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The Sleeping Beauty
 
 

The Sleeping Beauty [Hardcover]

Mercedes Lackey


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Product Details

  • Hardcover: 352 pages
  • Publisher: Luna; 1 edition (July 1 2010)
  • Language: English
  • ISBN-10: 037380315X
  • ISBN-13: 978-0373803156
  • Product Dimensions: 24.1 x 16.1 x 3.1 cm
  • Shipping Weight: 581 g
  • Amazon Bestsellers Rank: #200,566 in Books (See Top 100 in Books)

Product Description

Book Description

MERCEDES LACKEY'S magical A Tale of the Five Hundred Kingdoms series continues with a captivating new adventure…

Heavy is the head—and the eyelids—of the princess who wears the crown…

In Rosamund's realm, happiness hinges on a few simple beliefs. For every princess there's a prince. The King has ultimate power. Stepmothers should never be trusted. And bad things come to those who break with Tradition….

But when Rosa is pursued by a murderous huntsman and then captured by dwarves, her beliefs go up in smoke. Determined to escape and save her kingdom from imminent invasion, she agrees to become the subject of one of her stepmother's risky incantations—thus falling into a deep, deep sleep.

When awakened by a touchy-feely stranger, Rosa must choose between Tradition and her future between a host of eligible princes and a handsome, fair-haired outsider. And learn the difference between being a princess and ruling as a Queen. --This text refers to the Mass Market Paperback edition.

Excerpt. © Reprinted by permission. All rights reserved.

Rosamund's heart pounded as fast as the hooves of the horse beneath her. This wasn't her sweet little palfrey, her Snowdrop—the little mare had been sent away by her stepmother without a reason, leaving only powerful, dangerous-looking black beasts in the stables.

This was one of those black horses, strong and fast, and terrifying to ride. From the moment she snatched the reins from the groom, threw herself into his saddle and smacked his rump with a riding crop, she had known she was taking her life in her hands. This was like being astride a tempest, or riding a boat over a waterfall. Her arms were a mass of scratches, and every second was an eternity of terror as she clung with all her might to his back.

But not half as terrifying as the Royal Huntsman, who was probably on another one of these monsters, chasing her down. With dogs. A pack of vicious, huge black boarhounds that had come with the Huntsman when he'd arrived weeks ago. She knew about the dogs, for sure; she could hear them baying behind her as the horse raced through the woods.

She had to crouch low over the horse's neck, because the horrible thing wasn't paying any attention to low branches; she had been whipped twice across the face before she took this position, and it was a wonder she hadn't been blinded.

Not that still having her eyesight made any difference right now.

The horse was careering through the woods, and she couldn't tell if it was on a path or not. It didn't seem to care. And even if she had known where to go, she doubted it would have responded to the reins. This was almost suicide; the beast could stumble and fall at any moment, taking her with it, killing them both, or at least breaking bones.

But behind her was certain death.

It was that terror, the glitter of the knife in the dark passageway, the bruised arm where the Huntsman had seized her, the look of cold, bored evil in the Huntsman's eyes, that had driven her to wrench herself free, to run headlong to the stables, to seize the reins of the horse waiting for her stepmother's afternoon ride—

That terror was still coiled inside her, making her urge the horse onward.

She didn't know where the horse was going, but she had no clear idea where she should go in the first place, so that hardly mattered. She'd figure that out when she was safe from the Huntsman. She'd gotten away—so The Tradition might be moving in her favor now. She'd find rescue. Maybe a Prince or a brave woodsman or a bold peasant boy. Maybe a princely thief with a good heart. Maybe a Wise Beast. Something would come to help her, surely, surely.

It must. This was Eltaria. She would not think about all the stories where the Evil Stepmother won, where the princess was eaten or ravished and left for dead or—

The horse galloped onward, deeper and deeper into the woods, into the sort of forest she had never seen before.

Something shrieked off to the side, and the horse bucked and shied violently, as if it thought she was something that had leapt on its back and was about to tear its throat out.

She couldn't hold on. Red-hot pain lanced through her fingertips as her nails broke and tore off when the rim of the saddle was ripped out of her hands, and then she was flying through the air. There was a moment of clarity, and a strange calm—then she landed in a patch of brush that broke her fall. The horse went careering off without her. And now she heard the hounds again.

But they were following the scent of the horse, not her. And the horse had tossed her a good many feet away.

She burrowed her way into the bushes rather than running senselessly after the horse, which she had no hope of catching anyway. She managed to claw her way out of sight through the mass of twigs and leaves and into the musty gloom beneath the branches, then wiggled under the bushes like a rabbit in a warren, belly-down on the dirt and leaves until she was, she hoped, well away from where she had broken her way in, and still farther from where she'd parted company with the horse. And then, with her nose inches from the ground, she waited.

The hounds bellowed past in full cry, and she shivered, hearing the sound of hoofbeats on their heels. But they didn't stop, and the Huntsman must not have seen the signs of her being thrown. They raced off, farther into the woods, on the trail of the horse. She waited, sweat cooling and itching, insects crawling over her, until the sound of baying was nothing more than a muffled moan in the distance.

Then she struggled her way to the edge of the brush patch, staggered to her feet and listened, hard, to get a direction.

She had no idea where she was, of course. So any direction was a good one, as long as it took her away from the Huntsman.

She picked her way through the dense undergrowth as best she could, trying to get as much distance as possible between herself and her pursuers. She was tired, frightened, hurting from a thousand cuts and bruises. She had no idea where she was, no food or water, no shelter. And now, yes, she did hear the rumble of thunder above the trees. It certainly was going to rain.

Any minute.

Could things possibly get any worse?

Don't think that! she told herself sharply, thinking of bears—wolves—not-so-princely thieves. This wasn't a bad thing. The rain would wash away her scent. The hounds and the Huntsman would not be able to find her. She just needed to find someplace to get out of the rain.

And pray that The Tradition didn't want to make a Fair Corpse out of her—

She couldn't help it. She started to cry. It shouldn't be this hard; didn't everyone in the family study what The Tradition was going to do? Shouldn't they have been able to stop this? She stumbled against an old oak tree, put out her hand to steady herself and found it was hollow. Like a frightened rabbit, she crawled inside.

It wasn't fair. It just wasn't fair. Why did her mother die? She had been so good; she'd never done anything to deserve to die!

But of course, the part of her mind that was always calculating, always thinking, the part she could never make just stop, said and if it hadn't been that, it would have been something else. You just turned sixteen. You know what that means in The Tradition.

Oh, she knew. Sixteen was bad enough for ordinary girls. For the noble, the wealthy, The Tradition ruthlessly decreed what sort of birthday you would have—if you were pretty, it was the celebration of a lifetime. If you were plain, everyone, literally everyone, would forget it was even your birthday, and you would spend the day miserable and alone. Traditional Paths went from there, decreeing, unless you fought it, just what the rest of your life would be like based on that birthday. For a Princess, it was worse. For the only child who was also a Princess, worse still. Curses or blessings, which might be curses in disguise, descended. Parents died or fell deathly ill. You were taken by a dragon. Evil Knights demanded your hand. Evil Sorcerers kidnapped you to marry you—or worse.

It wasn't fair. And it didn't help that she knew exactly what to blame.

She cried and shivered and hiccupped and cried more, sneezed and shivered and cried. She wanted her father, but her father was back at the border with his army, having delivered his new Queen ceremoniously to the palace. She wanted her mother, but her mother was in the Royal Cenotaph, and Queen Sable was—

Was an Evil Stepmother, was what she was. She had nothing in her wardrobe but black! Oh, she said it was out of respect for the late Queen Celeste, but this was Eltaria, and someone who wore nothing but black was either a poet or an Evil Sorceress, and Rosa hadn't heard Sable declaiming any sonnets or seen her scribbling in velvet-covered journals.

And besides, not three hours after the King had left again, Rosa had gone spying on the new Queen, and had seen her actually talking to some disembodied green head in a mirror! So that pretty much clinched the Sorceress part! And who else but an Evil Sorceress would have been talking to a disembodied green head?

That had been enough for her, she'd avoided her stepmother completely after that, and lived in dread of what was coming. She avoided needles, the spindles of spinning wheels, anything sharp and pointed. She kept away from balconies and only ate what she'd seen everyone else eat. She'd locked her door at night, set traps to trip up anyone coming through the window or down the chimney and had so many charms against demons and the like hung up in the canopy of her bed that they rattled softly against one another in the darkness. She'd done everything she could think of—

But she truly had not thought that a servant, no matter how sinister, would dare to raise his hand against her.

She was so cold…so cold she ached with it and jumped every time lightning struck near, which was horribly often. And every time she thought she couldn't cry anymore, a fresh shock sent her off again.

Why had her father done this? She didn't know; at times it was as if he was two different people. There was the wonderful Father who sometimes turned up without warning to teach her how to make her nightmares stop, who gave her rare, enchanted toys, like the tiny kitten that never became a cat and would go curl up on a shelf when you told it "time for bed." Then there was the King, who was always away at war, and who treated her with the grave formality of a complete stranger.

Of course he did, said that voice in her head. If you were the beloved Princess, The Tradition would make your life, your fate, even more horrible.

Where was Godmother Lily then? She'd come to the funeral, but why hadn't she healed Rosa's mother? Why hadn't she kept her father from marrying that witch?

She could remember her old nurse saying something, though. It doesn't always take a spell to turn a man's head and wits.

Just as Rosa thought that, she felt movement at her back.

And what had been, she thought, the solid wood behind her abruptly vanished.

... --This text refers to the Mass Market Paperback edition.


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Most Helpful Customer Reviews on Amazon.com (beta)
Amazon.com: 4.2 out of 5 stars (82 customer reviews)

38 of 40 people found the following review helpful
5.0 out of 5 stars Another wonderful 500 kingdoms book, Jun 24 2010
By Katharyn D. Daniel - Published on Amazon.com
Amazon Verified Purchase(What's this?)
This review is from: The Sleeping Beauty (Hardcover)
Merecedes Lackey's latest books are even better than her early books. (So if you haven't read anything by her in 20 years-give her another try.)If you have enjoyed any of her fairy tale novels, you will love this book. It is very well crafted. In my opinion, all of the 500 kingdoms books have been wonderful and this may be the best of them. You can definitely read it without having read the other 500 kingdoms books. However, there are a few nods to things from the other books that you will catch and smile over if you have read the others. I read this in one sitting because it was that good. I plan to re-read it again soon. I won't provide plot details to spoil anything, but the main characters are very likable--especially the godmother Lily. Not everyone that is good has a happy ending, but overall things wrap up in a very satisfying way.

I recommend this book to fantasy lovers, anyone who loves fairy tales, and to literary scholars (especially those of world literature and myths/legends). Each group will get something different but wonderful from this book and the rest of the series. Happy reading!

18 of 18 people found the following review helpful
5.0 out of 5 stars Suprises, Suprises, July 1 2010
By LAS Reviewer "The Long and the Short Of It Re... - Published on Amazon.com
Originally Posted at: [...]

The Tradition. It is what rules the lives of all in the Five Hundred Kingdoms. The Godmothers do what they can to work around it so people aren't forced to a fate they don't deserve or want.

Godmother Lily needs to find a way to thwart the Tradition and help Rosamund become more than another pawn to it. Lily has been the Godmother of Eltaria for three hundred years, with the help of her brownies and her trusted mirror servant Jimson, but the death of Queen Celeste has created a buildup of the Tradition unlike any she has seen before. Since it was demanding Rosamund have an Evil Stepmother, Lily works with the King to become Queen Sable, a dark sorceress, giving them time for more planning.

Siegfried von Drachenthal is a Hero trying to avoid the Tradition as well, as his father keeps trying to wed him to the Sleeping Woman. Prince Leopold is looking for something as well, a way to succeed as the younger son in a family of many. Can they all work together to give Rosamund the chance at happiness outside the Tradition? Can they overcome kidnapping, danger, and trials of all kinds for the happy ever after? Can they come up with a plan to keep Eltaria secure and free?

I love Mercedes Lackey's Five Hundred Kingdoms series. They are a mix of traditional fairy tales, with small and deliciously funny twists throughout. The Sleeping Beauty is no exception.

There is the Godmother, Lily, determined to prevent the Tradition from determining Rosamund's fate. She is wise enough to know that some of the things can't be avoided, so she manipulates them to suit her purposes. The heroine, Rosamund, is intelligent and beautiful and more than capable of choosing her own destiny. She shows great wit and skill in facing each of the challenges thrown at her. Our heroes, Leopold and Siegfried, are handsome and strong, but totally different in demeanor. Siegfried is trying to avoid his own problems with the Tradition, while Leopold, as a younger son, is looking to make a good match.

The solution Lily comes up with to buy time is a series of tests to find the best candidate to wed Rosamund, after inviting the eligible nobles from the surrounding kingdoms to participate.

I loved the gentle love story that developed between one of our heroes and Rosamund as the trials progressed. I enjoyed the independence that Rosamund showed in learning to defend herself if necessary. This is a delightful twist on Snow White, Sleeping Beauty and the Norse Siegfried fable, with lots of humor--much of it tongue-in-cheek.

Is there a happy ever after in this one? Actually there are three and two were a surprise I didn't see coming.

11 of 12 people found the following review helpful
2.0 out of 5 stars Nap-Time, Aug 26 2010
By Myra Schjelderup "Ignolopi" - Published on Amazon.com
This review is from: The Sleeping Beauty (Hardcover)
Pre-release customer review from the Amazon Vine™ Program
My impression in 4 words: somewhat fun, nothing more.

Drawing a little on the tales of Sleeping Beauty, Snow White, and the Volsunga saga, but mostly on the Tradition plot, The Sleeping Beauty is about a princess (who does very little sleeping) trying to avoid being pulled into one of the sleeping princess plots, and a prince-equivalent from a faraway land who is trying to avoid being pulled into the 'fall in love with valkyrie' follow 'pain and suffering' plot.

The princess is Rosa, who is a particular favorite of the kingdom's resident Godmother, Lily. Lily tries her utmost to protect Rosa from the pull of the Tradition, going so far as to 'marrying' her father so he doesn't marry an evil stepmother. But when Rosa's father dies, the prosperous land is left open with no ruler, ripe for invasion. In order to stop the invasion, Lily decides to hold a series of trials for foreign princes so that they may compete to win Rosa's hand (read: hostages!).
(The whole Dwarf thing is taken care of early on and adds nothing particular to the story.)

While the plot was mildly amusing, it did not hold me in thrall. I was continually skipping paragraphs explaining surroundings and facts that I didn't care about and didn't enter the story for more than a page or two.

Example: "Siegfried's people might have been barbarians by some standards, but they were quite fastidious about cleanliness. Every Clanhouse had a bathhouse attached, and bathing was not a luxury; it was needful. In the winter, the bathhouse was one place you knew you could go to get warm... and when your clothing tended to be made of wool and fur, it was a good idea to deflea and delouse them..." And the paragraph runs on to explain how the bathhouse keeps out eavesdroppers. Now there is nothing inherently wrong with this passage. If it was spending any substantial time talking about Siegfried's people or Clanhouses or keeping clean, and if there were any other scenes even mentioning the bathhouse, I would not mind it. However, the whole passage is unnecessary and adds nothing to Siegfried's character or the plot. If it was needed to explain they would not be eavesdropped on, it could have been thrown in very succinctly.

Had these types of things been spare, I would not have minded, but they littered the pages and caused me actual annoyance (that's where the 3rd star gets knocked of). I got tired of the 'see, I thought all this out!' feel.

The characters weren't horrible, I almost liked Siegfried and his relationship with the comical prince Leopold, but they got a bit annoying. Rosa was a very shallow character, a typical 'I can take care of myself!' girl who then gets kidnapped incredibly easily but because she's been studying magic for a whole week or two can unravel complicated spells woven by an experienced caster. The bad guy was also very shallow, it was hard to tell what he was after, he was more one of those 'we need a bad guy, let's make him evil for no other reason'.
(I agree completely with the Birdie Blue reviewer.)

A positive thing I can say about this child-like book is that it remained mostly light and innocent (unlike other Five Hundred Kingdoms books and the Elemental Masters books which contain at least one skippable intimate scene and usually more than one dark plot element).

Ok, and I admit, the Norse mythology made me happy, even with the shallow pokes at it. (And I'm actually reading the Poetic Edda Volsunga Saga right now!)

I believe that had this been a novella or short story I would have enjoyed it much more. As it was, I had to struggle to read beyond the first 100 pages. I've been disappointed with Lackey's work ever since the last good Valdemar book (Exile's Honor); I'd hoped this might be a revival but, once again, I was sorely disappointed.

If you are looking for a quick light sarcastic fairy-tale, and you have enjoyed Lackey's other Five Hundred Kingdoms work, you will probably enjoy The Sleeping Beauty for a one-time read. Otherwise, I do not recommend it, not for the humor or the romance or the writing.
 Go to Amazon.com to see all 82 reviews  4.2 out of 5 stars 

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