Vous voulez voir cette page en français ? Cliquez ici.


or
Sign in to turn on 1-Click ordering.
More Buying Choices
Have one to sell? Sell yours here
The Stranger's Child
 
 

The Stranger's Child [Deckle Edge] [Hardcover]

Alan Hollinghurst
3.0 out of 5 stars  See all reviews (2 customer reviews)
List Price: CDN$ 32.00
Price: CDN$ 20.16 & eligible for FREE Super Saver Shipping on orders over CDN$ 25. Details
You Save: CDN$ 11.84 (37%)
o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o
In Stock.
Ships from and sold by Amazon.ca. Gift-wrap available.
Want it delivered Tuesday, May 29? Choose One-Day Shipping at checkout.

Formats

Amazon Price New from Used from
Hardcover, Deckle Edge CDN $20.16  
Paperback --  
Audio, CD, Audiobook, Unabridged CDN $31.98  

Frequently Bought Together

The Stranger's Child + The Cat's Table + Half-Blood Blues
Price For All Three: CDN$ 55.86

Show availability and shipping details

Buy the selected items together
  • In Stock.
    Ships from and sold by Amazon.ca.
    Eligible for FREE Super Saver Shipping on orders over CDN$ 25. Details

  • The Cat's Table CDN$ 20.06

    In Stock.
    Ships from and sold by Amazon.ca.
    Eligible for FREE Super Saver Shipping on orders over CDN$ 25. Details

  • Half-Blood Blues CDN$ 15.64

    In Stock.
    Ships from and sold by Amazon.ca.
    Eligible for FREE Super Saver Shipping on orders over CDN$ 25. Details


Customers Who Bought This Item Also Bought


Product Details


Product Description

Review

Longlisted for the Man Booker Prize [2011]
A Globe and Mail Best Book
A New York Times Notable Book

“If this wonderfully well-made and witty novel doesn’t win the Man Booker Prize, there is no justice in the world. . . . Constantly provocative, intricately plotted, slyly hilarious––in short, a triumph of the storyteller’s art.”
—Brian Lynch, Irish Independent
 
“Captivating. . . . It is elegant, seductive and extremely enjoyable to read, and peppered with astute, apparently casual noticings. . . . The Stranger’s Child will no doubt be one of the best novels published this year.”
—The Guardian
 
“A remarkable, unmissable achievement, written with the calm authority of an author who could turn his literary gifts to just about anything.”
—Richard Canning, The Independent
 
“There is a huge cleverness to the book at a structural and, as it were, managerial level. . . . Hollinghurst, as ever, is quietly brilliant about architecture. . . .  There’s also a lot that is purely and simply very funny.”
—Keith Miller, Daily Telegraph
 
The Stranger’s Child feels like the kind of novel that [E.M.] Forster might have written had he continued. . . . An impeccable, ironic, profoundly enjoyable plot structure. . . . Aesthetically, The Stranger’s Child is probably the best novel this year so far.”
—Amanda Craig, The Independent

Book Description

INTERNATIONAL BESTSELLER

The Stranger’s Child is Alan Hollinghurst’s masterpiece, the book that cements his position as one of the finest novelists of our time. In its scope, intelligence and elegance, The Stranger’s Child can be placed in the great tradition of the novel alongside epics by Marcel Proust and Anthony Powell. And yet, in its subtly political exploration of homosexuality in English society, it deals with an utterly contemporary subject in an utterly contemporary way.
 
The Stranger’s Child begins with sixteen-year-old Daphne Sawle sitting in a hammock in the garden of Two Acres, the family home in suburban London. She is making a show of reading Tennyson before her brother George arrives to visit with his Cambridge friend Cecil Valance, a handsome, assured and sometimes outrageous young man with a burgeoning reputation as a poet. After a tantalizing and dramatic weekend Cecil writes a long poem in Daphne’s autograph album as a parting gift. It is titled “Two Acres,” and both Daphne and George (whose feelings for Cecil also go well beyond mere friendship) immediately see how important the poem is – but none of them can foresee the complex and lasting effects it will have on all their lives.
 
When the next section of the novel begins, everything has changed: Daphne is married to Cecil’s brother Dudley Valance; George to a historian named Madeleine; and Cecil is dead, killed by a sniper in World War One. A Cabinet officer and man of letters named Sebastian Stokes has come to Corley Court, the Valance family’s country home, to put together an edition of Cecil’s poems and speak to each family member in turn about him. He is especially curious about Cecil’s personal (and passionate) letters and unpublished poems, papers that seem to have gone missing, and whose absence will loom paradoxically through the rest of the novel.
 
The book leaps forward and we are at another party, this one to celebrate Daphne’s seventieth birthday. George is now the acclaimed historian G.F. Sawle; Daphne’s son Wilfrid, a charming boy in the previous section, has grown into a nervous and somehow fractured adult. We meet Peter Rowe, a music teacher at the boarding school that now occupies Corley Court, and his boyfriend, Paul Bryant, a bank employee with a feeling for Cecil’s poetry. Soon Paul is taking up an idea that Peter abandoned: to write a biography of Cecil Valance. It means making some startling discoveries about a past that the Valance family would prefer to keep in sepia and shadows.
 
The Stranger’s Child is by turns a gripping literary mystery, an absorbing social study of some pivotal moments in history, and a sensuous and beautiful exploration of the secret passions that determine our lives. From Edwardian suburbs to the offices of the Times Literary Supplement in the 1970s, from High Table wit to the realities of life working behind the counter at a provincial bank, it seems there is no corner of English life that Alan Hollinghurst cannot make present and palpable. Throughout this book he displays his unmatched gift for creating characters who live and breathe, and makes The Stranger’s Child that rare thing, a historical novel whose characters, in their passions and betrayals, constantly surprise the reader. In telling the story of the Valances, Hollinghurst casts a clear eye on the ways that each new generation tries to keep the family’s secrets buried – and reminds us that outsiders who try to dredge secrets to the surface have their own very mixed reasons for doing so.
 
Reading this book, we are so utterly immersed in its characters’ lives that their memories come to seem like our own, at once vital and in the process of being lost. And perhaps this is the novel’s most extraordinary quality: the way it gives us events as they happen, and then shows them being transformed in the memory, and transformed again as they are documented, for good and ill. The Stranger’s Child is an astonishingly sensitive and perceptive novel, and one that will itself surely be read for generations to come.


Inside This Book (Learn More)
Browse and search another edition of this book.
Browse Sample Pages
Front Cover | Copyright | Excerpt | Back Cover
Search inside this book:

Suggested Tags from Similar Products

 (What's this?)
Be the first one to add a relevant tag (keyword that's strongly related to this product)
 

Your tags: Add your first tag
 

What Other Items Do Customers Buy After Viewing This Item?


 

Customer Reviews

2 Reviews
5 star:
 (1)
4 star:    (0)
3 star:    (0)
2 star:    (0)
1 star:
 (1)
 
 
 
 
 
Average Customer Review
3.0 out of 5 stars (2 customer reviews)
 
 
 
 
Share your thoughts with other customers:
Most helpful customer reviews

1 of 1 people found the following review helpful
1.0 out of 5 stars couldn't finish reading it!!!!, Jan 9 2012
By 
Natalie Boychuk "natalie" (Vancouver area, British Columbia Canada) - See all my reviews
(REAL NAME)   
This review is from: The Stranger's Child (Paperback)
I just gave up last night!! I have read almost half the novel and was totally bored!!! I honestly don't know why this novel is being given such a literary spoltlight. Other than the gay strand running throughout, I felt it was like reading a pale imitation of E.M. Forester without the strong narrative arc! Yes, the writing style is lovely but it left me cold. I would rather watch PBS Masterpiece theatre for a visual depiction of Edwardian life rather than wading through pages and pages of irrelevant descriptions - is this a portent of the post-modern style "simply words for words sake"?? Perhaps, Hollinghurst should just write poetry. As a reader, I have certain expectations when reading a novel and this novel certainly did not satisfy any of them. I wonder who his editoral advisor is??? If you decide to read this novel, be prepared to become very frustrated and bored. It is not often that I decide not to finish reading a higbly recommened novel! I think E.M. Forester's "Maurice" is a much stronger novel that deals with homo-erotic attraction and that was written a century before!!!
Help other customers find the most helpful reviews 
Was this review helpful to you? Yes No


7 of 7 people found the following review helpful
5.0 out of 5 stars Hollinghurst's Search For Lost Time, Oct 10 2011
By 
Stephen John Vogel (Manhattan) - See all my reviews
(TOP 1000 REVIEWER)    (REAL NAME)   
This review is from: The Stranger's Child (Paperback)
Alan Hollinghurst's fifth and latest novel, The Stranger's Child, is a dazzling addition to his already impressive contribution to contemporary British fiction. His last work, the Man Booker Prize winning The Line of Beauty, was chiefly set in London in the Thatcher era, and provided readers with an incisive image of what life was life at that particular time and place for a group of intriguing characters spanning a wide range of social categories.

The same thing could be said about this latest novel, though the time frame is much broader, spanning nearly a century, from 1913 to 2008.

The story begins when two Cambridge undergrads, Cecil Valence, a charismatic aristocrat already gaining fame for his lyric poetry, and George Sawle, whose hero-worship of his more illustrious friend goes well beyond the mere platonic, spend a week-end at "Two Acres," the suburban home of the Sawles family. Also present is Daphne, George's sixteen-year-old sister, who falls for Cecil's seductive charm quite as much as her brother, and who, like her brother, sees her interest reciprocated in ways both esthetic and carnal. An elegiac poem entitled "Two Acres," which the versatile Cecil composes during his visit, later becomes a milestone in English literature, though there will always be some doubt as to which of the Sawle siblings was the chief inspiration. Doubt and ambiguity play as important a part in this novel as do plot and character.

The book is divided into sections, five in all, each set in a different era. In the second, which takes place over a decade later, we see what happens when Daphne and George, now both with spouses, move into different social spheres, while still carrying the memories of their momentous association with the celebrated and now-deceased Cecil. These memories become both a burden and a form of glory with the passing years, and the ways in which memories become magnified, faded or distorted over time is one of the themes of this vast but carefully constructed novel. (In Search of Lost Time could easily have served as the title of this work if Proust hadn't used it first. The actual title, The Stranger's Child, is a quote from Tennyson, yet another author who sought to evoke what was lost to the past through his words.)

As the years go by, new characters are added to the narrative, while others pass away. Those who were main characters in an earlier section become minor ones later on, while lesser figures take on a far greater importance than we could have at first supposed. While the focus of the reader's interest shifts, as does the course of the narrative, one never feels the author has lost control or that the action is drifting. What often seem like loose ends throughout much of the book are tied up by the conclusion, in the satisfying way that is a particular pleasure of classic English fiction.

With his gift for piquant dialogue and an uncanny ability to juxtapose words in unforeseen yet gratifying ways, Hollinghurst is not only a superior storyteller but also a remarkable stylist.

The Stranger's Child is the work of gifted artist, writing at the top of his form.
Help other customers find the most helpful reviews 
Was this review helpful to you? Yes No

Share your thoughts with other customers: Create your own review
Most Helpful Customer Reviews on Amazon.com (beta)
Amazon.com: 3.5 out of 5 stars (78 customer reviews)

83 of 90 people found the following review helpful
5.0 out of 5 stars My favourite sprawling British novel this year, Aug 2 2011
By Kiwireads - Published on Amazon.com
This beautifully written novel is a family saga, but so much more. It starts in 1913 with 16 year old Daphne Sawle lying in a hammock excitedly waiting for her brother George and his friend Cecil to come home for a long weekend. Home is "Two Acres" near London, where Daphne lives with her widowed mother Freda, her older brother Hubert, and George (when he's not at Cambridge). The book spans almost a century and we get to track the family members and their relations to one another in detail. There is also lots in here about how attitudes to World War 1 have changed, the Bloomsbury group and the war poets, how family myths get built up, and most of all, and not surprisingly because it's Alan Hollinghurst, how being gay in England has changed.

The Sawles are comfortably off, but not rich. They're acutely aware that Cecil comes from a much posher family, the Valances, and spend a fair bit of the weekend worrying about diong things right. For example, Jonah, one of their general house servants, is assigned to be Cecil's valet for the weekend, and has no clue what to do but pretends he does. George is infatuated with Cecil, whose strong personality comes through the whole novel. George worries about his mother and sister letting slip just how much detail he's told them about Cecil and his family. Lots happens during the weekend. (I'm trying to avoid spoilers!) It felt like a rewritten version of Brideshead Revisited near the start, only backwards - the rich boy comes into the poorer family home.

There are 5 or 6 parts to the book, and 15-20 years between parts. Figuring out what was going on at the start of every new part was great fun. I don't think it's giving much away to say that by the end of the book Cecil, George, Daphne, Hubert and the rest of the family have all died, and we're left with the myths surrounding their lives and the impact they have had on several generation.

I loved this book and really hope it wins the Booker this year. Comparing it to other Booker winners that I've read, it's much better than The Finkler Question, not as good as Wolf Hall or The Remains of the Day but I am still happy giving it 5 stars.

36 of 40 people found the following review helpful
5.0 out of 5 stars WORTH THE LONG WAIT, Oct 1 2011
By Alan Dorfman - Published on Amazon.com
This review is from: The Stranger's Child (Hardcover)
Pre-release customer review from the Amazon Vine™ Program
I have a mixed history with Alan Hollinghurst's previous novels. His first book, "The Swimming Pool Library," is quite simply my favorite novel. At the other end of the spectrum, his most recent book, "The Line Of Beauty," I found to be a crushing disappointment. I apparently was in the minority opinion on that inasmuch as the novel won the Man Booker Award. The other novels fall somewhere in between.

"The Stranger's Child" is an example of a brilliant writer working at the top of his form, a multi-generational saga beginning before the first World War and ending in the late 1960s. I say "ending" advisedly inasmuch as part of the success of the novel is that the reader is left with the understanding that the story specifically, and life in general goes on beyond the final page.

A writer of stunningly descriptive prose, Mr. Hollinghurst has created a nearly overabundance of three-dimensional characters, the importance to the narrative of which is not always necessarily apparent. Real people brilliantly brought to life in both broad strokes and the tiniest details. All in service of a semi-linear story, the plot of which is less important than the concepts the writer wants to convey.

If you want a description of the plot you can look elsewhere in this listing. Among other things, "The Stranger's Child" is about the physical and emotional evolution of England as a country and as a people from the Victorian age to the pre-AIDS present. It is about changing nature of families and the secrets they contain. It is about emergence of homosexuality from the silent, glass closet into the light of a more enlightened age where same-sex love is now allowed to speak its name.

Ultimately "The Stranger's Child" is about memoir, biography and, by extension, reality itself. It's about how we see the past through the subjective eyes of people we don't know, who selectively choose details to disclose, often for selfish reasons. People who seldom "know" the whole story and shape their discussion of their role in the bigger picture based on the personal narrative they've created for themselves - regardless of accuracy. It's about the biographer with an agenda, personal and/or political, more interested in proving their point than searching for the truth. It's about how knowing the truth is not necessarily desired nor helpful. It's about how the past is recreated by the present, how the present is in and of itself inaccurate and how the future is influenced by our expectations of it.

But please don't let my description make you think "The Stranger's Child" is a dry, dusty, philosophic screed. The author makes his points within the context of full-blooded cast of characters (including architecture and gardens), in service of a fascinating, if at times somewhat predictable, narrative that is an involving, propulsive page turner that leaves the reader wanting more. I, for one, would love to see Alan Hollinghurst bring the narrative into the present date at some time in the future.

Alan Hollinghurst's "The Stranger's Child" is that rare literary phenomenon that is as gripping in equal parts for what it wants to say and the story and characters used in service of those goals. This review is an unqualified rave for a novel that is clearly amongst the author's greatest successes. All that's left to add is a request to the author to not take seven years to gift us with his next glittering prize.

24 of 27 people found the following review helpful
3.0 out of 5 stars It started off well... then it became a tough slog, Dec 9 2011
By tme - Published on Amazon.com
This review is from: The Stranger's Child (Hardcover)
I really wanted to love this book, and part 1 delivered. It was mysterious, unpredictable, beautifully written. But parts 2 and 3 felt like another writer took over and from then the book failed to fly and sing -- it was just a tough slog through the mud. I'm sorry to say it was so bad I put the book down in the middle of Part 3 because I was just too bored to go on. I didn't care about any of the characters by that point. The problem is, the author kills off or disappears the most interesting characters in the book, and he has an annoying habit of stopping the story just when relationships are STARTING to get interesting. And never picks up where he leaves off. There are too many other good books to read, I just called it a day on this one, and to me it's better to just stop at Part 1 and consider it a great little novella.
 Go to Amazon.com to see all 78 reviews  3.5 out of 5 stars 
 
 
Only search this product's reviews



Listmania!


Look for similar items by category


Look for similar items by subject







i.e., each book must be in subject 1 AND subject 2 AND ...

Feedback


Amazon.ca Privacy Statement Amazon.ca Shipping Information Amazon.ca Returns & Exchanges