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The Sky Below: A Novel [Hardcover]

Stacey D'Erasmo
4.0 out of 5 stars  See all reviews (1 customer review)
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Book Description

Jan 9 2009
From a rising literary star “in the tradition of Carol Shields and A. S. Byatt” comes this luminous story of a contemporary man’s metamorphosis.
Andrea Barrett and Michael Cunningham have lauded Stacey D’Erasmo for the beauty of her language and her ability to create worlds that leave a lasting impression. In her new novel, D’Erasmo reaches back to Ovid for inspiration in this tale of how the mythic animates our everyday lives. At thirty-seven, Gabriel Collins works halfheartedly as an obituary writer at a fading newspaper in lower Manhattan, which, since 9/11, feels like a city of the dead. This once dreamy and appealing boy has turned from a rebellious adolescent to an adult who trades in petty crimes.His wealthy, older boyfriend is indulgent of him—to a point. But after a brush with his own mortality, Gabriel must flee to Mexico in order to put himself back together. By novel’s end, we know all of Gabriel’s ratty little secrets, but by dint of D’Erasmo’s spectacular writing, we exult in the story of an imperfect man who—tested by a world that is often too much for him—rises to meet the challenge.

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Review

"In her conceptually brilliant, imaginative, brimming and suspenseful novel, her evocations of place are ravishing; her characters are at once richly human and magical, and their confounding predicaments are both commonplace and cosmic." --Los Angeles Times

" ...studded throughout are ringingly memorable lines, ones that make you see, hear, feel." --Boston Globe

"A beautifully written compilation of the small, strange specificities that make us each uniquely human." --Margot Kaminski, San Francisco Chronicle

"D’Erasmo’s most complex and accomplished character to date...Gabriel’s voice is irresistible." --New York Times Book Review (cover review)

"Intricately imagined and economically told, D'Erasmo's riddling third novel made me want to start over as soon as I reached the last page." --Bloomberg News

"THE SKY BELOW gathers narrative force as Gabe's tale becomes stranger, and as the cruel mingles with the tender in a way that startles and abrades. Cather, I think, would have been shocked and intrigued by this accomplished book." -- The Plain Dealer (Cleveland)

"D'Erasmo writes beautifully, her sentences urgent, whispery, holding their breath as Gabe does, waiting for magic." --The Star-Tribune (Minneapolis)

"Part magical realism and part acid trip, The Sky Below is the stuff that dreams are made of." --Zink Magazine

"Rich in detail, with expertly spun sentences, this is a novel for connoisseurs of words." --Elle

"After two earlier, likable efforts, D'Erasmo moves to the top of her craft with THE SKY BELOW --She is an expert at listening to human nature." --Town & Country

"Stacey D'Erasmo has made a name for herself as a serious prose artist who describes tilted people with a level gaze." -- Newsday

"Gabe’s story is both plausible and fantastic; even when reality is stretched thread-thin, it’s engaging, thanks to Stacey D’Erasmo’s prose, which manages to be both elegant and economical." -- New York Observer


"Hard-nosed but lyrical, unsentimental but moving, mythical but modern, The Sky Below is a precisely calibrated balancing act. It tells the story of a man who must stop living in a fantasy world, yet it never loses touch with the value of art and magic." -- Time Out New York

"…could be her breakthrough, a book that moves back and forth between the real world and the elaborate layers of its characters' inner life." -- Los Angeles Times

"...you can feel D’Erasmo’s maturity and intelligence in this textured and vivid portrait of contemporary life." -- The Advocate

"...full of brilliant, uncanny elements that intersect in ways both puzzling and true." --Bookforum


Not about dissolution but redemption -- a revolutionary concept...The Sky Below could be [D'Erasmo's] breakthrough, a book that moves back and forth between the real world and the elaborate layers of its characters' inner life.

A beautifully written compilation of the small, strange specificities that make us each uniquely human...D'Erasmo's fluidity of writing style amplifies credibility and cohesiveness. There's no question that she can write, and that is ultimately what lets "The Sky Below" do as much as it does

About the Author

STACEY D’ERASMO is the author of the novels The Sky Below and Tea, both New York Times Notable Books, and A Seahorse Year, a San Francisco Chronicle Best Book of the Year. Her writing has appeared in the New York Times Magazine, the New York Times Book Review, and Ploughshares. A recipient of a Guggenheim Fellowship in Fiction, she is currently an assistant professor of writing at Columbia University. She lives in New York.

Customer Reviews

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By A Customer
Format:Hardcover
A selfish and manipulate cad is the narrator of The Sky Below, a drama that centers on the spiritual and emotional development of Gabriel Collins, a sexually ambiguous young man who spends much of his life haunted by the sudden disappearance of his father from their home in Bishop, Massachusetts. An artist, Gabriel's early life is shadowed by his mother's tales of mythological gods, especially that of Tereus, a half-bird, half-warrior and her bottles of food coloring and their symphony of blue and red in the kitchen sink. With no money and mired in debt, the family leave for Florida where Gabriel and his older sister Caroline help their mother run The Sunburst, a rundown motel, in front of a two-lane highway.

While mother takes charge of the motel with a vengeance, preoccupied with just trying to scrape out a living, Gabriel soon learns the monetary value of sex, pleasuring strange men at bust station bathrooms and sell drugs with his best school friend, the overweight Jenny with her cherry-red windbreaker. But for Gabriel life at the Sunburst feels like purgatory, "a hot scrubby drive to nowhere" and he aches for his life back in Bishop, where his masterpiece, The City was made from opened Christmas boxes, and torn wrapping paper and murals. A type of mythical beast that gradually grows and metamorphoses, Gabriel's life gradually becomes a series of allegorical boxes. Even as he remains caught in his Dad's enormous, spectral grip, his transistor radio the only remnants that his dad ever existed, the scrappy dollar notes and the stolen trinkets kept in shoe boxes under the bed, eventually jumpstart Gabriel's new life in Manhattan.

Living in an apartment in 7th street and working near to the Stock Exchange, and the shadowy blocks in the aftermath of the 9/11 attacks, Gabriel meets the aging author Fluer, and helps her write her Stolen Girls series of books, while his freezer steadily fills with nice, cold, foil-wrapped bricks of money, courtesy of his new and wealthy benefactor. A natural schemer, Gabriel is confronted with enormous challenges, especially the affordability of a house on Pineapple street that he'd always wanted and was sure he was going to get. It's also not surprising then that the inevitable occurs making him question his relationship with his wealthy lover Janos and the strangely inappropriate intimate friendship with his best friend Sarah who leaves him for a puppeteer.

Heavily symbolic, this novel is about one man's spiritual journey as he tries to find a place for himself in the world. Gabriel's trajectory through New York and then onto Ixtlan, Mexico is loaded with surprises. Discontented, disconnected, and even vengeful, Gabe is not a very likeable character. And it is his internal battles that emotionally drain the reader even as a rare form of cancer, like a lion roars through him, his life becoming like a series of fractuals, each fragmenting into kaleidoscopic parts, some vivid, some murky, some jagged, and all consecutively plummeting, changing and whirling. D'erasmo's prose proves is as dense and as multi-colored as the constantly shifting skies that mirror Gabriel's life like some vast motion of which Gabe can only see a small part. While the final section in Ixtlan goes on a bit long, this novel is mostly a gorgeously evocative account of one man's lonely struggles as Gabriel, seduced by love and creativity, tries to fervently resolve his emotional inner demons. Mike Leonard March 2009.
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Most Helpful Customer Reviews on Amazon.com (beta)
Amazon.com: 3.4 out of 5 stars  5 reviews
5 of 6 people found the following review helpful
2.0 out of 5 stars Well written but incoherent plot Jun 7 2010
By M. J. Sweet - Published on Amazon.com
Format:Paperback
This book starts off promisingly; it focuses on the shattering of a sensitive child's world after his father abandons the family and they lose their (to the child's eyes) magical house in New England and are forced to live in a redneck Florida town where his mother manages a motel. The prose is quite wonderful, and we follow the protagonist as he becomes an artist and writer of obituaries in the bohemian world of New York City in the late '90s and early naughts. But the book degenerates into a symbol-laden mystical mumbo-jumbo that is just plain silly. Neither the protagonist nor the other characters ever emerge as fully-formed human beings...a disappointment.
2 of 2 people found the following review helpful
2.0 out of 5 stars A disconnected main character in a jumbled story July 9 2011
By Kiwifunlad - Published on Amazon.com
This novel received a lot of praise from the press but I found the novel frustratingly soulless. Gabriel the main protaganist lurches from one thing to the next in an incomprehensible manner. The novel charts his progress from an eight year old boy in Massachusetts, to Florida, Arizona, New York and Mexico. His character changes with each location. Obviously D'Erasmo's phantasmagoric style appeals to some but I found the novel cold and uninspiring and for a non American depressingly tedious reading about a country and people without soul or substance.
6 of 10 people found the following review helpful
3.0 out of 5 stars Mystical Madness May 6 2009
By Tanya Willow - Published on Amazon.com
Format:Hardcover|Amazon Verified Purchase
I heard about this book I think in the "New York Review of Books" podcasts, which is an excellent podcast by the way. I wanted to like the book because the author sounded interesting (a reviewer of books I believe) and I liked the story's premise. I read the first few pages in the bookstore. The writing was excellent so I bought it.

I got home and couldn't follow the plot.

The book is like a movie made with great shots and scenes but edited together in a way that confuses. The writer relocates you so you feel a bit like a Star Trek crew member caught in a transporter beam; jumbled and trapped between worlds.

I think the author is trying to take us on a journey of transformation. The main character can't let go of his past (his father's desertion of the family) which comes out in all kinds of twisted ways, from his being a adolescent thief to offering himself sexually to men at a Florida bus station. This is where the book is good--the character is alive and real. It is his transformative journey that is unconvincing.

The Mexico scenes are bazar. The author relies on near magic to turn our thief into a moral character, albeit and an even crazier one. The tribal life transforms him into an earth grounded heterosexual and lifts the cancer from his leg in the form of a bird's egg. (This is when the book really started to lose me, though I think I fell off sometime during the irrational ride to Mexico.)

Inevitably he heads back to New York City's erect skyscrapers and steel. Though his boyfriend e-mailed a "Dear John" letter, he was ready in the wings to take him back. (Wings have a weird role in this book. I think they represent transformation but all the wing scenes seemed like they belonged in a "Harry Potter" book.)

The adolescent mind ramblings of this really weird guy don't seem to mature despite his cancer diagnosis and the magic of some indigo Mexican child who likes a cave with burnt dead people in it. I was mad at the book because given its reliance on the mystical, I think I was supposed to be left at the end with an "Ah ha!" but I only got a "Huh?"'
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