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The Political Unconscious: Narrative as a Socially Symbolic Act
 
 

The Political Unconscious: Narrative as a Socially Symbolic Act [Hardcover]


3.8 out of 5 stars  See all reviews (4 customer reviews)

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3.8 out of 5 stars (4 customer reviews)
 
 
 
 
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3.0 out of 5 stars Radical Vision, Utopian Prospective, April 27 2002
Jameson's groundbreaking literary criticism and sociological analysis underscore the release of the sublimated repressed desires in realist representation (realism) and orientates itself toward a relax of political unconscious.It mediates the symbolic narrative and its mirrored ideological interpellations. As a Marxist, he foresees the fuse of the super/infrastructure and a utopian sense of humanism that isolates from alienation and reification.
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5.0 out of 5 stars Tour de force literary criticism, Nov 15 2001
I read "The Political Unconscious" in college and was quite dazzled with it at the time. The book is quite difficult, and I approached it after reading another work of Marxist criticism, Terry Eagleton's "Literary Theory: An Introduction," which contains a footnoted reference to Jameson. The key thing about Jameson's book is that he forgoes a formalistic close-reading approach to works of narrative literature in favor of a historicist, totalizing vision. After I read the book, I recommended it to a graduate student in philosophy, who found it a brilliant synthesis, but no more. It is true that Jameson isn't a philosophical pathbreaker, but the fact that he has read and can convincingly use the work of German Hegelian Marxists like Theodor Adorno and especially George Lukacs is quite amazing. And his readings of authors like Gissing, Hofmannsthal, and Conrad are nothing if not supple. If "Marxist criticism" seems to you the recipe for disaster (or ignorance), this entrancing book is definitely the corrective for you!
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5.0 out of 5 stars Paralogisms and enchainment. Literary productions..., Jun 25 2000
The Political Unconscious is a prodigious crical enterprise that unveils in a stimulating protean verve, the relationship between the political structure and the narrative enterprises of a variety of literary movements and/or individual authors. A model work of Marxist Criticism that sharpens our sensitivity and awareness in relation to the confines and intransigence of political schemas, for these affect and filter, construct and deflect the interpretation of artistic ouvres, while also creating the space for them within the tension provided. A treasure as is all of Jameson's criticism, his reading of Conrad's fiction is exceptional and vibrant in tone and exposition, to the extent that one rushes to re-read "Lord Jim" and plunge into a dialogue with Jameson while at it. Fredric Jameson is an artist and a cultural critic whose philosophy is Deluzian and whose literary analysis is Derridian. The Political Unconscious is a fable, an historical approach that disseminates, and disrupts the fixed political schemas in a valient and elegant attempt at rousing readers from the slumber in which we are , however unconsciously, shrouded. A very important work indeed; It is with refreshing vigour that he reminds us of the importance of reading and writing. Yet he does so without the ascendancy of negative theology, such as is done by Blanchot and Agamben, although they also deserve our respect and gratitude. It is just that Jameson's texts are not mired in a restless solitude that asserts itself as feigned indifference. As was the case with Adorno and Allon White, a passionate surge is provoked, and the tragedy of being human(and all the more one of those doomed creatures known as scholars)is evoked in a confessed ambiguity that laments and hates the fact that it loves and believes in this, our life.
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