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From the endlessly funny mind of filmmaker Mel Brooks comes this triple-Oscar�-winning explosion of pure comic lunacy about low-rent Broadway producer Max Bialystock (Zero Mostel) and his high-strung accountant Leo Bloom (Gene Wilder). They discover that, with the help of a few gullible investors, they can make more money on a flop than on a hit. So armed with the worst show ever written � �Springtime For Hitler� � and an equally horrific cast, this double-dealing duo is banking on disaster. But when their sure-to-offend musical becomes a surprise smash hit, they find themselves in the middle of a Broadway blitzkrieg!
Mel Brooks's directorial debut remains both a career high point and a classic show business farce. Hinging on a crafty plot premise, which in turn unleashes a joyously insane onstage spoof, The Producers is powered by a clutch of over-the-top performances, capped by the odd couple pairing of the late Zero Mostel and Gene Wilder, making his screen debut.
Mostel is Max Bialystock, a gone-to-seed Broadway producer who spends his days wheedling checks from his "investors," elderly women for whom Bialystock is only too willing to provide company. When wide-eyed auditor Leo Bloom (Wilder) comes to check the books, he unwittingly inspires the wild-eyed Max to hatch a sure-fire plan: sell 25,000 percent of his next show, produce a deliberate flop, then abscond with the proceeds. Unfortunately for the producers (but fortunately for us), their candidate for failure is Springtime for Hitler, a Brooksian conceit that envisions what Goebbels might have accomplished with a little help from Busby Berkeley.
Truly startling during its original 1968 release, The Producers does show signs of age in some peripheral scenes that make merry at the expense of gays and women. But the show's nifty cast (notably including the late Dick Shawn as LSD, the space cadet that snags the musical's title role, and Kenneth Mars as the helmeted playwright) clicks throughout, and the sight of Mostel fleecing his marks is irresistibly funny. Add Wilder's literally hysterical Bloom, and it's easy to understand the film's exalted status among late-'60s comedies. --Sam Sutherland --This text refers to an out of print or unavailable edition of this title.See all Product Description
I laughed, I cried, I danced.
( Only one of these things may be true.)
Mel Brooks began his 13 movie career during the budding of the Floral Age by writing a song 'n' dance satire of the totalitarian, homosexual, heterosexual,... Read more
You can't get much better than the teaming of Gene Wilder, Zero Mostel, and Dick Shawn in a Mel Brooks Comedy. The DVD itself, was brand new in the box, and a very clean copy. Read morePublished on July 11 2013 by G. Bowes
Kenneth Mars is the funniest Nazi you'll ever see.The musical was good but can't touch the original.Well worth the moneyPublished on Jan. 14 2012 by joe swanson
The theme held so much promise -- a couple of spent-out producers setting out to create the worst play ever to exploit an accounting glitch with finances. Read morePublished on July 8 2004 by Nearly Nubile
The Producers is the best of Mel Brooks' trio of masterpieces, which includes Young Frankenstein and Blazing Saddles. Who knows if this is one of the funniest movies of all time? Read morePublished on April 23 2004 by Kari L. Black