Determinedly odd, over the top and a lot of fun., This strangely sentimental, wonderfully photographed, very violent black comedy is like
some demented marriage of a sincere Disney film about a 12 year old girl looking for a father (or, in an intentionally disquieting French
twist, a lover), with the over the top darkness of David Lynch, or Kubrick in his "Dr. Strangelove" mode, and some John Woo action
thrown in for good measure.
Sound weird? Well, it is, and there are some huge logic jumps and gaping plot holes. But the film disarms those potential problems by
never pretending to be the world as we know it, but creating a heightened, strange, through- the-looking-glass reality where hit men
are sweet softies at heart, and New York cops are not only corrupt but openly bat-sh@t insane, gunning down whomever gets in their
way with gleeful abandon.
Gary Oldman goes way, way over the top as the baddie, and is a blast in the process. Jean Reno creates some real pathos in his sad faced,
killer, who is so alone that he's almost child-like in his having to learn to relate to another human, and Natalie Portman gives a shockingly
complex performance for an actress so young, playing so tricky a role. A film I could understand someone hating if they didn't get into
Besson's decidedly off-beat vibe, but if you go with it, it's that rarest of film creatures, something unique.
The blu-ray looks great provides both the theatrical and extended director's cut and has some solid bonus features besides.