From Amazon
Civil War fiction of the 1990s, following the lead of filmmaker Ken Burns and historian Shelby Foote, tends to explore hagiographic themes, espousing platitudes about political self-determination, national reconciliation, and the liberation of those in bondage. Jack Dann's
The Silent is a wildly eccentric exception to this rule that reads like a prequel to R.E.M.'s
Fables of the Reconstruction. The novel's narrator, Mundy McDowell, is a 14-year-old witness to the fighting in the second year of what his neighbors would call "the War of the Rebellion." After sneaking away to watch the boys in gray fall in battle, Mundy returns in time to see his house burned and his mother raped and murdered by bloodthirsty Yankees. From this point on, he refrains from speaking to the strange visitors--including soldiers and the spirits of dead slaves--who start inhabiting the environs around his home.
Although written in the coarse first-person style associated with Huckleberry Finn, The Silent has a structure and imagery that can accommodate the psychological realism of Gunter Grass and Jerzy Kosinski. (In fact, Dann cites Kosinski's The Painted Bird as one of his inspirations.) If you enjoy Civil War novels but are tired of sermonizing, The Silent may be the treat you are looking for. --John M. Anderson
--This text refers to an out of print or unavailable edition of this title.
From Publishers Weekly
Dann's maudlin but sporadically engaging second novel (after The Memory Cathedral) treats the Civil War as a phantasmagoric experience and takes the form of a "therapeutical" memoir set down (in 1864!) by 13-year-old Virginian Edmund McDowell. After seeing his mother raped, both his parents murdered and his home burned by Yankee marauders on March 23, 1862, the boy retreats into speechlessness and a cloak of imagined invisibility, wandering for 75 days in a mute post-traumatic stupor through the battles ranging around Winchester, Va. The account is burdened by the repetitive, ill-defined symbolism of a "spirit dog," the ghost of a slave named "Jimmadasin" and an enigmatic icon known as "baby Jesus." InnuendoesAthat the famously rigid, religious Gen. Stonewall Jackson tipples on the side, and that McDowell's hero, Col. Ashby, is a pedophileAlend the tale neither depth nor verisimilitude. Delirious variously from fear, dysentery, ague and a primitive smallpox vaccination, the protagonist is raped by a Yankee malingerer and given his heterosexual initiation (and a dose of the clap) by a worldly teenager who consorts with runaway slaves and deserters. After witnessing oral sex between a mapmaker and his wife, he eventually is taken to the bed of his hero, Col. Ashby. No number of rapes and pillagings can bring this tedious, ahistorical novel to life.
Copyright 1998 Reed Business Information, Inc.
--This text refers to an out of print or unavailable edition of this title.