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The Short Stories of F. Scott Fitzgerald
 
 

The Short Stories of F. Scott Fitzgerald [Hardcover]

F. Scott Fitzgerald
4.2 out of 5 stars  See all reviews (10 customer reviews)
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From Publishers Weekly

Bruccoli's ( Some Sort of Epic Grandeur ) collection of 43 Fitzgerald stories includes 23 not featured in Malcolm Cowley's landmark 1951 collection, expanding the canon of a peerless American writer who was deeply ambivalent about the role of short fiction in his art. Published in commercial magazines (e.g., the Saturday Evening Post ), the stories brought their author as much as $4000 each--but also exacted a price, distracting Fitzgerald from work on his novels. Regardless, many of the stories are unequalled in achievement--inspirited with a delicate wit, a shrewd perception of character and a poetic sense of place--and lead us through Fitzgerald's rich creative chronology, from unforgettable evocations of the enchanting but ruthless social whirl of the young in the 1920s ("Bernice Bobs Her Hair") to the exhaustion of spirit chronicled 16 years later in "Afternoon of an Author." Among the 23 stories, nearly all of which have appeared previously in magazines, is one--"Last Kiss"--published for the first time in the author's final revision. Invaluable to Fitzgerald admirers, Bruccoli's collection should also capture a new generation of readers. BOMC alternate, QPB main selection .
Copyright 1989 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.

From Library Journal

This collection of 43 stories--culled from some 160 in the Fitzgerald canon--is designed to replace Malcolm Cowley's 1951 selection of 28 stories. Bruccoli has prefaced each story briefly and reasserted his conviction that Fitzgerald is of paramount importance as a short-story writer. Those already thus persuaded may welcome this new edition. Others, less enchanted by such claims, will not. So much of Fitzgerald seems hopelessly dated, so much O. Henry-ized, so much twisted into easy magazine-acceptability that the occasionally brilliant sentence that Fitzgerald could always unexpectedly produce serves more as a gauge of the normal mediocrity of his imagination than the mark of any enduring value.
- Earl Rovit, City Coll., CUNY
Copyright 1989 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.

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4.2 out of 5 stars (10 customer reviews)
 
 
 
 
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1 of 1 people found the following review helpful
5.0 out of 5 stars Beautiful writing, July 13 2003
The use of language doesn't get much better than this. Each sentence is a work of art and a pleasure to read. I smile as I read. The stories themselves are so clearly placed in a post-WWII setting that they are a glimpse into life in the 1920's - as, I believe, Fitgerald wanted to show. Also, to me, any Fitgerald work edited or or explained by Matthew Bruccoli is informative & interesting.

All I said, though, is to those who like Fitzgerald. To me, his is special beyond most every other author's work. If you've never enjoyed his writing before, this book won't change that. If you've never read anything by Fitzgerald before, I would suggest starting with "The Great Gatsby."

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1 of 1 people found the following review helpful
5.0 out of 5 stars Fitzgerald's Stories--Short and Sweet, Sep 27 2002
By 
Jonathan Alexandratos "bookworm1010" (Knoxville, TN) - See all my reviews
(REAL NAME)   
F. Scott Fitzgerald wrote tons of stories during his lifetime--something around 134, total. This book, however, contains the most elite chunk of those writings. To start, "Bernice Bobs Her Hair" is one of Fitzgerald's most-read stories. I have read it myself, but have found better ones. "The Ice Palace", for instance, has a remarkable ability to make its readers walk away saying "I relate to this!". "May Day", my personal favorite, is about people on top sinking to the bottom, and people on the bottom sinking lower. At least, that's the abridged summary, there's alot more to it then that. "Winter Dreams" is another winner, but I liked "May Day" better. All of his stories generally pertain to Fitzgerald's masterpiece, "The Great Gatsby". In other words, they all contain that one character desperately searching for the missing piece of the puzzle. That can be either the one element that would make his/her life complete, or launch it in a different direction. Why does he do this so well? Because this theme is partially autobiographical. Fitzgerald started off at Princeton where he made hardly any friends. Then he moved on to the Southern US when he joined the army. This is where he met Zelda. But Zelda did not want to marry him due to his lack of money. So Fitzgerald began writing in persuit of the dollar to support Zelda. His plan worked and he was a big success...for a while. Then he moved, in despiration, to Europe in order to gain a better status. This didn't work either and he ended up dying in Hollywood at age 40. His wife, Zelda, went mad and was institutionalized a few years prior. This should be kept in mind as you read his short stories, there are definate parallels!
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1 of 1 people found the following review helpful
5.0 out of 5 stars Don't believe the old canards about Fitzgerald's Short Story, May 17 2001
By 
William (Baltimore, Maryland) - See all my reviews
As a devoted admirer of the form, I can tell you that this book has more gems in it, POUND FOR POUND that virtually any other book of it's type.

Do you enjoy the poetry of Keats and the other Romantic poets? Do you enjoy Shakespeare's sonnets? Then you'll LOVE this book. It BREATHES, it shivvers with vitality and lyricism. I've read the entire book twice, and individual stories like "Rich Boy", "Babylon Revisited", "Absolution"; which many consider as a trial for the "Great Gatsby", "Jacob's Ladder", "Winter Dreams", etc., too many times to recount. THERE IS BEAUTY AND POETRY IN THE WRITING! Does the plot always nail us to our chairs? No, not even in Gatsby; but the writing does. That is why I agree with Gertrude Stein's assesment of Fitzgerald vis-a-vis Hemingway: That his flame burns a little brighter. She was so enraptured by "Gatsby", that she drew a line on her wall, with the request to "please, next time, write one THIS thick".

Are they all great? Well, to a degree, greatness is in the eye of the beholder. SOME individual stories which are raved over by critics and readers alike leave me relatively cold. "Benjamin Button"; the case of a person born elderly and "aging" in reverse, to me reads like bad science fiction. "Diamond as Big as the Ritz", is interesting only in several short sections in which Fitzgerald is trying to describe the most opulent scene which his fertile imagination can create. The rest of if to me is more farce than satire; and what precious little satire is available, seems a bit threadbare.

BUT IF YOU HAVE A SENSITIVITY FOR PURE POETRY, you can not help but be moved by this book. Look at it this way, Hemingway wrote "Moveable Feast", BECAUSE HE WAS INTIMIDATED BY FITZGERALD. Did Fitzgerald drink too much? Sure he did, but so did Joyce, Faulkner, Lardner, and Hemingway himself. It's nothing but lamentable, but we can't start disregarding writers because of their personal habits, or we're all going to be reading O Henry and James Whitcomb Riley.

Did Fitzgerald flunk out of college? Yes, that is true also, but Hemingway didn't even GO TO COLLEGE, and has a memorable quote in a short story that "education is an opiate of the people". Edmund Wilson was a fantastic scholar--and a boring writer. Don't judge the EXTRANEOUS, judge the writing itself. Don't confuse brilliance with being an academic. Einstein himself was a "C" student.

Too much is made about Fitzgerald's own negative assessment regarding his short stories. Scott could never handle pressure. He attributed this facility for "wavering at the critical moment" as a bequeathal from his father. It may have made him feel better to belittle the work he did everyday to earn his bread--so at least he could not be held to his own impossibly high standards for something so mercenary, or so goes the logic. But he was craving desperatly for money during much of his life, so doesn't logic also imply that if he could earn more money for ONE story than the years of labor that went into "Tender is the Night" , that he would put forth something VERY CLOSE TO HIS BEST? When he was flat broke and his daughter and wife needing support and if his story wasn't accepted by a major magazine of the time, they would suffer terrible consequences? I can guarantee you that he tried and very hard. The proof as they say is in the pudding.

This book deserves a PROMINENT PLACE in any library where the premium is paid to writing for its own beauty and elegance. You too will wish this book of short stories was a little "thicker" by the time you finish it.

For God's sake, you should by this book if for no other reason than to honor the man's life. The fact that it IS so good, is more of a break than we typically get in life.

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