The Sandman: Doll's House Paperback – Jun 1 1990
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About the Author
Neil Gaiman is the most critically acclaimed comics writer of the 1990s and is the author of numerous books and graphic novels. He is the New York Times No. 1 best-selling author of American Gods and Anansi Boys, and won critical acclaim for his first feature film, Mirrormask, with long-time collaborator Dave McKean. --This text refers to an out of print or unavailable edition of this title.
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Top Customer Reviews
Among the current-day stories, we get some Dream backstory. As part of his coming-of-age ritual, a young boy is told of how a beautiful woman fell in love with Lord Kai'ckul, king of the dream realm. And we see a story of a man untouched by Death, and his ups-and-downs over the centuries as he keeps meeting with his Endless friend.
In the present, Dream learns that a dream vortex has appeared. That vortex is Rose Walker, the granddaughter of Unity Kinkaid (who has slept most of her life), who is searching for her imprisoned little brother. She goes to live at a boarding house full of eccentrics, and is taken under the wing of the mysterious Gilbert (who looks a lot like G.K. Chesterton, and is named "Gilbert").
Additionally, some of Dream's creatures have escaped -- the horrifying Corinthian, who is the guest of honor at a serial-killer convention; Brute and Glob, who have made their own "New Sandman" out of a dead superhero; and Fiddler's Green, who is already close to the dream vortex...
"The Sandman Vol. 2: The Doll's House" is a somewhat messy story -- the two "past" stories feel disconnected from the rest of the book, and it takes awhile for some of the subplots to fully flower.Read more ›
Most Helpful Customer Reviews on Amazon.com (beta)
The Doll's House is probably the most disturbing Sandman, along with P&N, but it's also one of the most beautiful, one of the best. It features the first appearance of Dream's sister/brother Desire, and the story of Dream and Nada, and this guy called the Corinthian who's going to a Cereal Convention. There's something kinda weird about his eyes. You'll see... <g>
The Doll's House, Sandman's second volume, presents Neil Gaiman's first attempt at a large-scale story arc (The series' first eight issues, collected in Preludes and Nocturnes, were interconnected but were, for the most part, individual episodes). Like most Sandman story arcs, The Doll's House is quite multifaceted. Later, Gaiman would master the art of unfolding intricate story arcs with masterful precision, but on The Doll's House, he has yet to reach his peak. Thus, this is not a great story arc but a cumbersome one that has occasional moments of greatness.
It is difficult to recap the plot of The Doll's House, as it is a messy one that slowly unveils itself as the story moves along. The least one must know before delving into any Sandman volume is that the series focuses on the "realm of dreams," and its ruler, Morpheus, a God-like being with the attitude of a morose 20-something. The Doll's House finds the dream king tracking down several inhabitants of his dominion who fled during the decades he was imprisoned by a sorcerer (see Preludes and Nocturnes) and also dealing with a "dream vortex" that has manifested itself in a punk-ish young woman named Rose Walker. Rose is searching for her lost brother, Jed, who is locked in the cellar of his abusive aunt and uncle. Given his connection to the dream vortex, it is no coincidence that Jed is experiencing strange dreams involving The Fury and The Silver Scarab of the superhero team, Infinity Inc.
Although the larger story of The Doll's House does not quite succeed, two episodes that stand somewhat independently of it do. One is "Collectors," in which Rose's search somehow brings her to a trade convention for serial killers. This tale is ingenious; a horror story that is somehow funny, terrifying and wholly original at the same time. The other is the prelude, "Tales in the Sand," in which an African tribesman indoctrinates his grandson into manhood by telling him the legend a queen and her tragic love affair with Morpheus. This chapter first demonstrated Gaiman's appreciation of indigenous folklore and his remarkable ability to weave it into the Sandman mythos. It is moments like these in which one can see Sandman shaping into something wonderful. However, when the focus is on the Walker siblings, the missing denizens of the dream world, a couple of obscure superheroes and the confusing connections between them, The Doll's House is a frustrating read at best.
So I expected some of the pop-out choices to be difficult. I was ready to tolerate some unusual choices. And for the most part, they handled it well. They did a nice job with challenging panels like wide or tall panels with dialog balloons in many places. They even did an OK job with some of the rotated panels.
But in a few places, they just plain got it wrong. In some places they got the dialog order wrong, so an response pops out before the statement that prompted it. And in a few cases, they missed a dialog balloon entirely; and the only way I could read it was to switch to page mode.
So I knocked off a star for the imperfections. I hope DC takes the time to fix these after the mad rush of releasing 100 Kindle Fire Comics at once.