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With Eric Clapton's valuable assistance, Waters takes the concept album to new heights on this 1984 masterpiece, his first LP after leaving Pink Floyd.. Each of the 12 songs represents a scene of a surreal dream (nightmare?) and Waters brilliantly captures the pendulum of emotions. Periods of serenity and clarity accompany frenzied and distorted passages of chaos and moments of great irony and humor. Along the journey, Waters confronts murderous Arabs in Germany, a steamy sexual liaison, mundane family life, bikers, truckers, housewives, and strangers. He sucks you into his vision by blurring the lines between what's real and what's part of the dream. Meanwhile, his use of recurring themes gives the work cohesion. As the mood shifts, Clapton's guitar perfectly accents Waters' story, whether with fiery electric explosions or delicate acoustic touches. -- Marc Greilsamer --This text refers to an out of print or unavailable edition of this title.
With the Pros and Cons of Hitchhiking, Roger Waters took some of the musical ideas that he has been using since Dark Side (connecting songs together in beautiful ways), but... Read morePublished on July 7 2004 by Ian Joseph Phillips
Contrary to what many say, Roger Waters' solo albums are excellent. Check out this dense, intelligent album.Published on June 14 2004
This album will never leave my collection as long as I live.
I have owned The Pros and Cons of Hitchhiking for 10 years now, and consider it the best album to come from the... Read more
I have always wondered why people keep comparing different albums and try to have a point of reference. Bottom line is if you enjoy Waters/Pink Floyd, this is a must-have album. Read morePublished on May 26 2004 by B. Shojaee
Not as bad as dual stinkers 'Radio Kaos' or 'The Final Cut', but not recommended anyway. And Eric C., you din hep much either. Try a 'Muddy Waters' cd instead, a true arteest.Published on April 22 2004 by a music fan
Much better than Radio Kaos, and musically, the Final Cut. Roger takes us back to the wall era Floyd sound. Read morePublished on April 18 2004 by Joshua Alex Dolf