Anthony Mann made some of the greatest Westerns of the 1950s, all in partnership with James Stewart. Perhaps needing to prove himself as his own man, in 1957 Mann dropped out of Night Passage to do this film. It's a rather schematic character study about a lawman-turned-bounty-hunter (Henry Fonda) who undertakes the professional shaping-up of an effete young sheriff (Anthony Perkins) too tentative to police the streets of his town. Those streets are compositionally present right outside the oversize window of the office where Perkins undergoes a lot of his soul-searching and arguments with Fonda. That's typical of the film--scrupulously designed, yet abstract to the point of dramatic aridity. The VistaVision black-and-white of cameraman Loyal Griggs (Oscar®-winner for Shane) is at once stark and glossy. Fonda's own reclamation as a social being is accomplished by way of a not-very-interesting subplot involving Betsy Palmer and a half-breed child played by Michel Ray. --Richard T. Jameson --This text refers to an out of print or unavailable edition of this title.
Anthony Mann's THE TIN STAR was a little disappointing. Mann was an early expert in 'psychological' westerns and I guess this one fits that category. Read morePublished on June 5 2004 by Steven Hellerstedt
When you think of westerns you usually think of movies that have cowboys and indians fighting with the good side winning in the end. Read morePublished on April 15 2000 by "larriman"
Ex-sheriff turned bounty hunter Henry Fonda teaches the lawman trade to rookie peace officer Anthony Perkins in an excellent, intelligent western. Read morePublished on March 15 2000 by Lee J. Stamm
I think this movie is one of the best Western Movies I have ever seen. Anthony Perkins was very great in his role and Henery Fonda played one heck of a hero! Read morePublished on Dec 23 1998