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The Singing Fire [Paperback]

Lilian Nattel
4.0 out of 5 stars  See all reviews (2 customer reviews)
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Book Description

Nov 30 2004
From the acclaimed author of The River Midnight comes the story two emigrant women who change each other’s lives and, despite following separate paths, are united in their love of a child.

In 1875, Nehama arrives at St. Katharine’s Dock, having fled the expectations of her family in Poland. Planning to create a new life for herself and then send for her family to join her, she isn’t prepared for the reality of London’s East End, where only a block can separate the lively street markets from the dens of iniquity. Her dreams of independence falter when she is tricked into becoming a prostitute by a man called the Squire, who poses as a member of the Newcomers’ Assistance Committee. Brutalized and trapped, Nehama soon begins to lose hope, but when she becomes pregnant she realizes she must get away to save her child. With only the whispers of her late grandmother to guide her, she escapes and is taken in by a kind couple, who help her to re-create herself in the respectable immigrant community of the East End. There, despite a miscarriage, she begins to find a niche for herself as a seamstress and marries a tailor named Nathan. Sadly, however, she is unable to escape the pain of losing her baby and is haunted by the conviction that her sordid life in Dorset Street is to blame for her childlessness.

Emilia arrives in London in 1886, having fled from a life in Minsk that would have been considered privileged if it weren’t for her domineering and unpredictable father. Her dreams of living in an Italian villa with the mother she left behind have not prepared her for the rough life that faces Jewish immigrants in London. She is also pregnant, and it’s only Nehama’s intervention that saves her from the clutches of the Squire. But the struggles of life in the working-class Jewish neighborhood are not what she imagined for herself, and, leaving her baby with Nehama, she escapes to the wealthier streets of the city’s West End. There, she re-creates herself as a gentile and marries into a wealthy family, but cannot escape the memory of everything she has left behind.

Years pass as Nehama and Emilia follow their separate paths, each trying to ensure herself a successful future — Nehama dreams of opening a store of her own, Emilia plans to have another child. Yet each realizes that it is impossible to do so without coming to terms with the past. This is asking a lot of two women who have seen such sorrow of their own, and who also remember that of their mothers and grandmothers. But as they discover, the tests of the past, when seen from the present, are also proof of strength and faith. It is this reserve that both women draw on to make peace with their new lives, and in doing so, they arrive in places that hold some common ground.

With vivid prose and rich detail, Lilian Nattel weaves the lives of these two women not only together but into the tapestry of nineteenth-century London. Taking us into the streets and alleys of the East End, Nattel honours the spirit of the Jewish immigrant community and most of all the women who lived at its heart.

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Set in the Jewish ghetto in late Victorian London, Lilian Nattel's richly detailed second novel, The Singing Fire, relates the stories of two immigrant women recently arrived from Poland. Young Nehama, who stole money and jewelry from her sisters in order to run away from home, is tricked into becoming a prostitute immediately after she steps off the boat. The well-off Emilia, who is introduced in numerous scenes back in Minsk, runs off to England, unmarried and pregnant, to escape her overbearing father. Nehama meanwhile flees her tormentor, the evil pedophile Squire, eventually marries, and becomes a tailor. When Emilia lands in London, Nehama saves her from a fate similar to her own by taking her in. Eventually, Emilia flees again, leaving her newborn with Nehama, who, unable to have children of her own, is happy enough to raise the child. Although Nehama ends up living in poverty and Emilia in relative luxury, both women find themselves in a situation where they must keep their pasts a secret from their good-hearted husbands. London and its fog-bound denizens are depicted in intricate detail: "alleys as narrow as needles," suppers of "bread smeared with garlic and chicken fat," pubs with "smoke thicker than fog." Nattel's female characters, in particular, have the breath of life (even the grandmother ghosts of which there are plenty). Despite a somewhat thin plot, The Singing Fire offers excellent period dialogue, an abundance of Jewish lore and sayings, and a wonderfully touching ending. --Mark Frutkin --This text refers to the Hardcover edition.

From Publishers Weekly

Two determined Jewish runaways strive for better lives in chaotic turn-of-the-century London in Nattel's rich and lovingly written second novel (after 1999's The River Midnight). Seventeen-year-old Nehama, who arrives from Poland in 1875, is quickly tricked into prostitution and brutalized by her boss, the squire. She escapes that sordid life-which Nattel unflinchingly, chillingly portrays-when she's taken in by a young couple in Frying Pan Alley. She becomes a skilled seamstress and eventually marries a kind tailor who knows little of her past. In 1886, Emilia, privileged but pregnant and unwed, flees her cruel father and weak mother back in Minsk. Nehama's and Emilia's paths converge when Nehama prevents the ruthless brothel owner who enslaved her from doing the same to Emilia. Emilia, who's posing as a widow, lodges with Nehama, but soon breaks under the drudgery of London's ghetto life. Leaving her newborn daughter with Nehama, who is unable to bear children after two miscarriages, Emilia decamps to London's Soho, where she works as a shop girl and catches the eye of Jacob, a successful Jewish writer who thinks the "golden-haired and gray-eyed" Emilia is a gentile. Both women are haunted by the pasts they conceal from their men, and sometimes comforted by beneficent ghosts: into this story of struggle and assimilation, Nattel skillfully weaves the guardian spirits of Nehama's grandmother and Emilia's father's first wife. The pacing is leisurely, and the prose is lovely, leavened by subtle humor and infused with intelligence.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. --This text refers to an out of print or unavailable edition of this title.

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They met in a place of smoky bricks and smoky fogs and a million pigeons nesting by a million chimneys. Read the first page
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3 of 3 people found the following review helpful
4.0 out of 5 stars No great needs, only necessary ones Feb 14 2004
Format:Hardcover
There is an area of London often ignored in popular history. "This was the high road of the ghetto, the one square mile where Yiddish was spoken, the irritating pimple on the backside of London, the subject of parliamentary debate, the hundred thousand newcomers among the millions, ready to take fog as their mother's milk here in the East End, where all the noisy, dirty, and stinking industries were exiled from the city."

Canadian author Lilian Nattel is trying something different for her sophomore effort. Her first novel, the award-winning The River Midnight, was an exercise in magical realism, a plainly fictional conglomeration of men endowed with the power of transmogrification, angels and demons manipulating mankind to their heart's content, and even the Angel of Death itself, all weaving throughout a late 19th century Polish-Jewish hamlet.

In Nattel's follow-up novel, the fantastic co-mingles with realism in a far more muted fashion. Ghosts of grandmothers and wives flit about in the background, providing minor commentary, but more content to stand mutely by, watching as the tragedy of life unfolds about them, tut-tutting to themselves all the while. Nattel is more focused on the human element this time around, resulting in a story that, if more traditional in form than the predecessor, has greater depth and resonance.

The Singing Fire, a notably fine novel, continues Nattel's exploration of Jewish identity, this time in turn-of-the-century London. Amidst the peddlers and thieves lining the streets and doorways, Nattel drops Nehama, an innocent Polish runaway dreaming of independence. Ignorant and confused, she finds herself literally sold into prostitution, beginning a chain of misfortune and adversity made all the more painful by her stubborn refusal to give up her dreams.

Nattel parallels Nehama's hardships with those of Emilia's, a pregnant Russian runaway who finds shelter with Nehama. Determined to make a finer life for herself, Emilia flees the "half-Yiddish, half-Cockney English of the alley." Abandoning her baby with Nehama, she creates a new image for herself as a gentile in London's West End.

Alongside Nattel's vivid descriptions of the hardscrabble lives of her women, Nattel delves into the spiritual and moral heritage of the Jewish experience in England. Her London is a vast cultural landscape divided between the East End traditionalists, and the assimilated English Jews of the West End. The poor of the East End find themselves derided by the population, while the upper-class Jews are "edgy, sitting as they did on a spiked fence between their Englishness and their Jewishness, wanting to prove one and too often reminded of the other, whether by their own hearts or by the distrust of the English-English."

Nattel, while not a particularly remarkable stylist, is an absolutely natural storyteller. Her London is boldly alive, a vibrant universe of pain and stereotypes that she tweaks slightly with her own sensibilities, bringing fresh insight to an atmosphere that has grown lyrically stale since the days of Charles Dickens.

Yet Nattel's London would be nothing but window-dressing without her characters. Nehama and Emilia provide sterling examples of the survival of insanity. Nehama experiences all the brutality and indifference a Jewish woman can expect of the times, while Emilia undergoes the extreme crisis of conscience in her determined efforts to deny her heritage. Many books have been penned on the Hebrew life, but rarely has such commentary received the compassion Nattel brings to her writing.

The Singing Fire has no great meaning behind its story. There are "no great needs, only necessary ones." Lilian Nattel wants to bring voice to those who have not been allowed to speak, and she succeeds wonderfully

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4.0 out of 5 stars The Singing Fire May 21 2004
By A Customer
Format:Hardcover
Truly unforgettable.This is a wonderful, sensitive, real portrayal of women. I am recommending it to my book group and friends. I would have given it 5 stars but I found the first 25 pages difficult to get through. Once past the beginning, I loved it.
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Most Helpful Customer Reviews on Amazon.com (beta)
Amazon.com: 3.6 out of 5 stars  7 reviews
7 of 7 people found the following review helpful
5.0 out of 5 stars Fantastic Novel Sep 28 2004
By A Reader - Published on Amazon.com
Format:Hardcover
This is a fantastic novel in many senses of the word. Powerfully written and in the tradition of both Jewish fabulist fiction and contemporary magic realism. Centered on women's lives of about 100 years ago but relevant to both our practical and spiritual lives today. And you don't have to be Jewish to enjoy and treasure it!
8 of 10 people found the following review helpful
3.0 out of 5 stars This novel will appeal to many readers. April 26 2005
By algo41 - Published on Amazon.com
Format:Hardcover
Lilian Nattel is a good story teller, and she brings to life Jewish London in the 19th century. Why didn't I like this novel more? In "Singing Fire", I never could get involved because I felt the characters and their stories were there to illustrate the times, and to make an appealing novel, while never taking on a life of their own. As a better written novel, I would point out "Women of the Silk" by Gail Tsukiyama, also about women working under very poor conditions, in pre-WWII China.
2 of 2 people found the following review helpful
5.0 out of 5 stars Lovely prose Nov 14 2011
By Emily - Published on Amazon.com
Format:Hardcover
This is one of those works of historical fiction that creates a time and a place so vividly it feels like you fell into the book and are on the streets.
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