From Publishers Weekly
At once tragic and madcap, Sharpe's second novel offers an acidly funny portrait of a "diminished nuclear unit" coping with its patriarch's pharmacologically induced stroke. Divorced, depressed Bernard Schwartz is taking Prozac, but the accidental ingestion of another antidepressant lands him in a coma. His adolescent children, the conflicted and caustically witty Chris, and the serious, earnestly spiritual Cathy, must muddle through their father's helplessness in this character-driven tale. In one of the novel's best scenes, Chris, devastated but true to his trademark hostile sense of humor, adorns his unconscious father's face with drawn-on "make-up," which includes rosy cheeks and a Hitler mustache. It's moments like this-when fear induces laughter, and humor invites pathos-that make this tonally skillful novel dazzling but also difficult. Sharpe (Nothing Is Terrible; Stories from the Tube) shows little mercy for his characters; even as he lovingly catalogues their every idiosyncrasy, he dumps on them one humiliating circumstance after another. Upon waking from the coma, Bernard is physically and mentally compromised, and Chris, who's in charge of his rehabilitation, takes advantage of this role reversal with mixed results. He dresses his father in age-inappropriate clothing and openly mocks Bernard's attempts at readjustment-but he's dutiful, too, and Bernard takes solace in some of his unorthodox teaching exercises, like the naming of trees. The family dynamics culminate in unexpected and dramatic ways at the novel's end, a needed jolt after some mild plot stagnation sets in midway. Readers of alternative and literary fiction should appreciate Sharpe's clearly drawn characters and his thoughtful, if withering, examination of the contemporary hierarchies of family and authority.
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Review
'Spiced with sweet-sour humour' -- Sunday Times 'Fresh, funny, quirky' Anne Tyler, New York Times 'Like fellow US cult hit A HEARTBREAKING WORK OF STAGGERING GENIUS, it's funny, flippant and likely to irritate some. But we well and truly fell for its mix of tenderness and shocking farce' -- Heat 'Fluent and funny, clever and wise...it slowly becomes sad without you noticing and then frightening and then funny again' Colm Toibin 'Smart, eccentric...generous...a rare find: an ironist who actually seems to like other people' New York Times Book Review 'Fresh, original and very funny, funny in the way that occasionally makes you sob, original in the way that makes you look at everything...in a new and kinder light' George Saunders 'It is a triumph of tone and dialogue and often wincingly vivid...Sharpe has a gimlet eye for the intensity and anxiety of growing up' -- Time Out
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