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The Poisonwood Bible: A Novel [Paperback]

Barbara Kingsolver
4.1 out of 5 stars  See all reviews (1,235 customer reviews)
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Product Description

From Amazon

Oprah Book Club® Selection, June 2000: As any reader of The Mosquito Coast knows, men who drag their families to far-off climes in pursuit of an Idea seldom come to any good, while those familiar with At Play in the Fields of the Lord or Kalimantaan understand that the minute a missionary sets foot on the fictional stage, all hell is about to break loose. So when Barbara Kingsolver sends missionary Nathan Price along with his wife and four daughters off to Africa in The Poisonwood Bible, you can be sure that salvation is the one thing they're not likely to find. The year is 1959 and the place is the Belgian Congo. Nathan, a Baptist preacher, has come to spread the Word in a remote village reachable only by airplane. To say that he and his family are woefully unprepared would be an understatement: "We came from Bethlehem, Georgia, bearing Betty Crocker cake mixes into the jungle," says Leah, one of Nathan's daughters. But of course it isn't long before they discover that the tremendous humidity has rendered the mixes unusable, their clothes are unsuitable, and they've arrived in the middle of political upheaval as the Congolese seek to wrest independence from Belgium. In addition to poisonous snakes, dangerous animals, and the hostility of the villagers to Nathan's fiery take-no-prisoners brand of Christianity, there are also rebels in the jungle and the threat of war in the air. Could things get any worse?

In fact they can and they do. The first part of The Poisonwood Bible revolves around Nathan's intransigent, bullying personality and his effect on both his family and the village they have come to. As political instability grows in the Congo, so does the local witch doctor's animus toward the Prices, and both seem to converge with tragic consequences about halfway through the novel. From that point on, the family is dispersed and the novel follows each member's fortune across a span of more than 30 years.

The Poisonwood Bible is arguably Barbara Kingsolver's most ambitious work, and it reveals both her great strengths and her weaknesses. As Nathan Price's wife and daughters tell their stories in alternating chapters, Kingsolver does a good job of differentiating the voices. But at times they can grate--teenage Rachel's tendency towards precious malapropisms is particularly annoying (students practice their "French congregations"; Nathan's refusal to take his family home is a "tapestry of justice"). More problematic is Kingsolver's tendency to wear her politics on her sleeve; this is particularly evident in the second half of the novel, in which she uses her characters as mouthpieces to explicate the complicated and tragic history of the Belgian Congo.

Despite these weaknesses, Kingsolver's fully realized, three-dimensional characters make The Poisonwood Bible compelling, especially in the first half, when Nathan Price is still at the center of the action. And in her treatment of Africa and the Africans she is at her best, exhibiting the acute perception, moral engagement, and lyrical prose that have made her previous novels so successful. --Alix Wilber --This text refers to the Hardcover edition.

From Publishers Weekly

In this risky but resoundingly successful novel, Kingsolver leaves the Southwest, the setting of most of her work (The Bean Trees; Animal Dreams) and follows an evangelical Baptist minister's family to the Congo in the late 1950s, entwining their fate with that of the country during three turbulent decades. Nathan Price's determination to convert the natives of the Congo to Christianity is, we gradually discover, both foolhardy and dangerous, unsanctioned by the church administration and doomed from the start by Nathan's self-righteousness. Fanatic and sanctimonious, Nathan is a domestic monster, too, a physically and emotionally abusive, misogynistic husband and father. He refuses to understand how his obsession with river baptism affronts the traditions of the villagers of Kalinga, and his stubborn concept of religious rectitude brings misery and destruction to all. Cleverly, Kingsolver never brings us inside Nathan's head but instead unfolds the tragic story of the Price family through the alternating points of view of Orleanna Price and her four daughters. Cast with her young children into primitive conditions but trained to be obedient to her husband, Orleanna is powerless to mitigate their situation. Meanwhile, each of the four Price daughters reveals herself through first-person narration, and their rich and clearly differentiated self-portraits are small triumphs. Rachel, the eldest, is a self-absorbed teenager who will never outgrow her selfish view of the world or her tendency to commit hilarious malapropisms. Twins Leah and Adah are gifted intellectually but are physically and emotionally separated by Adah's birth injury, which has rendered her hemiplagic. Leah adores her father; Adah, who does not speak, is a shrewd observer of his monumental ego. The musings of five- year-old Ruth May reflect a child's humorous misunderstanding of the exotic world to which she has been transported. By revealing the story through the female victims of Reverend Price's hubris, Kingsolver also charts their maturation as they confront or evade moral and existential issues and, at great cost, accrue wisdom in the crucible of an alien land. It is through their eyes that we come to experience the life of the villagers in an isolated community and the particular ways in which American and African cultures collide. As the girls become acquainted with the villagers, especially the young teacher Anatole, they begin to understand the political situation in the Congo: the brutality of Belgian rule, the nascent nationalism briefly fulfilled in the election of the short-lived Patrice Lumumba government, and the secret involvement of the Eisenhower administration in Lumumba's assassination and the installation of the villainous dictator Mobutu. In the end, Kingsolver delivers a compelling family saga, a sobering picture of the horrors of fanatic fundamentalism and an insightful view of an exploited country crushed by the heel of colonialism and then ruthlessly manipulated by a bastion of democracy. The book is also a marvelous mix of trenchant character portrayal, unflagging narrative thrust and authoritative background detail. The disastrous outcome of the forceful imposition of Christian theology on indigenous natural faith gives the novel its pervasive irony; but humor is pervasive, too, artfully integrated into the children's misapprehensions of their world; and suspense rises inexorably as the Price family's peril and that of the newly independent country of Zaire intersect. Kingsolver moves into new moral terrain in this powerful, convincing and emotionally resonant novel. Agent, Frances Goldin; BOMC selection; major ad/promo; author tour.
Copyright 1998 Reed Business Information, Inc. --This text refers to the Hardcover edition.

From Library Journal

It's been five years since Kingsolver's last novel (Pigs in Heaven, LJ 6/15/93), and she has used her time well. This intense family drama is set in an Africa on the verge of independence and upheaval. In 1959, evangelical preacher Nathan Price moves his wife and four daughters from Georgia to a village in the Belgian Congo, later Zaire. Their dysfunction and cultural arrogance proves disastrous as the family is nearly destroyed by war, Nathan's tyranny, and Africa itself. Told in the voices of the mother and daughters, the novel spans 30 years as the women seek to understand each other and the continent that tore them apart. Kingsolver has a keen understanding of the inevitable, often violent clashes between white and indigenous cultures, yet she lets the women tell their own stories without being judgmental. An excellent novel that was worth the wait and will win the author new fans.
-?Ellen Flexman, Indianapolis-Marion Cty.
Copyright 1998 Reed Business Information, Inc. --This text refers to the Hardcover edition.

From Booklist

Kingsolver is known as a writer of the American Southwest, so it may come as a surprise to find that her most significant book to date, an extraordinarily dramatic and forthright novel of family, faith, and fate, is set in Africa. In an introductory note, she comments on her childhood experiences in what was then called the Congo, which is the setting for this vivid chronicle of one missionary family's disastrous sojourn. The year is 1959; the country is fighting for independence from Belgium, and Nathan Price has uprooted his wife and their four daughters from their Georgia home and delivered them to the tiny village of Kilanga without the full blessing of his church, or, indeed, of the villagers. An unyielding, emphatic, and humorless man who lacks compassion and common sense, Nathan is utterly unprepared for the demanding realities of the Congo. At first glance, the Price females seem to be cowed by their patriarch's cruelty, but they are actually courageous, generous, and resourceful. Kingsolver has her heroines take turns narrating, and each voice conveys a wholly evolved and expressive consciousness. Rachel, the eldest, is a 16-year-old borderline bimbo with white-blond hair and vanity to match; she has a flair for malapropism, referring, for instance, to her "feminine wilds" and a "tapestry of justice." Leah and Adah are twins, and although both possess prodigious intellects, they are temperamental and physical opposites. Tomboy Leah is fearless and noble, the only one to merge with the soul of the country. Adah is scholarly and disabled--she walks with great difficulty and can't speak--but on the page, she is agility itself, shrewd and funny. Ruth May is the youngest, and Kingsolver sings the bright stream of her child's mind with exquisite sweetness. And finally there's Orleanna, mother and mourner, grieving for her own losses and for everyone who suffers at the hands of the greedy, the violent, the prejudiced, and the self-righteous. And suffering is the order of the day as Kilanga is assailed by plagues of biblical intensity, and the battle against colonial tyranny surges to a shattering crescendo. No facet of civilization or the human spirit goes unexplored in this measureless saga of hubris and deliverance. Donna Seaman --This text refers to an out of print or unavailable edition of this title.

Review

"A novel that brims with excitement and rings with authority." -- -- Portland Oregonian

"A triple-decker, different coming-of-age novel, but also a clever look at language and cultures." -- -- San Diego Union-Tribune

"Compelling, lyrical and utterly believable." -- -- Chicago Tribune

"Fully realized, richly embroidered, triumphant." -- -- Newsweek

"Haunting . . . A novel of character, a narrative shaped by keen-eyed women." -- -- Front page, Verlyn Klinkenborg, New York Times Book Review

"Memory believes before knowing remembers. Believes longer than recollects, longer than knowing even wonder." -- -- William Faulkner

"Powerful . . . Kingsolver is a gifted magician of words." -- -- Time

"Tragic, and remarkable . . . A novel that blends outlandish experience with Old Testament rhythms of prophecy and doom." -- -- USA Today --This text refers to an out of print or unavailable edition of this title.

About the Author

Barbara Kingsolver's work has been translated into more than twenty languages and has earned a devoted readership at home and abroad.In 2000 she was awarded the National Humanities Medal, our country's highest honor for service through the arts. She received the 2011 Dayton Literary Peace Prize for the body of her work, and in 2010 won Britain's Orange Prize for The Lacuna. Before she made her living as a writer, Kingsolver earned degrees in biology and worked as a scientist. She now lives with her family on a farm in southern Appalachia.

From AudioFile

This dense and intricate family chronicle follows a Baptist missionary family into the Congo, circa 1959, where their faith in Jesus, democracy, and what we call civilization is severely challenged. The five female narrators range from a teenaged Malaprop pining for soda pop and the bunny hop to a child prodigy who comprehends words, phrases and whole books backwards and forwards. We hear African dialects, and smatterings of French and Afrikaans. What a challenge for a narrator! Dean Robertson does not do a lot of "acting" in this performance. She doesn't strain to distinguish voices or milk the emotions. So you begin to imagine you're listening to the author herself, presenting the text simply, in a matter-of-fact, slightly rural Southern voice. S.P. (c)AudioFile, Portland, Maine --This text refers to the Audio Cassette edition.
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