The Sum of All Men [MP3 CD]

The system of transferable physical endowments seems a brilliant idea, a gimmick rife with ethical dilemmas, but it also leaves gaping plot holes. The major flaw is why good characters accept endowments at all, since the donors are left crippled, but Farland waves this away by having them only use willing donors. The peasants' fawning eagerness to become zombies to empower their lords strains belief. The ethical ramifications of this system could have fueled a deeper work, but Farland rushes ahead with his fantasy plot, only briefly examining ethics in Borenson's guilt.

This potentially interesting concept and the trite plot of a prince discovering his divine legacy end up buried, as "The Runelords" is jumbled in every possible aspect. Characters flit from one idea or place to another with no justification except rambling inner monologues. Gaborn escapes from the castle, only to sneak back in. The plot jumps between unrealistic military campaigning and ponderous earth prophecy. Farland's writing stumbles with trite phrases and halting exposition dumps. Gaborn is fleeing the Dedicates' Keep, but then Farland describes the kitchen in numbing detail. The prose constantly blurts things rather than show the characters figuring them out -- Raj Ahten somehow immediately knows that Orden is using a serpent ring. The only memorable skill in the narrative is the vibrant array of spices and scents that permeate the early sections of the book.

Unlike most fantasy authors, Farland does try to inject some moral conflict into his characters, but his weak writing can't support the attempt. The justification for Raj Ahten's conquest reads like more ponderous backstory, and the constant inner whining of Gaborn and Iome feels like Farland fumbling for the next turn in the plot rather than plausible character growth. This muddled writing makes "The Runelords" read like a disorganized flight of fancy. Farland adds new concepts seemingly whenever he needs to turn the plot in another direction, like the introduction of vectors just before Iome becomes one, and the serpent ring when Orden needs a weapon. It's hard to believe that this sloppy prose is the pseudonymous work of an author who's sold dozens of novels, Dave Wolverton, but most of those were franchise tie-ins for Star Wars and The Mummy.

"The Runelords" adds the interesting endowment concept and an admirable attempt at round characters to a stock fantasy plot, but drowns it all in sloppy writing.

As many here have noted, the magic system used in these books is a fascinating departure from the norm. Also somewhat unusual to fantasy writing is how the whole concept of good and evil is handeled. It is by no means unique, but is a different approach than you'll find in the typical run of the mill fantasy you get from Jordan et al. I still have some question about how the magic works in certain situations, but Farland does cover most of the bases at some point in the 4 books. If you are puzzeled about it early on, keep reading and chances are it is explained at a later point.

The books move along at an incredible rate. The main characters rush from one major scene or event to another with barely a moment to breathe or to really get to know the characters.

Overall, expect a very good story line, unique magic system, some very good storytelling, but do not expect major character development or fantastic writing. These are some good books that you'll read quickly, will enjoy a good deal, but it is unlikely that much will stick with you for long after you've read the stories besides the magic system, there just isnt enough development of the characters for you to identify with them for to long.