- Hardcover: 400 pages
- Publisher: Clarendon Pr (October 1987)
- Language: English
- ISBN-10: 0198126948
- ISBN-13: 978-0198126942
- Product Dimensions: 22.2 x 14.6 x 2.8 cm
- Shipping Weight: 699 g
- Average Customer Review: 3.3 out of 5 stars See all reviews (13 customer reviews)
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Product Description
Book Description
The Clarendon Edition of The Professor marks the first time this novel--or in fact any major novel by Charlotte Bront�--has appeared in an edition based directly on the author's manuscript. The editors provide a substantial introduction, giving a full account of the novel's composition, and include full indexes to biblical and literary allusions.
From the Back Cover
The Modern Library of the World's
Best Books
"We read Charlotte Bronte not for exquisite observation of character, not for comedy, not for a philosophic view of life, but for her poetry. Probably that is so with all writers who have, as she has, an overpowering personality, so that . . . they only have to open the door to make themselves felt. There is in them some untamed ferocity perpetually at war with the accepted order of things."
--Virginia Woolf
--This text refers to an alternate
Hardcover
edition.
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First Sentence
THE OTHER DAY, in looking over my papers, I found in my desk the following copy of a letter, sent by me a year since to an old school acquaintance: DEAR CHARLES - I think when you and I were at Eton together, we were neither of us what could be called popu Read the first page
Front Cover | Copyright | Excerpt | Back Cover
THE OTHER DAY, in looking over my papers, I found in my desk the following copy of a letter, sent by me a year since to an old school acquaintance: DEAR CHARLES - I think when you and I were at Eton together, we were neither of us what could be called popu Read the first page
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Front Cover | Copyright | Excerpt | Back Cover
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Most helpful customer reviews
2.0 out of 5 stars
Only for diehard Charlotte Bronte Fans,
By
This review is from: Penguin Classics Professor (Paperback)
Although the spark of creativity is there, it still takes some time to appreciated this novel after reading Janes Eyre. The main character Crimsworth seems to be arrogance, aristocratic, and audacious. This could be Bronte's first take on a male perspective, but is that what she considered the male psyche to be as she portrays on her other novels' male characters. All in all the novel has some worth, but needs getting used to.
3.0 out of 5 stars
I expected more,
By Romantic Anna (Bronx, NY United States) - See all my reviews
This review is from: Penguin Classics Professor (Paperback)
As a fan of Jane Eyre and Shirley I was thoroughly taken aback by how much this book irked me. There was much I found commendable: the attempt to write from a male point of view, the contemplation of cultures and the assertionof female rights by a good female character. There is even humor in this book (the description of the students made me laugh aloud), but I disliked the obviousness of the novel: it is easy to predict. I was also very disturbed by the character's xenophobia and attacks on Catholicism, although those were the prevalent English views of the time. This book is really for people who want to see how the great Bronte developed as an artist and one of the finest writers of the English language.
4.0 out of 5 stars
Only for an avid reader of the Brontes,
By Lara (Florida, MO USA) - See all my reviews
This review is from: Penguin Classics Professor (Paperback)
The Professor is the story of William Crimsworth, a young man of small means and weak family connections who travels to Brussels to earn a living. He settles there as an English professor in an all-boys school and teaches part-time in the neighbouring girls' school. There he falls in love with one of his pupils, a poor lace-mender, and is pursued by the school's directress, an artful self-interested woman.If this sounds rather dull to you, then you have the correct impression. The book is not as exciting as Jane Eyre or as moving as Villette. The narrative moves slowly, and Crimsworth is a very analytical type of character who does not scruple to record his thoughts on every detail. Nothing really dramatic happens and emotions are not heightened. But what I really dislike about this novel is the prejudiced portrayal of the Flemish, described often as coarse and unthinking, as inferior to the English. The novel has a strong negative sound, very different to that in Villette. Although Crimsworth is the marble image of perseverance and self-control, almost to an inhuman level, he is haunted by hypochondria. There is a general sense of mistrust and hostility between all the characters. The editor explains in her introduction that this is the result of suppressed impulses and denied indulgences of the main characters, and reveals Bronte as a social critic. And there is one very interesting character, Mr. Hunsden, a cynical, but very like-able artistocrat who dislikes wealth (he's a bit like Rochester). Though the story is lacking in feeling, it still has bits here and there of beautiful prose and warmth that make it worth reading for a Bronte fan, but most others would judge it too slow-paced and dull.
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