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The Secret History
  

The Secret History [Paperback]

Donna Tartt
4.3 out of 5 stars  See all reviews (443 customer reviews)

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From Publishers Weekly

Tartt's much bruited first novel is a huge (592 pages) rambling story that is sometimes ponderous, sometimes highly entertaining. Part psychological thriller, part chronicle of debauched, wasted youth, it suffers from a basically improbable plot, a fault Tartt often redeems through the bravado of her execution. Narrator Richard Papen comes from a lower-class family and a loveless California home to the "hermetic, overheated atmosphere" of Vermont's Hampden College. Almost too easily, he is accepted into a clique of five socially sophisticated students who study Classics with an idiosyncratic, morally fraudulent professor. Despite their demanding curriculum (they quote Greek classics to each other at every opportunity) the friends spend most of their time drinking and taking pills. Finally they reveal to Richard that they accidentally killed a man during a bacchanalian frenzy; when one of their number seems ready to spill the secret, the group--now including Richard--must kill him, too. The best parts of the book occur after the second murder, when Tartt describes the effect of the death on a small community, the behavior of the victim's family and the conspirators' emotional disintegration. Here her gifts for social satire and character analysis are shown to good advantage and her writing is powerful and evocative. On the other hand, the plot's many inconsistencies, the self-indulgent, high-flown references to classic literature and the reliance on melodrama make one wish this had been a tauter, more focused novel. In the final analysis, however, readers may enjoy the pull of a mysterious, richly detailed story told by a talented writer. 75,000 first printing; BOMC and QPB selections.
Copyright 1992 Reed Business Information, Inc. --This text refers to the Hardcover edition.

From Library Journal

This well-written first novel attempts to be several things: a psychological suspense thriller, a satire of collegiate mores and popular culture, and a philosophical bildungsroman. Supposedly brilliant students at a posh Vermont school (Bennington in thin disguise) are involved in two murders, one supposedly accidental and one deliberate. The book's many allusions, both literary and classical (the students are all classics majors studying with a professor described as both a genius and a deity) fail to provide the deeper resonance of such works as Umberto Eco's The Name of the Rose . Ultimately, it works best as a psychological thriller. Expect prepublication hype to generate interest in this book and buy accordingly. Previewed in Prepub Alert, LJ 5/1/92.
- Charles Michaud, Turner Free Lib., Randolph, Mass.
Copyright 1992 Reed Business Information, Inc. --This text refers to the Hardcover edition.

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DOES SUCH a thing as "the fatal flaw," that showy dark crack running down the middle of a life, exist outside literature? Read the first page
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Customer Reviews

443 Reviews
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Average Customer Review
4.3 out of 5 stars (443 customer reviews)
 
 
 
 
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1 of 1 people found the following review helpful
4.0 out of 5 stars Good but flawed, Mar 12 2003
By 
E A Glaser (Delft, The Netherlands) - See all my reviews
(REAL NAME)   
This review is from: The Secret History (Paperback)
Since I'm so late to the game with regards to Donna Tartt's hit novel "The Secret History", I'll just try to list the things I found striking about the book, both positive and negative:

1) The author is clearly knowledgeable about ancient Greek, and conveys some of the power and expressiveness inherent in the language (or so I imagine -- I never studied it myself, but I would like to after reading this book).

2) "The Secret History" is definitely a page-turner. I read it in a mad frenzy over three days. I think the author "cheated" to keep my interest though -- clues to the plot are parcelled out quite parsimoniously and the reader is forced to share the confusion and gradual dawning of the narrator. It's well done but frustrating; the epicenter of my annoyance lies with the character of Henry, who is inscrutable and enigmatic throughout. The novel might have been less exciting without this haze thrown over the main characters' motivations, but it seems kind of cheap to build suspense by teasing the reader with half-heard conversations and veiled comments all the time.

3) The characters are drawn quickly and convincingly, but not fleshed out as much as I'd expect from such an ambitious novel. Otherwise I think the author's writing style is very good -- some nice turns of phrase but still very readable and not show-offy. Some reviewers here have complained about the brief bits of non-English dialogue. There are a few times when it's not translated, but they were rare enough not to bother me.

4) You can definitely guess what kind of college life the author had from "The Secret History". In the book she mercilessly stereotypes vapid cokeheads, aggressive party boys and loopy hippies. The main characters, a group of six students studying ancient Greek and the classics together, are very segregated from their schoolmates and the outside world.

5) If I drank as much and slept as little in college as the characters in this book, I don't think that I'd have had the stamina to graduate. Otherwise, the novel progresses pretty plausibly, reminding me of the movie "The Simple Plan": A seemingly simple situation grows more and more thorny as the tension escalates and the students take actions that seem reasonable at the time, but have unintended consequences.

All in all it was a good read. I especially enjoyed that it got me excited about the classics -- Now I wish I had the time, talent, and energy to learn ancient Greek.

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1 of 1 people found the following review helpful
2.0 out of 5 stars Why so much hype?, Jan 24 2003
By 
"debbysbooks" (Memphis, TN United States) - See all my reviews
This review is from: The Secret History (Paperback)
I bought this book because I read in Newsweek that it had a cult following. The cover of the book quotes reviews saying it is "impossible to leave alone until I finished" and that "the pages beg to be turned." Unfortunately, I didn't find it to be so exciting. The prologue reveals that the Hampden College students in the book will kill a fellow student named Bunny. Then, Richard Papen, the narrator, begins the story telling how he got to Hampden and how became one of the group of students studying Greek exclusively under a professor named Julian Morrow. The story of how the murder occurred and what happened in its aftermath unfolds. The narrator presents the turns and twists of the story unemotionally so that the driving force of the book is more the weirdness of the relationships that have developed between the students than it is actual events. I never felt emotionally attached to the characters, connected to any guilt they may have felt, or concerned about their fates. I experienced the novel with a complacency that allowed me to "leave [it] alone" numerous times. I will say that the narrator describes the New England surroundings and the college's atmosphere with a vividness. The word choices are more lyrical and intellectual than your typical pop-culture book. Despite this, I feel the writing style was less challenging than _Harper's Magazine_. I wouldn't recommend this book to anyone, but if you're interested in it, I suggest you read it for yourself to see if you agree with me.
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3.0 out of 5 stars Over-hyped, Dec 28 2002
By 
"me-jane" (Sydney, Australia) - See all my reviews
To be honest, I don't really understand why this novel spawned such fanaticism and rock-star-esque heroine-worship for Donna Tartt. Sure, it's a gripping page-turner, and Donna Tartt writes crisp, occasionally beautiful prose, but I'm still not sure this quite deserves the classic status it seems to have been afforded. For a start, the plot seems a little telemovie for me -it plays right into popular cultural fantasies of evil, glamorous rich kids and their coke-snorting, amoral ways, mixed up with equally potent popular fantasies of arcane learning having a sinister heart (basically, a popular suspicion of the rich and over-educated.) I didn't really believe in any of the characters, although I was fairly happy to permit their larger-than-life, unreal existence within the context of an enjoyable, slightly trashy and extremely well-executed thriller. I'm still a bit confused as to why so many people claim this book changed their lives...It entertained me for a few late nights, but it's hardly great literature. Tartt's second novel, which I'm reading at the moment, seems to merit such high acclaim much more than this one does.
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