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The Perpetual Ending
 
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The Perpetual Ending [Paperback]

Kristen Den Hartog
5.0 out of 5 stars  See all reviews (1 customer review)
Price: CDN$ 13.45 & eligible for FREE Super Saver Shipping on orders over CDN$ 25. Details
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An odd mix of slightly gritty realism and dream-like fairy tale characterizes this second work from Kristen den Hartog. Jane, the 10-year-old narrator, addresses the story to her sister, Eugenie, her twin but also her "exact opposite." Jane is also seen in later years leaving her boyfriend, Simon, in Vancouver to travel back to the Ontario town of Deep River where her mother, Lucy, is dying. Much of the story details the earlier years when Lucy and the girls' father, nameless until the last few pages, embark on an angry, unwanted (on his part) separation. Lucy takes the girls to Toronto where they live in poverty in a basement apartment, using furniture they find discarded on the street.

The adult Jane is a writer of fairy tales, several of which appear in the novel. Like all good fairy tales, these have a timeless quality and often echo, in a troubling, dreamy way, the difficult realities Jane faces. She's somewhat obsessed with the persistent duality conjured by her twin's absence: "I think of the ghost and our missing father, and wonder what is a ghost if not the absence of someone?" There's a commendable consistency to the story and the resonating twin theme, although several of the key characters (Uncle William, for example) never come alive. Others, especially the father, are extremely well-realized, however, and the novel has a wonderfully touching ending. --Mark Frutkin --This text refers to the Hardcover edition.

From Publishers Weekly

A troubled Canadian family is the focus of this sensitive debut novel about an alcoholic man who wreaks havoc on the lives of his wife and twin daughters. Jane Ingram is the narrator who tells the story as a series of flashbacks, alternating accounts of her childhood experiences with a subplot in which she tries to cope with her traumatic upbringing through a series of children's stories she develops with her lover, Simon, an illustrator. Jane; her twin sister, Eugenie; and their imaginative and somewhat fey mother, Lucy, teeter on the edge of chaos precipitated by the violent outbursts and emotional cruelty of their father, and husband, David. The children are more or less left to themselves as their parents rage against one another. Lucy tries to explain away David's disturbed state of mind as simply a clash of personalities ("what you adore about someone will one day be the thing you try to change"). The couple splits, and their custody battles precipitate a fatal accident which lies at the heart of Jane's present-day disturbance. Interspersed through the novel are the children's stories that Jane concocts to explain her past to Simon (however obliquely); gradually, the tales build a picture of an emotionally fractured personality. Though the subject matter has been addressed many times over, Hartog handles it skillfully. Jane's memories accurately reflect the thoughts and fears of a confused and frightened child, and the plangent tone of sadness is sustained with grace.
Copyright 2003 Reed Business Information, Inc. --This text refers to an alternate Paperback edition.

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1 of 2 people found the following review helpful
5.0 out of 5 stars Magical, Jun 11 2006
This review is from: The Perpetual Ending (Hardcover)
I enjoyed this book a great deal. I love the language Den Hartog uses and the narrator's fairy tales, both of which are exquisite and unique. The characters are quite realistic and it is easy to get lost inside the world that Jane introduces the reader to.
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Amazon.com: 4.5 out of 5 stars (2 customer reviews)

3 of 4 people found the following review helpful
5.0 out of 5 stars Beautiful Novel, Mar 16 2003
By Julie - Published on Amazon.com
This review is from: The Perpetual Ending: A Novel (Paperback)
The Perpetual Ending is a beautiful novel, exquisitely written. I would recommend this book to anybody who takes pleasure in a well told story. I got lost in the story and the characters. The Perpetual ending is made up of two parts, each one a love letter from the narrator, Jane. One letter is to Jane's twin and the other to her lover, Simon. Through the letters the reader learns about Jane's troubled childhood and her coping mechanisms. The characters are wonderfully developed. This is one of the top ten books I have ever read.

0 of 2 people found the following review helpful
4.0 out of 5 stars Tell me a story, spin me a tale, Aug 23 2003
By Luan Gaines "luansos" - Published on Amazon.com
This review is from: The Perpetual Ending: A Novel (Paperback)
This lyrical and moving tale is overflowing with extraordinary images and the intense connection of twin sisters, who are mirror images of each other. Jane and Eugenie Ingrams are raised on the magic of fairy tales, stories spun by their mother every evening at bedtime, as she sits in darkness in their room and they are borne away on the delicate wings of fancy, into the world of slumber. Their mother, Lucy, as beautiful as a goddess with wild red hair flowing down her back, is visible only in the light of the moon on these evenings. Recreating centuries-old fables and myths, Lucy offers her girls a world of infinite possibilities. Even though Jane and Eugenie look exactly alike and are best friends, their personalities are the exact opposite, giving their relationship an extraordinary balance, their personal yin and yang.

Their early years are spent in rural Canada, the twins, two halves of a whole, enjoy whole days exploring the beauty of nature, inventing their own world. When their parents separate, that world is shattered and Lucy moves with the twins to Toronto, a city bursting with people and constant racket, the quiet of the countryside a distant memory. Lucy has distant hopes of a career as an artist, taking night classes in painting. In Toronto, their standard of living has declined markedly, their few possessions from yard sales and junk stores. Lucy's elementary paintings decorate the otherwise barren walls, a variety of still life arrangements.

But Jane desperately misses her father, forgetting about their parents' fights that lasted hours, ending only with the dawn and mutual exhaustion. When their father visits, Jane is loathe to release him, begging to return to Vancouver with him. Finally, Jane prevails, coercing her sister into coming along as well. Eugenie agrees to accompany them, a fateful decision that will affect all their lives.

Written in narrative form, Jane speaks to her twin, gazing back over the early years of their childhood, reliving memories both cherished and painful. Now grown, Jane has fallen deeply in love with Simon, a kind man who generously shares everything with her, his dreams, his fears, his past. In exchange, Jane tells Simon lies, refusing to speak about her family or explain why she is estranged from them. In fact, he thinks Jane has no family. Jane has written a series of fanciful fables, in partnership with Simon, each containing a small remnant of her truth. Simon lavishly illustrates her fairy tales and the elegant books are an immediate success. When Jane is called home in an emergency, she leaves without ever telling Simon the truth of her past. She leaves without Simon.

This is a story of belonging and not belonging, of love and loss, of painful self-examination bred of courage. Redemption is possible for Jane, but only she can take the first step. As Jane spins ethereal fables of Pirouette, of Millicent and the Thousand Pennies, of Dulcimer-Gossamer, the vivid images reflect Jane's unconscious quest for healing, constricted by the fears that overwhelm her reality. A virtual Pandora's Box of imagination, these magical stories spill out like a handful of sparkling jewels, each exquisite by itself. Jane's own history and grief fold gently around her fables, protecting the small fragments of her unconscious, parables that cry to be heard, to be understood.

With a deft hand, the author guides Jane through the bottomless grief and guilt of her past, toward a real future. The all too human flaws of den Hartog's characters render them imperfect and too often blinded by selfishness, but, as each tale plants a tiny seed of hope, Jane's heart follows the path home that will open the door to forgiveness and finally, belonging. Luan Gaines/2003.

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