Hoping to get a new book published, burned-out journalist Rosalind Leigh interviews Olive Martin, an obsessed sculptor who is convicted of killing her mother, and whom Rosalind begins to believe is not the actual murderer. Reprint. NYT. AB.
This book revolves around two main stories that become by necessity intertwined. One is that of a morbidly obese, young woman, Olive Martin, who is imprisoned for the brutal and grisly murders of her mother, Gwen, and beautiful, younger sister, Amber, whose butchered bodies shocked even the most jaded of folks. On the eve of trial, Olive made a full confession to the crime and received a prison sentence of not less than twenty-five years for her butchery. Known in prison as "The Sculptress", she passes the time making miniature, carved, wax images, a delicate and sensitive pastime for one with a reputation for such primal savagery.
Enter Rosalind "Roz" Leigh, a thirties something author suffering from writer's block, who accepts a commission to write about the Olive Martin case. After meeting Olive, she becomes intrigued by her, finding her to be other than what she had expected, and a symbiotic relationship develops between the two. As she delves into the facts of the murder case, and as her interviews with Olive reveal, all is not quite what it seems. The more that Roz sorts through the facts and the more people that she interviews who were in some way associated with the Martin family, the more she becomes convinced that a miscarriage of justice has occurred and that the wrong person is paying a horrific price for the grisly murders of Gwen and Amber.Read more ›