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The Sheltering Sky (Widescreen)


Price: CDN$ 90.60
Only 1 left in stock.
Ships from and sold by M and N Media Canada.
2 new from CDN$ 34.96 3 used from CDN$ 25.03

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Product Details

  • Actors: Debra Winger, John Malkovich, Campbell Scott, Jill Bennett, Timothy Spall
  • Directors: Bernardo Bertolucci
  • Writers: Bernardo Bertolucci, Mark Peploe, Paul Bowles
  • Format: Anamorphic, Closed-captioned, Color, DVD-Video, Subtitled, Widescreen, NTSC
  • Language: English, French
  • Subtitles: English, French, Portuguese, Japanese, Georgian, Chinese, Thai
  • Region: Region 1 (US and Canada This DVD will probably NOT be viewable in other countries. Read more about DVD formats.)
  • Aspect Ratio: 1.85:1
  • Number of discs: 1
  • MPAA Rating: R
  • Studio: Warner Home Video
  • Release Date: Sept. 3 2002
  • Run Time: 138 minutes
  • Average Customer Review: 3.7 out of 5 stars  See all reviews (41 customer reviews)
  • ASIN: B0000696IB
  • Amazon Bestsellers Rank: #30,592 in DVD (See Top 100 in DVD)


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Customer Reviews

3.7 out of 5 stars
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Most helpful customer reviews

By AlBen on March 28 2012
Format: DVD Verified Purchase
beautiful photography the perspective of the desert and the aspect of the society and the people at this time is completely representative.
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By Jan Church on Feb. 4 2012
Format: DVD Verified Purchase
I always am on the look out for great movies and was delighted to be able to get this one. It arrived in good time and in great shape.
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By DANA on July 20 2014
Format: DVD
Of course the dvd region wasn't provided by the seller and being a hard movie to get (especially cheap) I took a chance. LAME, NOT IN ENGLISH!!!
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2 of 2 people found the following review helpful By G. Evans on March 27 2003
Format: VHS Tape
I recently read Paul Bowles "The Sheltering Sky" and found it to be a haunting, captivating, and philosophical masterpiece. It is a book that will stay with me forever. I was excited to see that it had been made into a movie. However, I found the movie disappointing. I think the book does not lend itself well to being translated to film since much of the "story" is the underlying thoughts, feelings and changes within the characters. The film starts with a "narrator" observer (Mr Bowles himself!) but after that scene the narration does not continue. Then there is the last part of the book where Kit joins the nomad caravan. In the book I found this to be "believeable" but on screen it was silly especially without knowing what was really motivating her since the dialog of her thoughts was left in the book. I couldn't help wondering what someone who had not read the book would think was going on and WHY. I also found the dialog a little "stilted" - more like dialog in a play than a movie. The scenery and desert shots were beautiful. Ah well. This just proves once again that the "movie" in your own mind is the best there is! Read the book!
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1 of 1 people found the following review helpful By Olly Buxton on April 9 2004
Format: DVD
It seems churlish not to rate more highly a film which achieves pretty much all it set out to achieve, but I think you have to judge a film by its overall impression, and while this is beautiful and probably elegiac, it is still an intensely annoying film about a couple of very dislikeable people. That isn't Bernado Bertolucci's fault, of course: Paul Bowles' novel of the same name is an intensely annoying, pretentious book. Bertolucci has, if anything, improved on the raw material in the parts he has left out, but fundamentally he can still be brought to book for filming it the first place.
I have only recently finished reading The Sheltering Sky. I hated it. When I read the glowing, passionate reviews of pretty much every reviewer on Amazon, I thought I must have missed something, or completely misunderstood the book. Just to check, I got hold of the movie. To my tremendous relief, I now see I didn't (or, if I did, then so did Bertolucci): the film is pretty much exactly how I imagined it would be.
Malkovich nails the Port Moresby character (how odd, incidentally, to name your lead character after a place in Papua New Guinea). Port is what the Brits would describe in their inimitable way as a "complete wanker".
Debra Winger captures Kit Moresby's high-tensile stupidity perfectly. In her opening scene, she wigs out after roughly fifteen seconds of an innocuous conversation because she doesn't want Port to talk about a dream he has had, lest Tunner should repeat it back in New York. But then within twenty minutes, she's having sexual intercourse with Tunner behind Port's back, apparently without a second thought to the stir this might create back home should Tunner happen to mention it.
Read more ›
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By JMM on Nov. 9 2010
Format: DVD Verified Purchase
I enjoyed this film and so glad to see it available on DVD. The storyline was very believable to a point it could have been based on a true incident. The performance was well done by the actors!
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By A Customer on Jan. 21 2004
Format: DVD
The book was successfully transformed to a movie. With an outstanding cinematography, director Bertolucci was able to put on screen man's search for meaning in a strange land. Good acting and well-written script give this movie an excellent rating.
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By R Jess on Nov. 14 2003
Format: VHS Tape
Well the cinematography is great. After only about 10 minutes though, you can see that this has been adapted from a novel and a literary one at that. Literary novels are notoriously difficult to adapt to the screen precisely because they draw attention to themselves as 'literature', their expression is intimately linked to the art-form in which they were created.
The main characters seem to be on a mission to recapture some of the adventure that existed in pre-war America by entering the 'otherness' of North Africa. The realities of life there come to sour their rather naive utopian vision. I would resist from dissing a movie just because it doesn't have an identifiable plot (most of our real lives don't have one anyway), but most of these characters are very difficult to emphatise with. Debra Winger's transformation at the end of the film where she subsumes herself in Port's idealism, carrying on his adventurous nature as a way of coping with his loss is an interesting character development. But I'm sure this transformation is much better explained in the novel. On screen, without previous knowledge of the story, it comes across as inexplicible.
No movie company would dream of financing a film script as rambling as this one if it was made by a first time director. This seems to be a vanity picture indulged in by Warners after the success of Bertolucci's 'The Last Emperor'.
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