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This review is from: The Pink Panther / La panthère rose (DVD)
Title: Pink Panther, The (1963)Studio: Fox Video / MGM Video Contributor Name: Peter Sellers, David Nwen, Robert Wagner, Capucine, Blake Edwards (production) Format: NTSC | Widescreen 2.35:1 | Region 1 Rating: PG Run Time: 115 UPC#027616930064 Amazon.com Essential Video: The history of film comedy would have been much altered if Peter Ustinov had stayed in the role of Jacques Clouseau, the bumbling French police inspector in The Pink Panther. But Ustinov dropped out, the role went to Peter Sellers, and a classic character was born: suspicious, blundering, with a pompous little mustache and a sometimes impenetrable accent, Clouseau was always one step behind everybody else in the room. The Pink Panther introduced Clouseau hot on the trail of a famous jewel thief (David Niven), who may be planning to make off with an expensive gem known as the Pink Panther. Set in a European ski resort, this bubbly comedy is a wonderful dose of '60s style, from the famous Henry Mancini theme music to the presence of two of Europe's top sex symbols of the era, Claudia Cardinale and Capucine. The film also introduced the popular cartoon Pink Panther, slinking around to Mancini's music in an animated credits sequence. The film's success brought a follow-up, A Shot in the Dark, also released in 1964; after 11 years, Sellers and top comedy director Blake Edwards (10) returned with three more sequels. --Robert Horton Review: One of the most successful franchises of the 1960s and 1970s, director Blake Edwards' Pink Panther movies were a hit from their first installment, in 1964. The film introduced many of the series' hallmarks: Peter Sellers' endearingly inept Inspector Clouseau; the lanky animated pink panther of the credit sequences; and Henry Mancini's instantly recognizable score. Clouseau is a more minor role here than he would be in the future. Sellers' scene-stealing work -- in a part originally intended for Peter Ustinov -- secured him starring status in the subsequent films. His sense of comic timing is unparalleled, in both dialogue delivery and physical humor. Though The Pink Panther isn't as funny as its sequel, A Shot in the Dark (also from 1964), Edwards gives the screwball humor an effortless feel. Such farce was a departure for Edwards, previously best-known for the bittersweet Breakfast at Tiffany's (1961) and the somber Days of Wine and Roses (1962). The Pink Panther would be followed by eight sequels of varying casts and quality and a popular television cartoon. ~ Brendon Hanley, All Movie Guide
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