Law professor Ray Atlee and his prodigal brother, Forrest, are summoned home to Clanton, Mississippi, by their ailing father to discuss his will. But when Ray arrives the judge is already dead, and the one-page document dividing his meager estate between the two sons seems crystal clear. What it doesn't mention, however, is the small fortune in cash Ray discovers hidden in the old man's house--$3 million he can't account for and doesn't mention to brother Forrest, either.
Ray's efforts to keep his find a secret, figure out where it came from, and hide it from a nameless extortioner, who seems to know more about it than he does, culminate in a denouement with an almost biblical twist. It's a slender plot to hang a thriller on, and in truth it's not John Grisham's best in terms of pacing, dramatic tension, and interesting characters (except for Harry Rex, a country lawyer who was the judge's closest friend and in many ways is the father Ray wishes he'd had. He's so vivid he jumps off the page). But Grisham's legions of fans are likely to enjoy The Summons even if it lacks the power of some of his classic earlier books, like The Firm, The Brethren, and The Testament. --Jane Adams
--This text refers to the
From Publishers Weekly
Beck offers a fine performance in this no-frills production of Grisham's latest, despite its lack of overall narrative zip. University of Virginia law professor Ray Atlee stumbles upon more than $3 million in cash in the rural Mississippi house of his dead father, then tries to discover the source of the money and elude an increasingly persistent and menacing extortionist. Beck is a dynamic reader and excels at tackling the challenge of capturing the characters' Southern twang in the story's dialogue. Ray's voice is refined and authoritative, while that of his black sheep brother, Forrest, carries a slight crack that befits a person lacking in confidence and maturity. Family friend and local lawyer Harry Rex stands out the most, and Beck also deftly portrays a smarmy, boozing Delta attorney who calls himself the "King of the Torts." But even with these intriguing, well-rounded characters and a nice evocation of the legal system's more unsavory machinations, the plot won't move listeners to the edge of their seats. Beck, however, does well with what he has, which is a decently written but rather sluggish tale of suspense with a quirky cast and one good twist at the end. Simultaneous release with the Doubleday hardcover
Copyright 2002 Cahners Business Information, Inc.
--This text refers to the