From Publishers Weekly
There have been previous collections of the writings of the Grand Old Man of American music but none as various and personally revealing as this. All his life (he is now 91), Thomson has been a meticulous correspondent, unfailingly courteous, crisp and elegant; and it is a special pleasure to see these gifts employed on minutiae as well as on such major matters as working on a libretto with Gertrude Stein (two testy letters to a dilatory watch-repair company are models of their kind). But perhaps the heart of the volume is the letters Tomson returned to correspondents who took issue with him during his years on the New York Herald Tribune as probably the best, and certainly the most knowledgeable, music critic ever to write for an American newspaper. We see only Thomson's side of the correspondence, but his good sense and generosity of spirit, often in response to clearly irate muddleheadedness, is something to marvel at. The Pages have selected the letters, from what they describe as a staggering quantity, with great skill to show off Thomson in all his diversity, and the concise identifying notes are both necessary and unobtrusive.
Copyright 1988 Reed Business Information, Inc.
--This text refers to an out of print or unavailable edition of this title.
From Library Journal
Thomson is a central figure in 20th-century music, and his correspondence is colorful, intelligent, sometimes pointed, always interesting. Among the best letters are those he wrote to newspaper readers when he was music critic for the New York Herald Tribune ; it is remarkable that such pearls of wit and insight should have been lavished on strangers. In fact, Thomson may well be remembered as much for his correspondence as for his music and criticism. This collection constitutes an important document in modern American culture. Robert W. Richart, Western Lib. Network, Olympia, Wash.
Copyright 1988 Reed Business Information, Inc.
--This text refers to an out of print or unavailable edition of this title.
