The Royal House of Monaco: Dynasty of Glamour, Tragedy and Scandal [Hardcover]

Monaco first came to attention when Prince Rainier married the film star Grace Kelly, who brought glamor and modernity to the teeny little country. Grace's past -- involving multiple love affairs -- was swept out of sight as she ascended to the glamorous -- and severely stress-inducing -- position of princess, wife and mother. Rarely happy in her long and paparazzi-studded marriage, she nevertheless gave it her darndest and died tragically and suddenly when she was starting to find fulfillment again.

The book shifts focus after Grace's death in a car accident, to her three *ahem* spirited children: Caroline, who married one playboy after another, got pregnant out of wedlock, and once burst out of her top at a club, then had to shift into the social position that her mother left vacant. Albert, a playboy himself, who played around with one woman after another but wouldn't make even a vestige of commitment--even to one ex-girlfriend who had his baby, Tamara Rotolo. Stephanie, who shocked Monaco with her wild antics, drug use, explicit singing career and wild modelling career, bodyguard live-in boyfriend, and humiliating divorce after marrying said boyfriend.

Sound like a tabloid? Well, that's a royal family for you. Fortunately, Glatt doesn't speculate on the inner thoughts of the Grimaldi family (said to be under a curse from a witch raped by a Grimaldi) but allows their actions to speak alone. His writing style is pleasant to read, and gives us insights that other biographers apparently didn't get. I especially enjoyed the interviews with Cassini (Grace's ex-fiancee) Robyns who wrote a steamy biography but edited it at Grace's request, excerpts from members of the Grimaldi family, and from people who knew/know them.

This is hardly flawless. He describes Grace as a devout/militant Catholic, yet chronicles love affairs (with men married and single), an abortion, astrology beliefs, etc. Sorry, these are not the actions of a "militant" Catholic, though admittedly it is possible that she confessed these to a priest (something we will never know). He does occasionally linger on stuff that is more than we want to know, but it does give us a good look at the Grimaldis.

Stephanie, Caroline and Albert have already been in the spotlight, tabloidwise, so I suppose Glatt felt that there was no real reason to sugarcoat things. Rainier gets away the easiest, for though he was unfaithful to Grace during their marriage, very little space is given to it (as compared to Albert's girlfriends, Stephanie's partying days, etc).

In recent years the Grimaldis seem to have calmed down, but this book is nevertheless a heckuva read. If you liked the Royals but didn't like the made-up parts, try this book on for size.

Although the subtitle mentions the Grimaldi 'dynasty,' 70 percent or so of the book is about the, um, 'complex' personal lives of Princesses Caroline and Stephanie and Prince Albert, the three children of Rainier and Grace. There's little effort to put the dynasty or the principality in more than the immediate historical context, and although Rainier is frequently described as an absolute monarch or even 'Europe's last dictator' (which isn't even true), matters of state take a distinct back seat to the 'glamour, tragedy, and scandal.'

This is too bad. One of the most interesting assertions in the whole book was a comment from one of Glatt's sources to the effect that the Grimaldis were not becoming tawdry, but rather had always BEEN tawdry, and had hidden that fact behind a false front of elegance while Princess Grace was alive. I don't know if that's true or not: Glatt unfortunately lets the statement pass almost unanalyzed.

Glatt is to be commended, at least, for the variety of his sources, including several who (at least according to Glatt himself) had never spoken on the record before. While the book frequently reads like an extended essay in People magazine, Glatt avoids the temptation of acting omniscient about his subjects' thoughts and motivations. When they act inexplicably (which is disturbingly often), he says so. Glatt's tone is respectful and polite, but he didn't pull his punches. As someone who only paid cursory attention to the Grimaldis, I think I have a better understanding (and a lower opinion) of them as a result of this book.

A worthwhile read, all in all, for monarchy fans whose interests lie more in the personal than the political, the contemporary rather than the historical.