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The Shaking Woman or A History of My Nerves
 
 

The Shaking Woman or A History of My Nerves [Hardcover]

Siri Hustvedt
2.0 out of 5 stars  See all reviews (1 customer review)
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"Siri Hustvedt, one of our finest novelists, has long been a brilliant explorer of brain and mind. But recently this investigation has taken a more personal turn: two years after her father’s death, while speaking about him in public, she suddenly found herself seized by convulsions. Was this ‘hysteria,’ a ‘conversion reaction,’ or a ‘coincidental’ attack of epilepsy? The Shaking Woman is the story—provocative but often funny, encyclopedic but down to earth—of her attempt to answer this question. It brings together an extraordinary double story: that of Hustvedt’s own odyssey of discovery, and of that point where brain and mind, neurology and psychiatry, come together in the realm of neuropsychoanalysis. The odyssey has not cured her, nor led to a conclusion—but Hustvedt’s erudite book deepens one’s wonder about the relation of body and mind."—Oliver Sacks

"That Siri Hustvedt is a splendid writer is well known. The news is that life conspired to have her seek a working mastery of neuroscience. In her wonderful new book, part memoir, part mystery story, she explains this unexpected turn of events and offers the reader a wealth of valuable facts along with personal perspectives on the neuroscientific scene. Not surprisingly, the book is a pleasure to read."—Antonio Damasio, University of Southern California

"Armed with her great gift for elucidation, the novelist and essayist Siri Hustvedt has omnivorously devoured and digested complex debates from neuroscience, psychiatry, philosophy and psychoanalysis and journeyed into the mind/body problem. In The Shaking Woman, her quest to understand her own mysterious troubles becomes a brilliant illumination for us all."—George Makari, author of Revolution in Mind

"I was very struck by The Shaking Woman. Not only does it demonstrate nearly complete mastery (by a non-specialist) of the highly specialized field of neuropsychiatry, it also displays greater understanding of the underlying philosophical and historical issues that are at stake in this field than is displayed by most of my colleagues."—Mark Solms, author of Brain and the Inner World

"This is a work of dizzying intensity. . .eloquent and vivid."—Don DeLillo, author of Underworld

"As Hustvedt tries to remember pivotal medical and psychological moments in her life—she heard voices as a child, as did a couple of her sisters, had an early quaking fever, suffered from fierce migraines, tried various drugs—she segues smoothly into a wonderful section about the nature of memory…. Self-absorption can be grating in memoirs by lesser writers; in Hustvedt’s capable hands, it opens a door to revelation."—Kirkus Reviews

"Fascinating.... Hustvedt compellingly illustrates both the fragmented nature of her treatment, with the fields of psychiatry, neurology and psychoanalysis offering up conflicting views, and the difficulty of making a conclusive diagnosis. She asks fascinating questions about what it is that actually causes a physical ailment, and shows that our sense of the separation of mind and body has been generated in part by the medical establishment…. She leaves the reader thinking about his or her own bouts of illness in a thoroughly fresh way."—Lorna Bradbury, The Daily Telegraph (UK)

"[The Shaking Woman] is a personal investigation, a philosophical inquiry, and a pithy, compacted consideration of how both psychiatry and neurology have evolved in the last two centuries.... Fastidious yet engaged, intimate yet detached, Hustvedt’s exploration of mind and body embraces material that is interdisciplinary, complex and contentious. Her clean intelligence is equal to the challenge. Her frame of reference is wide and she does not condescend to past explorers…. Hustvedt is an ambitious, cerebral novelist, and the links between this book and her fiction are overt…. She brings both knowledge and an artist's insight to her discussion of memory, language, personal identity. Readers of Oliver Sacks will rate this book highly; as with Sacks, scientific knowledge and a powerful capacity for empathy are closely linked…. It is Hustvedt's gift to write with exemplary clarity of what is by necessity unclear."—Hilary Mantel, Booker Prize-winning author of Wolf Hall (in The Guardian)

"This investigation will appeal to fans of Oliver Sacks and those interested in the peculiar twists and turns of our mysterious minds."—Library Journal

"In our culture, telling the world that you, a woman, suffer from migraine or other mysterious and difficult-to-treat disorders is still tantamount to telling the world you are mad: unstable, unreliable, moaning, self-obsessed. So it’s a brave creature who announces such a thing, let alone writes a book about it…. The Shaking Woman is the product of voracious reading and deep thought, and you register its author’s sanity in every sentence."—Rachel Cooke, The Observer (UK)

"[Hustvedt’s] eloquent account flits between philosophy, science and anecdotes from the writing classes she runs for psychiatric patients, as well as her own experiences of those seizures, migraines, voices in her head and a heightened perceptual awareness. Hustvedt explores many grey areas—between mind, brain and body, sleep and wakefulness, consciousness and reality, truth and confabulation. In the process she shows how hard it is to study the mind objectively. How apt, then, that her account is stitched together by a delightfully subjective novelist's pen."—New Scientist

"Hustvedt’s deeply personal narrative reads at once like a detective novel, a medical history and a scientific critique. Through her own medical mystery, she keeps the reader engaged in the science by drawing connections to fascinating case stories from the medical literature."—Frederik Joelving, Scientific American Mind

"Hustvedt’s account of the diagnostic mess surrounding puzzling physical symptoms is very accessible. It’s also extremely fair-minded, especially regarding psychoanalysis."—Anouchka Grose, Financial Times

"Siri Hustvedt’s subtle novels have long manifested a fascination with the mind-body duality…. Hustvedt’s new book is a journey into this perplexing terrain, using the maps and signposts mind doctors and philosophers have provided both past and present…. Her own convulsing self may act as the spur to Hustvedt’s investigations, but it is the lucidity she brings to these which mark the strength of this new book. She thinks her way through complex subject matter with the effortless clarity of a poised and skeptical outsider who has little time for nonsense or the blithe reductionist certainties of supposed experts. She moves from Charcot to Freud and Janet, with a side-step into Luria and memory work, sifts and marries this with the latest research in neuropsychiatry and neuropsychoanalysis, while bringing to bear on it all her own experience with patients in a psychiatric ward—as well as her prize test case, herself. The result is a short book with an encyclopaedic breadth, one that recognises the ‘terrible strangeness’ of the inner life. THE SHAKING WOMAN is an invigorating antidote to the emotional squelchiness which too often inhabits misery memoirs and illness narratives…. it deepens understanding."—Lisa Appignanesi, The Independent (UK)

"In this far-roaming neurological memoir, Hustvedt, a writer of psychologically complex fiction, chronicles her quest for a diagnosis after she was seized by powerful convulsions while speaking at a memorial for her father… With exceptional gifts for translating dense medical discourse into lucid and supple prose and for conducting fierce and revealing analysis, Hustvedt pinpoints the perceptions underlying contradictory theories pertaining to a host of neurological pathologies… Fizzing with uncommon facts, case studies, and profiles of migraine-afflicted and epileptic writers, Hustvedt’s inquiry into some of the most baffling aspects of human life is graceful, intense, and curiously affirming."Donna Seaman, Booklist

"Compelling."Jackie McGlone, The Herald (Scotland)

"She has an amazing capacity to process large amounts of information on complex topics and to re-present it in a form that is understandable without seeming oversimplified."—Molly McCloskey, The Irish Times

"[Siri Hustvedt] embarks on an exploration of the fuzzy area where trauma, emotion, and the body meet, and her peregrinations take readers from the history of hysteria to the grey areas of modern psychological diagnoses. Hustvedt knows her material—her lyrical, learned narrative is a joy to read."—Seed (Books to Read Now)

"A harrowing and heartfelt memoir that is also a history of medicine, a critique of psychiatry and psychopharmacology, and a study of the curative powers of words, dreams and memories…. Hustvedt has read deeply and widely in the scientific literature as it relates to her various physical ailments, but she always returns to the first-person experience that informs her book…. Every observed and remembered detail of human experience has meaning if it can only be retrieved, scrutinized and understood.  That’s a tool of psychotherapy, of course, but it also describes exactly what writers do. In "The Shaking Woman," Siri Hustvedt has done it exceptionally well."—Jonathan Kirsch, The Jewish Journal

"Illuminating the core question of her history, Siri Hustvedt, a fearless investigator and lucid storyteller, creates a mesmerizing picture."—Robert Birnbaum, The Morning News

"Much less an illness memoir than an inquisition into the science of the brain. Hustvedt calls on ...

Product Description

In this unique neurological memoir Siri Hustvedt attempts to solve her own mysterious condition

While speaking at a memorial event for her father in 2006, Siri Hustvedt suffered a violent seizure from the neck down. Despite her flapping arms and shaking legs, she continued to speak clearly and was able to finish her speech. It was as if she had suddenly become two people: a calm orator and a shuddering wreck. Then the seizures happened again and again. The Shaking Woman tracks Hustvedt’s search for a diagnosis, one that takes her inside the thought processes of several scientific disciplines, each one of which offers a distinct perspective on her paroxysms but no ready solution. In the process, she finds herself entangled in fundamental questions: What is the relationship between brain and mind? How do we remember? What is the self?

During her investigations, Hustvedt joins a discussion group in which neurologists, psychiatrists, psychoanalysts, and brain scientists trade ideas to develop a new field: neuropsychoanalysis. She volunteers as a writing teacher for psychiatric in-patients at the Payne Whitney clinic in New York City and unearths precedents in medical history that illuminate the origins of and shifts in our theories about the mind-body problem. In The Shaking Woman, Hustvedt synthesizes her experience and research into a compelling mystery: Who is the shaking woman? In the end, the story she tells becomes, in the words of George Makari, author of Revolution in Mind, “a brilliant illumination for us all.”


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1 of 1 people found the following review helpful
2.0 out of 5 stars I almost began shaking while reading this book!!, Jun 25 2010
By 
Stephen Pletko "Uncle Stevie" (London, Ontario, Canada) - See all my reviews
(TOP 50 REVIEWER)   
This review is from: The Shaking Woman or A History of My Nerves (Hardcover)
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"At [my father's] funeral I delivered my speech in a strong voice without tears.

Two and a half years later, I gave another talk in honour of my father...Confident...I looked out at the fifty or so friends and colleagues of my father's...launched into my first sentence, and begun to shudder violently from the neck down. My arms flapped. My knees knocked. I shook as if I were having a seizure. Weirdly, my voice wasn't affected...When the speech ended, the shaking stopped."

The above is found at the beginning of this book by Siri Hustvedt who has a PhD in English Literature and is known for her fiction writing.

After reading how her shaking or tremors began (as indicated above), I was looking forward to Hustvedt revealing more about herself and giving us "a history of [her] nerves." Unfortunately, this happened rarely.

Yes, she went to neurologists and they could not find anything physical or "organic." So, by default, her condition must be psychological. (This is the dangerous, simple reasoning that traditional or allopathic medicine uses.)

From here, Hustvedt delves into mainly the psychological literature (other disciplines such as neurology and neurobiology are also mentioned), telling us about those people she admired (especially Freud) and presenting those theories that seem to apply to her and even those that don't apply to her. She even looked at the literature of others (such as Tolstoy). Hustvedt documents these in great detail (to the point of tedium), but to the detriment of her own disorder and her other disorders (which are interesting in their own right).

As I was reading, I was getting increasingly frustrated (thus the title of this review) hoping that she would begin, at some point, dealing with her own story. She never really does.

Finally, this book gets better near the end where Hustvedt's psychological self-diagnosis is "debunked." (You have to read about eighty percent of the book to get to this juncture.) I thought at this point she would stop with all the psychology. She unfortunately only eases up a bit.

In conclusion, I found this to be a frustrating book. For myself, I really did not learn that much about "the shaking woman."

(first published 2009; no chapters; main narrative 200 pages; notes; acknowledgements; about the author)

<<Stephen Pletko, London, Ontario, Canada>>

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Amazon.com: 3.4 out of 5 stars (36 customer reviews)

42 of 45 people found the following review helpful
2.0 out of 5 stars Big on history, very short on her own story, Dec 21 2009
By S. L. Smith "SansSerif" - Published on Amazon.com
This review is from: The Shaking Woman or A History of My Nerves (Hardcover)
Pre-release customer review from the Amazon Vine™ Program
Imagine the irony as an inexplicable shaking phenomenon befalls an author with a PhD in English Literature who has researched the field of psychiatry to the point of even taking practice exams for the state psychiatry board.

Fascinated by the title and its topic, I was hoping to learn more about this woman's extraordinarily perplexing affliction. Sadly, "The Shaking Woman or A History of My Nerves" is less about author Siri Hustvedt or HER own nerves and more about the history of the mind/body issue. In fact, the author's own story is frustratingly fragmentary, which is unfortunate because Hustvedt is clearly a deeply cerebral and literate writer.

Despite the title, there is very little heard from the Shaking Woman's case herself and practically NO history of her own nerves. For every brief paragraph in which we do learn about the author's disorder, there are about 30 pages of the history of psychiatry, psychology, pharmacology, philosophy, and personality research. This is disappointing, because the author's personal story is the only new topic here; all other points made about mind/body have been discussed previously and far more lucidly by others, as indicated in her nearly 200 well-documented reference notes.

As for the plethora of reference notes, this book reads more like an advanced college term paper. Open it to any page, and you will likely find 2 to 5 references to OTHER people's musings; the author simply cannot resist interjecting quotations throughout this 200 page ramble. By doing so, she deflects attention away from her own interesting case and avoids discussing herself in any deeply meaningful way.

Hustvedt writes in a stream-of-consciousness manner that makes for a bit of a messy and manic read after just a few pages. For instance, in one particular paragraph her subject flits from schizophrenia to amoebas and ends with the atom bomb.

What could be a fascinating story is further confounded by Hustvedt's writing style which involves visiting imaginary therapists and a fake neurologist. She theorizes what different hypothetical diagnoses MIGHT indicate, then expounds for pages and pages using those suppositions. These techniques make it difficult to discern the imaginary from the actual and the supposed from the observed. Instead of being provocative, this book is just exasperating and overwrought.

I admit I am a fan of the TV series "Mystery Diagnosis", so perhaps I was simplistically hoping for something similar from Hustvedt's The Shaking Woman. But there is no satisfying conclusion or resolution here; instead she just uses her own symptoms as a context for discussing the much broader mind/body dilemma, which she successfully convinces us can never truly be resolved. Ultimately, it is with resignation and not insightful acceptance that she seems to come to term with her disorder.

23 of 25 people found the following review helpful
4.0 out of 5 stars Evolution & the N/A Box, Mar 16 2010
By Glacier Mom - Published on Amazon.com
Amazon Verified Purchase(What's this?)
This review is from: The Shaking Woman or A History of My Nerves (Hardcover)
The very idea of this book--before it was released, when I'd just read advance reviews and couldn't wait to get my hands on a copy--was a lifeline to me, sitting in pediatric neurology. My 7-year-old daughter, an extraordinarily bright, creatively-gifted, highly-sensitive child, had begun seeing colors, visual hallucinations, followed shortly by hearing voices and sounds; she complained of dizziness and nausea and was slightly withdrawn; quickly, she adapted to the sensory phenomenon and stopped complaining of vertigo, but she then began to tell me of other sensations: her math paper at school felt "hot"; when she turned it over, it felt like ice. While the neurologist and child psychiatrist staked out their territories--and at this point, it seems unlikely we'll have a clear diagnosis--I maintained the possibility of synesthesia or a benign manifestation of her visual-spatial creativity. As a mother, I struggled to understand whether we were dealing with pathology or, on the other hand, an integral expression of my daughter's nervous system. I had, over the years, read deeply in subjects such as high-sensitivity (Elaine Aron), giftedness and superstimulabilities (Dabrowki's Theory of Positive Disintegration), as well as diagnosis and misdiagnosis of disorders among gifted persons. My bias--and I hoped Hustvedt's book would back me here--was that some people just see and hear extra stuff, and it's not a problem.

What surprised me, then, was how irritating and slow I found the book initially, as Hustvedt takes on the brain-mind dichotomy, philosophical duality, in her quest for integration of the "shaking woman" as part of her identity. I consider the either/or, neurologist/psychiatrist mentality to be part of the limitations of allopathy, and to me, this dual mode is old-fashioned (I contrast with Goethe on the spiritual dimension of science or Integral philosophers on holographics). Certainly I was repulsed by Hustvedt's impulse to demonstrate her expertise in this narrow and deep sense, by her comparisons of herself with brain-injured patients, though perhaps this reflects the difference between a middle-aged woman contemplating her own condition and one contemplating her child's; I will unapologetically go far afield, considering everything from Indigo Children to EMF fields, nutrition to homeopathy.

Sometimes her thinking on subjects like self and social construction is just achingly conventional and prosaic. "Isn't it possible that this visual metaphor is problematic, that the very idea of hierarchical levels is flawed? Can brain, psyche, and culture really be distinguished so neatly?" she asks--I have an irritable impulse to drag out Ken Wilber's maps and grids. Or, when she writes, "The conscious self's boundaries shift," or "clearly, a self is much larger than the internal narrator," I want to respond with a "duh." I'd rather read Proust. Or Lydia Davis, for that matter--"The Thyroid Diaries."

Hustvedt is a brilliant student, and she reminds me of certain other woman writers I've come across who tell you everything anyone from Aristotle to Freud ever said on a given subject, withholding their own opinions until safely establishing their competence. I liked the book in a backwards direction; towards the end, the gathering of her thoughts on empathy, extraordinary sensitivity, high I.Q., transcendence--these things I liked, this is where I'd wish for the book to start. It isn't until the very end--perhaps, having displayed her conventional competence, she feels safe--that she tells you of her beginnings--as a child seeing and hearing things. For this I am deeply grateful.

17 of 19 people found the following review helpful
2.0 out of 5 stars She's a better novelist than essayist, Jan 6 2010
By Melanchthon "melanchthon" - Published on Amazon.com
This review is from: The Shaking Woman or A History of My Nerves (Hardcover)
Pre-release customer review from the Amazon Vine™ Program
In this book, Siri Hustvedt, one of the best American novelists writing today, offers a few brief glimpses into her struggles with psychosomatic illness (shaking during public speaking related to the trauma of losing her father) and a long recital of different sorts of such illnesses in history and psychiatric practice. Her insights into her own situation were interesting, and I found tantalizing the few points where she connects her own physical problems with her emotional states, but most of the book is regurgitation of research on these topics, and I found her not only less insightful about the quality of the research she recounted, but also disorganized. The middle chunk of the book is just one story about a psychological oddity discovered by a doctor after another, and the thread of the tale gets lost. Too bad, I really wanted to like this.
 Go to Amazon.com to see all 36 reviews  3.4 out of 5 stars 
 
 
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