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The Satanic Verses
 
 

The Satanic Verses [Paperback]

Salman Rushdie
4.0 out of 5 stars  See all reviews (68 customer reviews)
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From Amazon

No book in modern times has matched the uproar sparked by Salman Rushdie's The Satanic Verses, which earned its author a death sentence. Furor aside, it is a marvelously erudite study of good and evil, a feast of language served up by a writer at the height of his powers, and a rollicking comic fable. The book begins with two Indians, Gibreel Farishta ("for fifteen years the biggest star in the history of the Indian movies") and Saladin Chamcha, a Bombay expatriate returning from his first visit to his homeland in 15 years, plummeting from the sky after the explosion of their jetliner, and proceeds through a series of metamorphoses, dreams and revelations. Rushdie's powers of invention are astonishing in this Whitbread Prize winner. --This text refers to the Hardcover edition.

From Publishers Weekly

Banned in India before publication, this immense novel by Booker Prize-winner Rushdie ( Midnight's Children ) pits Good against Evil in a whimsical and fantastic tale. Two actors from India, "prancing" Gibreel Farishta and "buttony, pursed" Saladin Chamcha, are flying across the English Channel when the first of many implausible events occurs: the jet explodes. As the two men plummet to the earth, "like titbits of tobacco from a broken old cigar," they argue, sing and are transformed. When they are found on an English beach, the only survivors of the blast, Gibreel has sprouted a halo while Saladin has developed hooves, hairy legs and the beginnings of what seem like horns. What follows is a series of allegorical tales that challenges assumptions about both human and divine nature. Rushdie's fanciful language is as concentrated and overwhelming as a paisley pattern. Angels are demonic and demons are angelic as we are propelled through one illuminating episode after another. The narrative is somewhat burdened by self-consciousness that borders on preciosity, but for Rushdie fans this is a splendid feast. 50,000 first printing; $50,000 ad/promo; first serial to Harper's; BOMC alternate; QPBC alternate; author tour.
Copyright 1988 Reed Business Information, Inc. --This text refers to the Hardcover edition.

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Front Cover | Copyright | Table of Contents | Excerpt
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Customer Reviews

68 Reviews
5 star:
 (42)
4 star:
 (9)
3 star:
 (6)
2 star:    (0)
1 star:
 (11)
 
 
 
 
 
Average Customer Review
4.0 out of 5 stars (68 customer reviews)
 
 
 
 
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16 of 16 people found the following review helpful
5.0 out of 5 stars Wrestling with God, Nov 3 2001
By 
Peter Wang (Houston, TX USA) - See all my reviews
On the evening of September 10, 2001, the acclaimed, or is it notorious, British-Indian author of The Satanic Verses, Salman Rushdie, came to Houston to read from his latest work. A small crowd of Ayatollah-following extremist protesters picketed outside the Alley Theater. If that is all they're up to now, I thought, perhaps we've heard the last of the jihad, the fatwa and the Islamic crazies. Little did I know what outrage awaited the next day.

When I found The Satanic Verses in the book store, I thought, If this is a war of ideas, a war for the mind, then my own little personal protest will be to read what my enemy does not want anyone to read. It had not occurred to me before, because the fervor of the fatwa led me to believe Salman Rushdie's book was some sort of religious tract or angry political protest against Muslim fundamentalism, not a novel of brilliant imagination, sensual metaphor and lyrical poetry.

It is a story of India and Britain, and the inevitable clashes between, brought on by their long, and turbulent history together. It is a story about personal identity, racial identity and religious identity. It is a story of damnation and redemption, love and betrayal, betrayal and forgiveness. But most of all, it is a story about people. Deep, colorful and live, full of passion, humor and questions for the Almighty. It is, in short, a human story, so well crafted, that anyone, even someone like me who has little experience with India or Islam, can relate to its message.

Perhaps this accessibility is just what worried the Ayatollah Khomeni. By issuing his death sentence upon Salman Rushdie's head, he drew widespread attention and sympathy for a talented writer who might otherwise have gone unnoticed outside his own circle of interest. Khomeni also demonstrated what power mere words could hold over those who rule by the absolutism of ideas.

"What does a poet write? Verses. What jingle-jangles in Gibreel's brain? Verses. What broke his heart? Verses and again verses."

Rushdie's criticism for the religion of Islam/Submission, as spread by the Prophet Mohammed/Mahound, is sharp, angry and completely unapologetic. He even goes so far as to suggest that Mahound invented a lot of the "rules" of this religion for the sake of convenience, or compromise, in businesslike fashion,
for the more successful spread and maintenance of power of the Idea and its officials.

Throughout the story, Rushdie asks the question, Where are the words, or verses, attributed to God/Allah really coming from?

"All around him, he thinks as he half-dreams, half-wakes, are people hearing voices, being seduced by words. But not his; never his original material. - Then whose? Who is whispering in their ears, enabling them to move mountains, halt clocks, diagnose disease? He can't work it out."

No wonder Khomeni was afraid.

One amusing thing is that Rushdie was clearly aware of the danger he was creating for himself by writing and publishing his opinions.

"'And now Mahound is coming in triumph; so I shall lose my life after all. And his power has grown too great for me to unmake him now.' Baal asked: 'Why are you sure he will kill you?' Salman the Persian answered: 'It's his Word against mine'."

I did not, however, get the sense that Rushdie was arguing against belief in God or even Allah. The book has too much life-affirming optimism for such a stance. His argument is against God's misuse for the purpose of controlling or subjugating people; that submission is not for normal human beings. Normal
human beings wrestle with God, have doubts, questions, even anger. "What kind of idea are you?" He asks repeatedly throughout the book. "How do you behave when you are weak?" - Bend, compromise, in order to survive? "How do you behave when you are strong?" Hard, unyielding, pure? or Forgiving and merciful?

But even while all these heavy questions are being considered and discussed, Rushdie never loses his sense of humor.

"Gibreel's vision of the Supreme Being was not abstract in the least. He saw, sitting on the bed, a man of about the same age as himself, of medium height, fairly heavily built, with salt-and-pepper beard cropped close to the jaw. What struck him most was that the apparition was balding, seemed to suffer from dandruff and wore glasses."

With his lightning-fast wit and willingness to satire even himself, he reminds us all that, Hey, this is a book, a novel, and its first purpose is to entertain. The Ayatollahs, Imams and religious dictators need to lighten up.

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8 of 8 people found the following review helpful
5.0 out of 5 stars knowing about Islam DOES help a lot..., April 11 2002
By A Customer
Even if you don't know anything about Islam, the book is still beautiful and entertaining and you'll get a lot out of it. But don't believe the people who say that you don't need to know anything beyond who Muhammad is to understand it completely. I read the book right before I started a class on Islam, and I understood a lot of the main messages. After I took the class, though, so many things started to make more sense. For example, Rushdie renames Mecca "Jahilia", which in Islam refers to the 'age of pagan ignorance'. (So he's calling the most holy city a place of ignorance...) That's just a tiny example; most of them are a lot more detailed. There are so many incredibly complex things that are going on in this book, that you simply can't understand it all if you don't know anything about Islam. I would still encourage anyone to read it though. Maybe it'll spark an interest to learn more about the religion.
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11 of 12 people found the following review helpful
5.0 out of 5 stars a WONDERFUL book, May 19 2002
By 
Greg (Wading River, NY United States) - See all my reviews
This book is incredible. Rushdie has a unique, lyrical prose style that makes this book a joy to read. The Satanic Verses deals with two men who fall from a hijacked airpane and survive. After the fall, (hmm) they undergo a series of transformations: one man, Gibreel Farishta, is changed into an archangel, while Saladin Chamcha changes into a demon. The story also deals with immigration: the loss of one's homeland and the mistreatment and bigotry with which immigrants are treated. Beyond that, Rushdie is dealing with the intertwined nature of good and evil. Where the book has been accused of blasphemy are the passages in which he opposes the black/white polarization of good and evil in organized religion. I would not recommend this book to a devout Muslim, Catholic, or any unquestioned believer in any dogmatic religion. It questions many beliefs about God and about life. However, I do not feel Rushdie is an atheist, only a believer who does not want to be told what to think. This book is a great masterpiece, second only in Rushdie's catalogue to Midnight's Children. (Well, I haven't read Ground Beneath her Feet yet, but MC is the best I've read so far.) I highly recommend this book and Salman Rushdie. I would read Midnight's Children first if you're a Rushdie newbie.
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