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The Sound and the Fury: The Corrected Text Library Binding – Apr 9 2009


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Product Details

  • Library Binding
  • Publisher: Paw Prints; Reprint edition (April 9 2009)
  • Language: English
  • ISBN-10: 1439571066
  • ISBN-13: 978-1439571064
  • Product Dimensions: 20.1 x 12.4 x 2.5 cm
  • Shipping Weight: 318 g
  • Average Customer Review: 4.1 out of 5 stars  See all reviews (197 customer reviews)
  • Amazon Bestsellers Rank: #2,090,712 in Books (See Top 100 in Books)

Product Description

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The ostensible subject of The Sound and the Fury is the dissolution of the Compsons, one of those august old Mississippi families that fell on hard times and wild eccentricity after the Civil War. But in fact what William Faulkner is really after in his legendary novel is the kaleidoscope of consciousness--the overwrought mind caught in the act of thought. His rich, dark, scandal-ridden story of squandered fortune, incest (in thought if not in deed), madness, congenital brain damage, theft, illegitimacy, and stoic endurance is told in the interior voices of three Compson brothers: first Benjy, the "idiot" man-child who blurs together three decades of inchoate sensations as he stalks the fringes of the family's former pasture; next Quentin, torturing himself brilliantly, obsessively over Caddy's lost virginity and his own failure to recover the family's honor as he wanders around the seedy fringes of Boston; and finally Jason, heartless, shrewd, sneaking, nursing a perpetual sense of injury and outrage against his outrageous family.

If Benjy's section is the most daringly experimental, Jason's is the most harrowing. "Once a bitch always a bitch, what I say," he begins, lacing into Caddy's illegitimate daughter, and then proceeds to hurl mud at blacks, Jews, his sacred Compson ancestors, his glamorous, promiscuous sister, his doomed brother Quentin, his ailing mother, and the long-suffering black servant Dilsey who holds the family together by sheer force of character.

Notoriously "difficult," The Sound and the Fury is actually one of Faulkner's more accessible works once you get past the abrupt, unannounced time shifts--and certainly the most powerful emotionally. Everything is here: the complex equilibrium of pre-civil rights race relations; the conflict between Yankee capitalism and Southern agrarian values; a meditation on time, consciousness, and Western philosophy. And all of it is rendered in prose so gorgeous it can take your breath away. Here, for instance, Quentin recalls an autumnal encounter back home with the old black possum hunter Uncle Louis:

And we'd sit in the dry leaves that whispered a little with the slow respiration of our waiting and with the slow breathing of the earth and the windless October, the rank smell of the lantern fouling the brittle air, listening to the dogs and to the echo of Louis' voice dying away. He never raised it, yet on a still night we have heard it from our front porch. When he called the dogs in he sounded just like the horn he carried slung on his shoulder and never used, but clearer, mellower, as though his voice were a part of darkness and silence, coiling out of it, coiling into it again. WhoOoooo. WhoOoooo. WhoOooooooooooooooo.
What Faulkner has created is a modernist epic in which characters assume the stature of gods and the primal family events resonate like myths. It is The Sound and the Fury that secures his place in what Edmund Wilson called "the full-dressed post-Flaubert group of Conrad, Joyce, and Proust." --David Laskin --This text refers to the Paperback edition.

Review

“I am in awe of Faulkner’s Benjy, James’s Maisie, Flaubert’s Emma, Melville’s Pip, Mary Shelley’s Frankenstein—each of us can extend the list. . . . I am interested in what prompts and makes possible this process of entering what one is estranged from.” —Toni Morrison
 
“No man ever put more of his heart and soul into the written word than did William Faulkner. If you want to know all you can about that heart and soul, the fiction where he put it is still right there.” —Eudora Welty --This text refers to the Audio CD edition.

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Customer Reviews

4.1 out of 5 stars

Most helpful customer reviews

4 of 4 people found the following review helpful By j on Jan. 12 2013
Format: Kindle Edition Verified Purchase
Too many typographical errors. The text is already difficult enough to follow with its stream of thought narrative and changing time frames; the typos contradict the "promise" in the preface that it upholds "the highest standards in ebook production."
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2 of 2 people found the following review helpful By sallyjo on June 20 2004
Format: Paperback
Yes, this book is difficult. Yes, you should read it more than once. But don't let the readers who weren't willing to invest the time in it keep you from reading it. Some have dismissed this novel as inaccessible, but there is much in this novel to reward the serious reader. It's not hype.
Faulkner introduces in this book a groundbreaking, complex narrative style, and this book influenced many later American writers. I was amazed at the genius of the construction. That alone makes the book worth reading. It's a work of art.
But it's not for everyone -- if you don't enjoy mentally challenging books, it's not for you. But if you're like me, and you like books that challenge you, and you like seeing writers experiment with language and structure, this is a satisfying read.
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1 of 1 people found the following review helpful By J. Densmore on March 26 2005
Format: Paperback
By far the most difficult part about reading S&F was convincing myself that I really wanted to tackle the novel. And yet, upon sitting down to read the book I was immediately engrossed by the Compson's story. A self-proclaimed Faulkner fanatic, S&F presents itself as his most exciting novel. Filled with issues we have all (on some level) contemplated within our own convoluted minds, S&F forces us to reevaluate our understanding of love, family, death, and most importantly why we bother to endure through each day. For those of us desperately searching for connections between Faulkner's books and his Nobel prize speech, S&F unfortunately does not offer any overt references as to how we can or should ultimately prevail. Or does it? Maybe the power found within S&F lies in its refusal to indicate a way in which we should all strive to prevail and instead shows how deeply personal the matter must be for each individual. If you want another great, great book, try Jackson McCrae's THE CHILDREN'S CORNER with its excellent writing style and great insight into the human heart.
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1 of 1 people found the following review helpful By A Customer on Feb. 28 2001
Format: Paperback
I have the misfortune of being forced to read this book for one of my university classes. I honestly don't see why this is considered to be such a classic in literature. The only thing worthy of note about this book is that Faulkner attempted an experiment with storytelling no one had never done before.
As a writer and a student of English literature (by the way, for those who think only the "uneducated" don't like this book, I am proof to the contrary) I believe a writer must give us, as readers, at least some clear indication of what we are supposed to take away from his or her piece of writing, even if he or she asks us to come to our own conclusions about the message or messages. The problem with stream-of-consciousness storytelling is that it does not convey its significant points clearly. Does Faulkner honestly want us to take away that "it is a tale/ Told by an idiot, full of sound and fury,/Signifying nothing"? (The preceding is a quote from Macbeth where Faulkner gets his title.) This is the message I take away from the novel. The story signifies absolutely nothing; the end of the book and the fates of the characters fizzle into nothing. The story is mediocre at best. It is only memorable for the bizarre way in which it is told.
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1 of 1 people found the following review helpful By A Customer on June 13 1999
Format: Paperback
I read this book back in college and I hated every moment of it. I thought I was young and naive. I read it again some years later.... same result. My professor (who had taught this book for many years until we convinced her not to use it anymore) walked us through the entire book, so I understand it... I just don't think it is worth the time.
The biggest problem is the writing style. Faulkner writes using "Stream of Consciousness," a writing style meant to show the reader what characters are actually thinking. It's as if you are inside the character's head, listening to his/her thoughts. One problem: the first part of the book is about someone who is mentally retarded. But you don't know this. You read and read and the book jumps from place to place with no connection whatsoever because it is occuring in the mind of someone who has no concept of time or reality. In a later section, one of the characters goes mad. In this section, if you buy the book, you will get the joy of reading page after page of text with NO PUNCTUATION WHATSOEVER. No capitalization, no commas, no periods.. NOTHING.
Trust me on this one. Do not buy this book. Buy something you will enjoy. A book does not have to be this complicated to be a classic. A book should just be enjoyable.
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By Donald Mitchell #1 HALL OF FAMETOP 50 REVIEWER on Dec 6 2008
Format: Hardcover
Before commenting on the content and value of the book, let me warn that this is one of the most difficult to understand and appreciate of all American novels. Several factors combine to create that difficulty. First, one of the narrators is a person with mental deficiencies. Second, the first section uses an unusual flashback technique that cannot be understood very clearly until you have read the whole book (perhaps more than once). Third, Faulkner is sparing in his clues of how the stories weave together. You have to watch carefully for them. Fourth, the sensibilities of the day meant that much is implied rather than stated overtly. But you have to understand what those hints are about, or you miss the story. Finally, there is much dense Southern black dialect here that requires slow reading to capture the sense of. Fifth, the interior dialogues are interspaced with external dialogues . . . which can create confusion. Sixth, there is a lot of crude stream of consciousness material here, but it will not enchant you as Joyce's or Proust's will. Seventh, the book is heavy with unusual symbolism that is easy to miss. Eighth, the center of the story is often drawn in by looking at the edges rather than looking directly at the center.

So if you like a challenge (like extremely complex puzzles), you will love The Sound and The Fury. If you like your fiction more straightforward, you are going to wonder where you are at times. If you like new experiences in your reading, you will find the book very rewarding.

You will meet three generations of Compsons in this novel, along with their servants, friends, and coworkers. Each Compson is experiencing perceptual disconnections that make them ineffectively connected to reality. But each is different in their dysfunction.
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