found the following review helpful
An essential book on the philosophy of musicianship for ALL MUSICIANS Oct. 20 2011
By P. H. Bloom - Published on
Format: Paperback Verified Purchase
Anne Smith's book is an urgently needed manifesto concerning the universal art of musicianship. Each of her explications of Renaissance musical arcanae is beautifully rendered. Much more that a performance practice tutor, it's a treatise on aesthetics. I'm deeply impressed by her approach, her eloquence, her well reasoned conclusions, and her avoidance of the usual musicological dogma. The transcendence of her scholarly method is likely too subtle for many to notice, but her practical info is of universal value.
16th-Century Music in Theoretical Detail! Aug. 7 2014
By SueGrace - Published on
Format: Kindle Edition Verified Purchase
More than good, this book is an excellent summary for those who can stick to it. I would suggest it as a college reference book for upper-division and graduate students in early music.
0 of 2 people found the following review helpful
Quick! Feb. 12 2014
By Charles Hughes - Published on
Format: Paperback Verified Purchase
I purchased this as a duplicate to share with friends.

Thank you for the fast service and a good price.