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The Snows of Kilimanjaro and Other Stories Paperback – Oct 3 1995
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Returning from a Kenyan safari in 1932, Ernest Hemingway quickly devised a literary trophy to add to his stash of buffalo hides and rhino horns. To this day, Green Hills of Africa seems an almost perverse paean to the thrills of bloodshed, in which the author cuts one notch after another in his gun barrel and declares, "I did not mind killing anything." Four years later, however, Hemingway came up with a more accomplished spin on his African experiences--a pair of them, in fact, which he collected with eight other tales in The Snows of Kilimanjaro. The title story is a meditation on corruption and mortality, two subjects that were already beginning to preoccupy the 37-year-old author. As the protagonist perishes of gangrene out in the bush, he recognizes his own failure of nerve as a writer:
Now he would never write the things that he had saved to write until he knew enough to write them well. Well, he would not have to fail at trying to write them either. Maybe you could never write them, and that was why you put them off and delayed the starting. Well he would never know, now.In the story, at least, the hero gets some points for stoic acceptance, as well as an epiphanic vision of Kilimanjaro's summit, "wide as all the world, great, high, and unbelievably white in the sun." (The movie version is another matter: Gregory Peck makes it back to the hospital, loses a leg, and is a better person for it.) But Hemingway's other great white hunter, in "The Short Happy Life of Francis Macomber," is granted a less dignified exit. This time the issue is cowardice, another of Papa's bugaboos: poor Francis is too wimpy to face down a wounded lion, let alone satisfy his treacherous wife in bed. Yet he does manage a last-minute triumph before dying--an absolute assertion of courage--which makes the title a hair less ironic than it initially seems. No wonder these are two of the highest-caliber (so to speak) tales in the Hemingway canon. --Bob Brandeis
From Library Journal
It's not often that this column gets to cite something by a truly classic author, but here it is: Hemingway's last work, written after he returned from his 1953 safari and edited by his son, Patrick, in time for this July's centennial celebration. Hemingway even stars in this "fictional memoir," running the safari camp in the absence of friend and lead hunter Pop even as hostile tribes gather to attack. But he still has time to sneak in an affair with an African girl. Along with this work, Scribner will publish three new hardcover editions of Hemingway classics: The Snows of Kilimanjaro and Other Stories (ISBN 0-684-86221-2. $25), Death in the Afternoon (ISBN 0-684-85922-X. $35), and To Have and Have Not (ISBN 0-684-85923-8. $25).
Copyright 1999 Reed Business Information, Inc. --This text refers to the Hardcover edition.
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Harry had come to Africa with the hopes of rekindling his talents. Africa was where he was the happiest and therefore the ideal setting for writing. However, Harry's talent for writing was slipping before he came to Africa and with his leg becoming infected and the gangrene setting in, his fate as a failed writer seemed sealed. Would Harry have been able to regain the stature he desired as a writer even if he was not being confronted by death? This is one of the questions Hemingway wants us to ponder.
The dream Harry has of flying towards the top of Kilimanjaro is another sequence in which to ponder. We do, for a moment, get the sense that Harry is at peace in the presence of the majestic Kilimanjaro. But the story ends not with Harry's dream of ascending mount Kilimanjaro, but with the crying of the hyena. This brings us back to the reality of Harry's death and reminds us of his failed ambitions. Kilimanjaro represents the sovereign height to which every writer wishes to rise. With death breathing down his neck (literally), Harry can now only dream of reaching such a height.
Be prepared: this story shall transform your philosophy on existence. Oh yeah, and the other stories aren't half-bad either :-)
abroad, the subjects of these tales deal with some of his favorite--albeit morbid--literary interests: death, drink, war and illness. Possibly influenced by Anderson's anthology, WINESBURG OHIO, the author actually chooses one character, Nick Adams, to appear in several unrelated stories. Ranging in length from 3 - 33 pages these stories are the offspring of the imagination and morality of a Man's author. His protagonists include a solider, boxer, gambler, game hunters--even simple waiters. Set in Africa, Italy, France and the Chicago environs, this collection will transport readers back to the era of the Lost Generation, when personal choices were often painfully wrong, resulting in social and moral disaster. Vintage Heminway, with subtle hints of his interest in suicide.
Most recent customer reviews
The book is in good condition as afirmed by the owner. I did not have any problem.
I am enjoying read it!
Yes of course, Hemingway is a good writer and some of the stories in the book are excellent. However, as a collection, the book is uninspiring and a bit depressing. Read morePublished on Dec 28 2001 by erichidaho
This is the most powerful book Papa H. ever produced. THE SHORT HAPPY LIFE, THE KILLERS, the title piece, all combine for one explosive effect philosophically, emotionally, and... Read morePublished on Aug. 20 2000 by Account Killer
Hemingway not only captures the reader via adventure in places the average man has not visited, but also explores the meaning and value of life. Read morePublished on July 19 2000 by Brendan
I do not feel that this is the place for the discussion that this book deserves, but there are a few books that are so good that mere public affirmation of them is enjoyable. Read morePublished on May 24 2000 by Brendan W Kerr
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