20 of 21 people found the following review helpful
5.0 out of 5 stars
The creation of Oz -- a land much like America, Aug 20 2009
By Theodore A. Rushton - Published on Amazon.com
This review is from: The Real Wizard Of Oz (Hardcover)
Failed! Failed! Failed! is the basic story of L. Frank Baum, the man who created some of the best-loved characters in children's fiction and "set the stage" for the outstanding film that became the highlight of Judy Garland's career.
'The Wonderful Wizard of Oz,' published when Baum was 44, is a distinctly upbeat American story that avoids the grim horror and gloom of European stories in the same genre. The Emerald City is a mythical version of America, happily isolated from real life and filled with wondrous new technology and unlimited resources. Baum emphasized American qualities of egalitarianism, tolerance, suspicion of all elites and a deep mistrust of all leaders -- even elected ones. The 'Wizard' is a typical American politician, a little man always hiding behind a screen of pretense, fantasy and make-believe.
As an immigrant, Loncraine has great insight in understanding Americans and Oz; for her, many attitudes taken for granted in this country are new and intriguing. The 'Oz' books became instantly popular because they reflect the inner spirit of America, which explains why Baum was deluged with requests to write more and more about Dorothy and Oz. Often it takes an outsider to notice the differences which make us unique.
Born in 1856, Baum had an upper-middle-class upbringing by a father who was a prominent businessman. He was fascinated by the imagery and make-believe of the theatre; after his early success on the New York stage, his father gave him a string of theatres. He began writing comedies and melodramas until business troubles, not entirely his own, ended this venture.
When he was 26 he married Maud Gage, an independent-minded woman who was a suffragette and early feminist. It suited him perfectly, which helps explain why Dorothy is such a strong-minded figure in the Oz books. Two years later he went west and into a string of failures. It wasn't until he moved to Chicago in 1897 and founded 'The Show Window,' a journal which taught shopkeepers how to effectively display goods in their store windows, that success began.
In 'The Show Window,' Loncraine writes, "Baum reveled in the use of trapdoors, invisible mirrors, false walls, and altered perspectives that enabled him to 'make ordinary Things' in shop-front windows 'appear marvelous'." His theatrical background and experiences further west were the basis of his success.
But, he wanted to write. He published 'Mother Goose in Prose' in 1897, then began work on a new story about a child who travels from the dull grey west to a marvelous land called Oz. The story "... came out of the farmlands, woodlands, and lakes of his childhood, the nightmarish Civil War amputees he must have seen, the scarecrow that had haunted his dreams, and the folktales he had read; it came out of his experiences out West, amid drought, cyclones, and rural poverty, out of the gleaming fake White City of the Chicago World's Fair, and out of his fascination with illusions and tricks."
In brief, Loncraine explains how 'Oz' is really America itself and how Baum, with barely a high school education, became one of the most popular authors of the early Twentieth century. Like Mark Twain, John Steinbeck and many others, he reflected the American psyche. This book it adds fascinating detail and explains why 'Oz' became a stage play and finally a great movie.
It is a beautiful book, and adds immensely to anything and everything associated with 'The Wizard of Oz.'
6 of 6 people found the following review helpful
1.0 out of 5 stars
Underwhelming, Jan 29 2010
By G. Ness - Published on Amazon.com
This review is from: The Real Wizard Of Oz (Hardcover)
Like many of the other reviewers, I have been a life long fan of Oz. When I saw this book, I had to read it. L. Frank Baum was an interesting man living in interesting times. Unfortunately the book is choppy and insufficiently researched. The author appears to have been unable to gather the appropriate information to allow her to convey legitimate occurrences. The book is absolutely filled with "might have" and "must have" statements. One example of many is that based on Baum's early residence in Syracuse and knowledge that P.T. Barnum's show traveled through Syracuse during the same period, that Baum may have visited the show or must have seen the parade. The author then takes the liberty to suppose that Baum's thinking and therefore later works were influenced in some way by Barnum. Making this sort of supposition now and then is one thing, but this book is overrun with them. The first hundred pages (the early years of Baum's life) are especially ponderous. The few facts that the author was able to locate are over expanded by repetition, relation of parallel events and the author's attempt to psychoanalyze the subject. The book flows better as Baum relocates his family to South Dakota and he takes over the reins of a local newspaper. Obviously his newspaper clippings were available and this book begins to more closely resemble a biography. Unfortunately, the momentum is short lived and the last few chapters become a running superficial review of one Oz book after the next. This work is a complete tease. I have to believe that a more accomplished biographer could do wonders with the subject matter. If you must read this book, save your money and borrow it from the library.
6 of 6 people found the following review helpful
3.0 out of 5 stars
A Wealth of Detail, Dec 21 2009
By T. Dotts - Published on Amazon.com
This review is from: The Real Wizard Of Oz (Hardcover)
Almost everyone in the United States knows the story of the Wizard of Oz. Whether you're familiar with it from TV reruns of the 1939 MGM classic or from reading the books, chances are you're well acquainted with Dorothy and her quest to follow the Yellow Brick Road.
What you may not know is that like Dorothy, her creator, L. Frank Baum, experienced a tornado when he was young. Or that Baum's interest in spiritualism informed his creation of the Scarecrow, the Tin Man and the Cowardly Lion.
In his Oz books, Baum clearly followed the old adage: write what you know. He may not have physically been to Oz and walked through the Emerald City, but he used everything from his life to inform his creations. Rebecca Loncraine [...] takes a detailed look at Baum's life and its ties to his fiction in The Real Wizard of Oz: The Life and Times of L. Frank Baum.
She begins eight years before Baum's birth with a glimpse at the growing fad for mediums who could contact the dead and the effects of a diphtheria epidemic on Baum's family. Her attention to detail is great, and a reader comes away from the early parts of the biography with a full understanding of growing up in the latter half of the 19th century. At times, the level of detail can frustrate a reader, who wants to get to the good stuff, when Baum comes into his own and begins writing.
Patience is a virtue as each chapter detailing Baum's young life sets the stage for the next chapter. His family newspaper, created when he was a child, holds the seeds of his later fiction. As does his interest in theater. In 1882, Baum married Maud Gage. His close ties with her family would lead him to follow his brother-in-law to Dakota Territory where he experienced droughts and conditions similar to those Dorothy Gale would face before her fateful tornado ride. He also wrote about reports of Sitting Bull's ghost dancers in his Aberdeen Saturday pioneer, a newspaper he acquired in 1889.
Baum began working on The Wizard of Oz in 1898. He drew on his memories of Civil War amputees, his fear of scarecrows, the Chicago World's Fair and a powerful imagination to create his world. His niece, Dorothy Gage, was born one month after Baum started writing. She would die five months later.
Once The Wizard of Oz is published, Loncraine's book picks up momentum. Oz becomes a incredible success, allowing Baum to write other fairy tales and to further explore Oz. He creates a stage musical of the book, which dazzled audiences with its use of electric light and stage trickery.
Financially successful, Baum continues the Oz series, using the books to create a world that should be, rather than the world rapidly growing in the 20th century. Uncle Henry and Auntie Em face bankruptcy in an Oz sequel so Dorothy arranges for them live in a utopian Oz.
Loncraine follows Baum through the wild success of Oz and his alter ego pseudonyms, his financial highs and lows, all the while emphasizing Baum's love of children and childhood and his dedication to imagination. The book continues past his death in 1918 to Maud's attendance at the 1939 MGM premiere.
The Real Wizard of Oz isn't just a biography of L. Frank Baum, but a biography of Oz. The two are intertwined, perhaps just as Baum would have it be.