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The Stolen Child [Large Print] [Hardcover]

Keith Donohue
3.8 out of 5 stars  See all reviews (5 customer reviews)
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Book Description

Nov 1 2006 Center Point Platinum Fiction (Large Print)
“I am a changeling–a word that describes within its own name what we are bound and intended to do. We kidnap a human child and replace him or her with one of our own. . . .”The double story of Henry Day begins in 1949, when he is kidnapped at age seven by a band of wild childlike beings who live in an ancient, secret community in the forest. The changelings rename their captive Aniday and he becomes, like them, unaging and stuck in time. They leave one of their own to take his place, an imposter who must try–with varying success–to hide his true identity from the Day family. As the changeling Henry grows up, he is haunted by glimpses of his lost double and by vague memories of his own childhood a century earlier. Narrated in turns by Henry and Aniday, The Stolen Child follows them as their lives converge, driven by their obsessive search for who they were before they changed places in the world. Moving from a realistic setting in small-town America deep into the forest of humankind’s most basic desires and fears, this remarkable novel is a haunting fable about identity and the illusory innocence of childhood.
--This text refers to the Paperback edition.

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From Publishers Weekly

Folk legends of the changeling serve as a touchstone for Donohue's haunting debut, set vaguely in the American northeast, about the maturation of a young man troubled by questions of identity. At age seven, Henry Day is kidnapped by hobgoblins and replaced by a look-alike impostor. In alternating chapters, each Henry relates the tale of how he adjusts to his new situation. Human Henry learns to run with his hobgoblin pack, who never age but rarely seem more fey than a gang of runaway teens. Hobgoblin Henry develops his uncanny talent for mimicry into a music career and settles into an otherwise unremarkable human life. Neither Henry feels entirely comfortable with his existence, and the pathos of their losses influences all of their relationships and experiences. Inevitably, their struggles to retrieve their increasingly forgotten pasts put them on paths that intersect decades later. Donohue keeps the fantasy as understated as the emotions of his characters, while they work through their respective growing pains. The result is an impressive novel of outsiders whose feelings of alienation are more natural than supernatural. (May)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. --This text refers to an alternate Hardcover edition.

From School Library Journal

Adult/High School–When Henry Day runs away at age seven, he is captured by a gang of hobgoblins, or changelings. One of them assumes his identity and takes his place in his family, and the original Henry, now called Aniday, adapts to life with ageless children who survive in the woods, awaiting their turn to change places with a human. Told in alternating voices by the impostor and the real Henry, this story shows how their lives intertwine as they come to terms with their new realities. New England in the latter half of the 20th century is not kind to creatures of the shadowy realm, and the band of changelings slowly dwindles as housing developments and industry push away the forested areas where they hide. As much as the new Henry tries to assimilate, memories of a prior life nag at him, and he comes to realize that, just as he has stolen Aniday's childhood, his own childhood was stolen away from him in 19th-century Germany. Although the coincidences in their quests stretch a little thin at times, Donohue has created a haunting picture of two lonely spirits searching for identity in the modern world. He includes just enough fantasy that readers will look a little more closely the next time they are walking through a dark stretch of forest.–Kim Dare, Fairfax County Public Schools, VA
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. --This text refers to an alternate Hardcover edition.

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Customer Reviews

Most helpful customer reviews
1 of 1 people found the following review helpful
5.0 out of 5 stars Fantastic! Oct 20 2009
By Brad Saunders TOP 1000 REVIEWER
Format:Paperback
There's no need for me to rehash the plot here, as others have covered that off quite well already. I will say however, that I picked up this book on a whim, simply because I had a discount coupon to use, and am so glad that I did. Keith Donohue has written a novel that will pierce a place deep within you as you live through the struggles of two characters whose lives are forever entwined by the shared secret they carry. While falling broadly into the mythology/fantasy genre, this is no ethereal fairy story. The Stolen Child is very much grounded in the day to day lives of two people who grieve for a life they once knew, yet long to move forward to the promise of a better life ahead. This is one myth I will never forget; it will remain a part of my own story for a very long time.
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1 of 1 people found the following review helpful
4.0 out of 5 stars Thoughtful and imaginative Aug 24 2009
Format:Paperback
I really enjoyed this book. It has much to say about how we construct our lives from memory, personal narrative and sense of belonging. I liked the chapter by chapter switching between Aniday and Henry, although I did enjoy Aniday's narrative more (and liked him more, I think) possibly due to it's fantasy foundation. This will make a very good movie as long as they don't lose the underlying psychological themes to an otherwise fantasy style story.
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5.0 out of 5 stars A truly enchanting, insightful debut novel Sep 5 2006
By Daniel Jolley TOP 50 REVIEWER
Format:Hardcover
Keith Donohue has brought forth a magical debut novel full of insights into childhood and adulthood and the seemingly endless longing that largely defines both. He conjures a world of ancient legend and places it on the outskirts of modern civilization, thereby casting an insightful eye upon both. Like many a story related to childish subjects, there is a complexity here of subtle strength and great depth that speaks to some of the most poignant thoughts and emotions of man. The Stolen Child is a truly enchanting tale that delves into man's eternal questions about the meaning and purpose of life even as it paints the pictures of two extraordinary lives linked together by a common identity.

The Stolen Child tells the story of Henry Day - both the boy who was born Henry Day and the changeling who assumed Henry Day's identity at the age of seven. The changelings, of course, are creatures out of centuries-old legend, said to steal children and leave defective changeling impostors in their place. The changelings in this novel are not the ugly little monsters who brought terror into the minds of our distant ancestors, however. They are essentially ageless children, each of them waiting patiently yet interminably for their turn to sneak back into the upper world of humans in place of some other stolen youngster. Young Henry Day finds himself stolen, baptized in the river into an entirely new life, and welcomed into a group of eleven changelings. He learns their ways as his previous memories quickly begin to fade - but his new life as Aniday is far from idyllic. His rare encounters with humans disturb him, keeping awake a spark within him of the family he left behind and a deep yearning to return. Unlike his new friends, he longs for paper and pencil, feeling the need to write down what he still remembers and to chronicle the story of his new life as the years come and go.

Having finally fulfilled his decades-old dream to return to human life, the new Henry Day faces his own obstacles. Having taken the exact features of the stolen child, he gives Henry's parents no reason to question that he is their son - not at first, anyway. There are noticeable differences, however - his new passion and natural skill at music being the most obvious. He has to remember to grow (and to do so in all the right places). And there is always an underlying sense of guilt in the back of his mind, one which is further complicated in time by his growing memories of his own stolen childhood in 19th century Germany.

Both Henry and Aniday seek a deeper meaning to their uncommon lives: Henry through his music and Aniday through the preservation of his memories in writing. Neither finds fulfillment or peace on his own, for they are two souls tied together in ways neither can truly fathom. Neither can begin to understand who he really is without coming to terms with who he used to be. Fate decrees that their worlds intersect on several occasions, as each one's search for his own identity seems to lead him closer and closer to the other. There are tragedies and triumphs along the way, and I must say I found the tragedies surprisingly powerful and emotional. You read this novel with your heart as much as your mind.

Donohue truly immerses you in the very different yet parallel worlds of Henry and Aniday, and you can't help but feel a close affinity to them both, particularly the latter. You might think the constant switching of viewpoint and narration between the two protagonists would prove clumsy or disorienting, but this is not the case at all. Indeed, the narrative of one constantly reinforces the other, especially when you get two divergent viewpoints of the same event. Keith Donohue may be a new name on the literary scene, but he's a master storyteller and a true maestro of the written word. Much like the fabled music of the wee folks, his writing mesmerizes and transports you to a completely magical realm that feels somehow strangely familiar, and you emerge from the final page as a changeling of sorts yourself, forever altered on a deeply personal level by this too-brief encounter with the Henry Day who was and the Henry Day who is.
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