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The Skylark
 
 

The Skylark [Paperback]

Peter Straub
4.0 out of 5 stars  See all reviews (1 customer review)

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Hardcover CDN $24.32  
Paperback, Large Print CDN $24.54  
Paperback, Sep 3 2009 --  
Mass Market Paperback CDN $8.99  
Audio, CD, Audiobook, Unabridged CDN $37.48  

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Review

Praise for A DARK MATTER

“Peter Straub's new novel is a terrifying story of innocents-high school students in the turbulent sixties-who stumble into horrors far beyond their understanding. A Dark Matter is populated with vivid, sympathetic characters, and driven by terrors both human and supernatural. It’s the kind of book that’s impossible to put down once it has been picked up. It kept me reading far into the night. Straub builds otherworldly terror without ever losing touch with his attractive cast of youngsters, who age beautifully. Put this one high on your list.”
-Stephen King

"Part Rashomon, part The Turn of the Screw. Peter Straub may well be the most important voice in suspense fiction today."
-- Lincoln Child

"American master Peter Straub takes the sweep of our freaky history over the past forty years, subjects it to all the elegant gifts of madness and arts of haunting of which he is the wicked king, and finds himself in possession of a masterpiece."
-- Michael Chabon, author of The Yiddish Policemen’s Union and Manhood for Amateurs

"[A] tour de force from bestseller Straub…Brilliant in its orchestration and provocative in its speculations, this novel ranks as one of the finest tales of modern horror."
-- Starred PW

“[A]s dazzling a literary performance as anything Straub has ever written.”
-Booklist

“I’ve been reading Peter Straub since I was a teenager, and his work is hardwired into my brain.  A Dark Matter contains echoes of all that has been great about Straub’s previous work and builds upon it. This Rashomon-like tale is as spooky and frightening as anything he has written,  but it’s also an intense and moving celebration of love. Out of the darkness comes, ultimately, a surprising and haunting sense of joy.”
-Dan Chaon, author of Await Your Reply

"Increasingly, Peter Straub brilliantly defies and blurs literary genres. A DARK MATTER is a page-turning thriller of every sort: psychological, sociological, epistemological. Plus, it's really scary."
--Lorrie Moore, author of A Gate At the Stairs


“A devastatingly good novel.  In its investigation of a dark ritual that casts a decades-long shadow, A DARK MATTER makes you question all you thought you knew about horror and about literature.  But it goes well beyond that: it messes with your sense of reality and then, just when you're getting your bearings, scrambles it again.”
-Brian Evenson, author of The Open Curtain

"Straub’s last few fantasies have been ever more baroque, but this tall, dark tale beats them all for heaven-storming scale and wheels within wheels."
--Kirkus

“A DARK MATTER is a powerful, original and utterly engrossing novel about the palpability of evil and its costs…a novel that is nothing less than stunning.”
– The Globe and Mail
 
“In a way, A DARK MATTER reads like a gift for longtime readers who have been longing for Straub’s return to all-out horror. But the writer does it on his own terms, beautifully blending monsters and demons and indescribable evil into a melancholy novel shaped and crafted as carefully as literature, not pulp entertainment. Straub’s writing has rarely been better or more precise.” – The Miami Herald
 
“[Peter Straub] is a master at blurring the supernatural, the real-world-scary and the monsters in your psyche.”
– The Plain Dealer
 
“A DARK MATTER shows Straub confidently regaining his shifting rhythms, offering a rich, multi-perspective take on a murky collegiate misadventure in 1966.”
– TimeOut New York
 
"An alchemy of psychological suspense, supernatural horror and cultural history. . . . Ambitious in its scope and challenging in its telling. . . . Explosive." —Milwaukee Journal-Sentinel

"A modern-day supernatural Rashomon. . . . [A Dark Matter] leaves one satisfied, still eager for the next book by one of the most adroit masters of the supernatural thriller." —San Francisco Chronicle



From the Hardcover edition. --This text refers to the Audio CD edition.

Book Description

The charismatic and cunning Spenser Mallon is a campus guru in the 1960s, attracting the devotion and demanding sexual favors of his young acolytes. After he invites his most fervent followers to attend a secret ritual in a local meadow, the only thing that remains is a gruesomely dismembered body-and the shattered souls of all who were present. Years later, one man attempts to understand what happened to his wife and to his friends by writing a book about this horrible night, and it's through this process that they begin to examine the unspeakable events that have bound them in ways they cannot fathom, but that have haunted every one of them through their lives. As each of the old friends tries to come to grips with the darkness of the past, they find themselves face-to-face with the evil triggered so many years earlier. Unfolding through the individual stories of the fated group's members, A Dark Matter is an electric, chilling, and unpredictable novel that will satisfy Peter Straub's many ardent fans, and win him legions more. --This text refers to the Hardcover edition.

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1 of 2 people found the following review helpful
4.0 out of 5 stars A little Rashomon, a little Faulkner, all Straub, July 30 2011
By 
Andre Farant (Ottawa, Ontario) - See all my reviews
(TOP 100 REVIEWER)   
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Some forty years ago, Lee Halwell's best friends, including his then girlfriend, also named Lee but nicknamed The Eel, joined up with a self-proclaimed spiritualist named Spencer Mallon. Mallon is the type of guru that was as common in the sixties as bad acid, but the trip upon which he takes his small band of acolytes is anything but common. While Halwell remained home, convinced that Mallon is a fraud, The Eel and his friends met with Mallon at a local meadow where they performed an arcane rite of vague and dubious origin. One of them was killed, one of them was driven insane, and another disappeared.

Today, Halwell is a successful author and has decided it's about time he find out exactly what happened in that meadow all those years ago. What follows is a series of tellings and retellings of the same story viewed and described from varying perspectives.

I absolutely love stories of this sort, in which a mystery is introduced and the investigator is required to venture deep into the past to solve said mystery. It is this narrative structure, among other things, that ensured my enjoyment of Elizabeth Kostova's excellent The Swan Thieves, it's what keeps me coming back to Jonathan Kellerman's Alex Delaware series of novels, and it was what drew me to Straub's A Dark Matter.

Straub, though, takes it a step further, adding a dash of Rashomon to his narrative, and even a touch of Faulkneresque Sound and Fury--but signifying plenty. And though A Dark Matter draws from these sources, and even from the author's own Shadowlands, it is never derivative. In Fact, Straub manages to break new ground, taking risks and having a blast with the English language while maintaining an accessible tone and, as a writer, remaining largely invisible, always allowing the story and its narrator to occupy the spotlight.

Straub is the kind of writer, and A Dark Matter the kind of novel, that fills the reader in me with a deep sense of wonder and joy, just as the writer in me is humbled, even depressed, knowing that he could write a few million words and never produce anything as genuinely thrilling, engaging and satisfying as this. But hell, that's fine. I'm not sure my bookshelf--or the publishing industry--could handle more than one Peter Straub.
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Amazon.com: 2.6 out of 5 stars (131 customer reviews)

65 of 73 people found the following review helpful
2.0 out of 5 stars A Dull Matter, April 1 2010
By The Lit Witch "Jennifer, "The Lit Witch"" - Published on Amazon.com
This review is from: A Dark Matter (Hardcover)
How do you take a fairly uninspired short story about a bunch of hippies who accidentally open a portal to hell and turn it into a full length novel? Tell it over and over again from 5 different points of view. Throw in a cast of equally uninspired characters, a dash of gore (to offset the lack of scariness) and some big words like "obstreperous" and you've got the recipe for A Dark Matter. Ta da.

Gosh, the premise of this one sounded SO good: a bunch of kids follow their guru into a meadow, something horrible happens, and the ones that don't die or disappear emerge broken, blind or insane.... It's grim, but it sounds interesting, doesn't it? Sadly, the reality doesn't live up to the premise. The story never really gets moving. It just gets retold by each of the central characters with an extra detail here and there and with not so much as an "aha!" moment at the end. I can't quite put my finger on exactly what's missing here. It just isn't good... or scary... or spine-tingling...

What I CAN put my finger on is how one-dimensional the characters are. They are cut-and-pasted out of any nameless teen slasher movie: the hopelessly beautiful girl who doesn't do or contribute anything except being hopelessly beautiful, the menacing frat guy, the menacing frat guy's side-kick, the tomboy who's "just one of the guys," the handsome natural-leader guy. Blah blah blah. And of course every one of them has "daddy issues," which is why they fall for the spellbinding, father-replacing guru guy. Why is he spellbinding? Don't know, really. Even he isn't developed much beyond the fact that he looks like Indiana Jones.

There is one exception in this cast of pancake-flat characters... and that exception is Howard "Hootie" Bly. Driven insane by the events in the meadow, he spends his life in an asylum unable to communicate except in quotes from Nathaniel Hawthorne. I was fascinated by Hootie Bly. In fact, Hootie alone was the deciding factor between the two star rating that I actually give this book and the one star rating that I considered giving it. Loved Hootie!

The Bottom Line: A lackluster, largely uninteresting read with one notable character. [This review originally appeared on my blog.]

48 of 58 people found the following review helpful
5.0 out of 5 stars Engrossing!, Feb 9 2010
By Jennifer Lawrence - Published on Amazon.com
This review is from: A Dark Matter (Hardcover)
The year is 1966 in Madison, WI. Four high school students Hootie Bly, Dilly Olson, Jason Boatman, and Eel Truax, become enamored by Spencer Mallon, a charismatic guru who promises to introduce them to a "higher reality." During an occult ritual, something goes horribly wrong, killing one teen. The four friends are forever changed, each dealt with this horrid day in a different way. Hootie was taken to a mental institution. His only means of communication is quoting lines from Hawthorne's A Scarlet Letter. Eel marries Lee Hayward, her high school sweetheart, but she eventually loses her sight. Boatman, once a shoplifter, now runs his own theft prevention company. Dilly Olson never really got over the entire situation. Decades later the group comes back together when Hayward decides to write a non-fictional account of that afternoon. Each learns that their own personal account wasn't as accurate as they believed. This reunion is the first time they have had the opportunity to share their experiences with one another. Pieces of the puzzle are finally starting to come together to form a large, broad picture.

Once again, Straub does an outstanding job. A Dark Matter is purely character-driven; the book is broken up into several parts, each devoted to detailing the account of each of the main characters. Readers are transported thirty years in a matter of pages. I was impressed at how smoothly this transformation flowed. There is potential for the novels with character-driven storylines, specifically ones with as many characters as A Dark Matter, to seem drawn-out and exaggerated. I did not feel that in this case, for I do not think the overall "feel" of the novel would have carried through had it not been for the varying and differing accounts of each of the characters.

Those demanding a defined and definite resolution might be disappointed, however I think this aspect is what makes this such an amazing book. I takes an extremely talented writer to do what Straub has done with this one: giving detailed explanations of one situation from various standpoints, yet still leaving the actual event quite vague. Highly, highly recommended book.

29 of 34 people found the following review helpful
5.0 out of 5 stars A Different Kind of Horror, Feb 24 2010
By David Roy - Published on Amazon.com
This review is from: A Dark Matter (Hardcover)
After thinking about it quite a bit, I have to say that Peter Straub takes a bit of a different approach to the sorts of scary stories that he writes. Unlike King, I don't believe that Straub's intentions when he writes is to simply deliver thrills and chills to the reader. Don't get me wrong, Straub can put together some really spooky stuff, but his intention isn't just to spook the reader. Instead, he really wants to explore, and he really wants the reader to explore these different ideas and concepts with him.

It's almost like his stories are more like examinations of different aspects of horror and terror. They are a glimpse at how people react and cope with horrific and terrible situations. He's more subtle, less overt in some of the things that he does, which is partly why I love his work so much.

A Dark Matter is a prime example of this exploration of horror. A Dark Matter doesn't really set out to terrify the reader. It's quite literally an examination and exploration of what happens when people cross the line and dive head first into the horrors and wonders of the metaphysical. What is on the other side of reality, and what would happen to those who get a taste of it?

So, if anybody is looking forward to some speedy page turner that sends shivers running up and down your spine, you're going to be let down. (but seriously, this was never the sort of book that Straub writes anyways and you should know that already). This book is far more introspective and subtle than any of his other books.

The plot itself, the story of Lee going around and collecting the stories, interpretations and experiences from the people who were there on that insane night in the meadow, is really interesting and engrossing. it's the story of a person trying to understand something that is essentially impossible to comprehend.

The stories themselves, are a means for the reader to really look at how people interpret things differently, and what they do with the terrible and reality-defying things that they've seen and experienced. It's a taste of the metaphysical, and in those stories you are put in Lee's place. You are given multiple chances to try and comprehend things that cannot truly be comprehended. Lee's journey is really your own in the book.

Of everything that Straub has written, this is probably the most literary. In a lot of ways it his probably his most abstract book, and for people who don't realize that or are not expecting that, I can only imagine that they're going to be pretty put off by that. I'd suggest anybody picking up this book do so with an open mind. You need to set your expectations aside and see the book for what it is, and not for what you wanted it to be.
 Go to Amazon.com to see all 131 reviews  2.6 out of 5 stars 
 
 
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