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The Piper at the Gates of Dawn

4.3 out of 5 stars 273 customer reviews

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Product Details

  • Audio CD (Oct. 25 1990)
  • Number of Discs: 1
  • Label: EMI Music Canada
  • ASIN: B000002UA0
  • Other Editions: Audio CD  |  Audio Cassette  |  LP Record
  • Average Customer Review: 4.3 out of 5 stars 273 customer reviews
  • Amazon Bestsellers Rank: #31,209 in Music (See Top 100 in Music)
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1. Astronomy Domine
2. Lucifer Sam
3. Matilda Mother
4. Flaming
5. Pow R. Toc H.
6. Take Up Thy Stethoscope And Walk
7. Interstellar Overdrive
8. The Gnome
9. Chapter 24
10. Scarecrow
11. Bike

Product Description

Product Description

Pink Floyd 2011 Remasters

While they took their name from blues musicians Pink Anderson and Floyd Council when they started out as an R&B combo in the mid-60s, Pink Floyd's leader, guitarist Syd Barrett, soon began piloting the band through unprecedented sonic excursions typified by the title of their 1967 debut album's most celebrated track--the outsized instrumental "Interstellar Overdrive." Equally adept at composing catchy-sounding, Gothic-themed pop songs such as "See Emily Play," "The Scarecrow" and "The Gnome," Barrett seemed destined for greatness--that is, until psychedelic drugs got the best of him, and he abandoned the band to bassist Roger Waters and new guitarist David Gilmour. The rest, as they say, is history. --Billy Altman

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Customer Reviews

Top Customer Reviews

Format: Audio CD
Before The Wall, before Wish You Were Here, before Dark Side Of The Moon, before Meddle, before David Gilmour, there was the magical, psychedelic masterpiece that was Piper At The Gates of Dawn. An album which captures Pink Floyd at its most experimental and challenging, Piper At The Gates of Dawn embraces the essence and pushes the limitations of the psychedelic sound. Written almost entirely by guitarist Syd Barret, whose penchant for wild and reckless experimentation extended far beyond the purely musical, Piper At The Gates Of Dawn takes on a life wholly independent of other Pink Floyd albums.
It is a difficult, almost feral, album filled with songs that project a view of the world that is almost childish in its naiivety, and yet, at the same time, maintains a very dark, menacing edginess. It is an album which manages, somehow a very delicate tension between the whimsical and the sinister, a tension which, perhaps, reflects the personal turmoil of Syd Barret himself.
Tough to say what might have transpired had Barret not lost the edge. Perhaps his psychological collapse (brought about by the over-use of psychotropic drugs), was necessitated by the nature of the art he created: a brilliance not made to last, like a star going nova. Conjecture aside, Piper At The Gates of Dawn remains a unique artistic statement, wholly unlike anything that would be produced by the subsequent incarnation of the group following Barret's departure. It is an album which captures, in a very real way, the nature and essence of psychedelic music, and may in fact be the best Pink Floyd album.
[NOTE: for the casual Floyd fan, the incarnation of the band present on Piper At The Gates Of Dawn is the Pink Floyd you know and love in title alone. Consequently, Piper At The Gates Of Dawn make take some getting used to, particularly for those either unfamiliar with late 60's psychedelic rock or those expecting a Darkside-esque album.]
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Format: Audio CD
1967's "The Piper At The Gates Of Dawn" is the one that started it all for Pink Floyd, back in the early days when bassist Roger Waters, keyboardist Richard Wright & drummer Nick Mason were led by the genius, but doomed singer/guitarist Syd Barrett. Psychedelic rock doesn't get much more trippier than "Piper," a totally far-out collection of avant-garde space rock, songs about gnomes and scarecrows, off-the-wall production and sound effects, and superb performances by a tight British art-rock band that were destined to become Rock 'N' Roll Hall Of Famers.Although he made one last "cameo" appearance with the Floyd on their second album, "A Saucerful Of Secrets" with that album's closing number, "Jugband Blues," the lion's share of Syd Barrett's legacy with the band is all contained right here on "Piper," barring a few early singles. Writing all but one song, and, with a charismatic singing voice and incredible guitar-playing skills, Barrett was truly a musical genius, and his equally-talented bandmates match him song for song. Every track on the album is a highlight in it's own right, but certainly worth mentioning are such tracks as the opening space rock of "Astronomy Domine," the before-there-was-alternative alternative rock of "Lucifer Sam," the far-out instrumentals "Pow R Toc H" and "Interstellar Overdrive," the frenetic rock of "Take Up Thy Stethoscope And Walk" (written & sung by Waters, in his debut composition for the band), the charming tale of "The Gnome," and the classic, half children's song/half freak-out finale, "Bike," which starts out cheerily enough before giving way to some deliciously wacko noises and sound effects.Read more ›
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Format: Audio CD
As a budding Pink Floyd fan, I got this album a few months ago as maybe the fourth after getting the mid 70s albums I knew. I heard it was genious and Syd Barrett was amazing on it. Well I bought it and 13 others. Syd gave the music a poetic stance that the band lost after while, still my favorite but hearing the band experiment and then find the sound with Meddle is awesome. This album is fantastic but it takes some open mindedness and getting used to for the main stream Floyd fan. Give it a chance and you will not be dissapointed.

Shine on Syd, you Piper and Painter!
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Format: Audio CD
In August of 1967, Pink Floyd released their debut album The Piper at the Gates of Dawn in the UK and a month later in the US as The Pink Floyd. This was the first introduction to a band that would conquer the world in a few years time. The band consisted of bassist Roger Waters, drummer Nick Mason(credited as Nicky on this album's original sleeve), keyboardist Rick Wright and guitarist/vocalist and main songwriter Syd Barrett, whom was the mad genius of the band. The members of the band were in groups known as The Abdabs, The Megadeaths and The T-Set among others until Syd hooked up with childhood friend Roger and Roger's architectural school classmates Rick and Nick and another friend Bob Close to form the group The Pink Floyd which was named after two old Georgia bluesmen Pink Anderson and Floyd Council. Bob Close left after recording Syd's demo of Lucy Leave. Throughout 1966, the band were a concert sensation in London's underground music movement and proceeded to get a deal with EMI in Europe and was signed to EMI's US affiliate Capitol under the subsidary Tower(way before the record chain existed). The band's first two singles were Arnold Layne and See Emily Play which were both Top 20 hits in England. Then, the group's entered Abbey Road Studios to record their debut sometime in March of 1967 with producer Norman Smith, whom worked with The Beatles from 1962-65. Ironically, The Beatles were in the same building finishing their classic contribution to rock history Sgt. Pepper's Lonely Hearts Club Band. All but one track on Piper was written or co-written by Syd Barrett. His songs were whimsical works of art.Read more ›
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