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The Surrendered [Hardcover]

Chang-rae Lee
4.0 out of 5 stars  See all reviews (1 customer review)

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Book Description

Mar 9 2010
Read an essay by Chang-rae Lee here.

The bestselling, award-winning writer of Native Speaker, A Gesture Life, and Aloft returns with his biggest, most ambitious novel yet: a spellbinding story of how love and war echo through an entire lifetime.

With his three critically acclaimed novels, Chang-rae Lee has established himself as one of the most talented writers of contemporary literary fiction. Now, with The Surrendered, Lee has created a book that amplifies everything we've seen in his previous works, and reads like nothing else. It is a brilliant, haunting, heartbreaking story about how love and war inalterably change the lives of those they touch.

June Han was only a girl when the Korean War left her orphaned; Hector Brennan was a young GI who fled the petty tragedies of his small town to serve his country. When the war ended, their lives collided at a Korean orphanage where they vied for the attentions of Sylvie Tanner, the beautiful yet deeply damaged missionary wife whose elusive love seemed to transform everything. Thirty years later and on the other side of the world, June and Hector are reunited in a plot that will force them to come to terms with the mysterious secrets of their past, and the shocking acts of love and violence that bind them together.

As Lee unfurls the stunning story of June, Hector, and Sylvie, he weaves a profound meditation on the nature of heroism and sacrifice, the power of love, and the possibilities for mercy, salvation, and surrendering oneself to another. Combining the complex themes of identity and belonging of Native Speaker and A Gesture Life with the broad range, energy, and pure storytelling gifts of Aloft, Chang-rae Lee has delivered his most ambitious, exciting, and unforgettable work yet. It is a mesmeriz­ing novel, elegantly suspenseful and deeply affecting.




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Review

"[The Surrendered] is epic in scope, masterful in execution, heart stopping at times, and heartbreaking at others. The meticulous narrative unfolds over 52 years and across three continents. Nothing is rushed; nothing is overlooked. We can even feel the buzz of a window pane on our fingertips as rumbling Japanese military vehicles approach along a gravel road...Lee understands that in art and in stories what is perhaps most valuable is not what can be explained but what can be felt."
-The Boston Globe

"This is not a happy book, but it is a rewarding one. The Surrendered grabs your attention-sometimes terrifying you in the process-and doesn't let go until its final moment...Its pages are breathtakingly alive."
-The San Francisco Chronicle

"[Chang-rae Lee's] largest, most ambitious book."
-The New York Times Book Review

"Extremely well written, powerfully moving in places."
-The New Yorker

"Lee...writes dense and gorgeous prose...Lee shows great tenderness for his [characters], even as he refuses them easy redemption. The final paragraph of his beautiful and tragic novel is as sublime and transcendent as any I can remember. A."
-Entertainment Weekly

"The narrative sweep of the novel turns out to irresistible...a novel so rich in the hearty pleasures of storytelling."
-Salon.com

"A landmark novel about love and war. . . Chang-rae Lee's The Surrendered . . . is impossible to put down."
-O, The Oprah Magazine

"With his signature empathy and artistry, Lee links emotionally complex events. . . . Profoundly committed to authenticity, and in command of a remarkable gift for multidimensional metaphors, Lee dramatizes the guilt and "mystery of survival" in scenes of scalding horror and breathtaking beauty. . . . Lee has created a masterpiece of moral and psychological imagination unsparing in its illumination of the consequences of bloodshed and war."
-Booklist (starred)

"Beautiful, riveting, piercingly haunting . . . The settings and times are masterfully interwoven to form an elegant, disturbing inquiry into courage, love, loyalty, and mercy. . . . This is a book to read in two or three long sittings, gulping pages, turning them as fast as possible to reach the perfect, inevitable ending."
-Kate Christensen, Elle

"The odyssey of a Korean War refugee becomes first the subject of, then a haunting overture to, the award-winning Korean-American author's fourth novel.
Lee's introspective and interrogatory novels seek the sources of their characters' strengths and weaknesses in their own, and their families' stories- nowhere more powerfully than in this exhaustive chronicle of three hopeful lives tempered in the crucibles of wars and their enduring aftermaths. In a patiently developed and intermittently slowly paced narrative that covers a 30-year span and whose events occur in four countries and on three continents, the entangled histories of three protagonists are revealed. We first encounter 11-year-old June Han, traveling with her twin siblings following the deaths of their parents toward safety with their uncle's family. June's willed stoicism and suppression of fear serve her well in extremity, but they will have a far different effect on her later life-shaped when she is rescued by American G.I. Hector Brennan (himself in flight from the memory of a painful loss). Hector brings June to Sylvie Tanner, a minister's wife who runs an orphanage (and whose own demons owe much to the savagery of history in another place and another time). Each character's past, motivations and future prospects are rigorously and compassionately examined, as the author follows them after the war. In its ineffably quiet way, there really is something Tolstoyan in this searching fiction's determination to understand the characters specifically as members of families and products of other people's influences. The characterizations of Hector and Sylvie are astonishingly rich and complex, and the risk taken in depicting the adult June as the woman readers will hope she would not become is triumphantly vindicated.
A major achievement, likely to be remembered as one of this year's best books.
-Kirkus (starred)

"Lee's masterful fourth novel bursts with drama and human anguish as it documents the ravages and indelible effects of war. . . . Powerful, deeply felt, compulsively readable and imbued with moral gravity, the novel does not peter out into easy redemption. It's a harrowing tale: bleak, haunting, often heartbreaking and not to be missed."
-Publishers' Weekly (starred)

"A completely engrossing story of great complexity and tragedy. Lee's ability to describe his characters' sufferings, both physical and mental, is extraordinarily vivid; one is left in awe of the human soul's ability to survive the most horrific experiences."

-Library Journal

About the Author

Chang-rae Lee is the author of Native Speaker, winner of the Hemingway Foundation/PEN Award for first fiction, A Gesture Life, and Aloft. Selected by The New Yorker as one of the twenty best writers under forty, Chang-rae Lee teaches writing at Princeton University.

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2 of 2 people found the following review helpful
4.0 out of 5 stars `She was running for the train.' May 12 2010
By J. Cameron-Smith TOP 50 REVIEWER
Format:Hardcover
June Han has forged a life thousands of miles from her birthplace: she has built a business in New York, borne a child, and survived a husband. Thirty years after her escape from war-ravaged Korea, and dying, it is time for her to confront aspects of her past. June's story in Korea involves two others: Hector Brennan, an American soldier who saved June's, and Sylvie Tanner a missionary's wife, whom they both adored.

This is a complex novel, which shifts between Korea, the USA and Europe. June, terminally ill at 47, enlists the help of Hector to find her son Nicholas. Their shared journey is supplemented by their individual lives both in Korea and since. For me, the Korean aspects of the novel worked best: the cost of the war in physical and emotional terms, the lottery of life in an orphanage. Both the reality of life and the finality of death clearly depicted. And, in the case of Sylvie Tanner, the limbo of a life being endured rather than embraced.

Aspects of the near-present story did not work for me. There were elements of coincidence (including a convenient car accident and an issue with a passport) that interrupted the flow of the story. By then, while I had invested too much into the novel to stop reading, I was less trusting of the narrative.

This is not a comfortable novel, but what story about war and its consequences ever is?

Jennifer Cameron-Smith
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Amazon.com: 3.6 out of 5 stars  75 reviews
100 of 105 people found the following review helpful
5.0 out of 5 stars Epic novel about war and remembrance Feb 17 2010
By sb-lynn - Published on Amazon.com
Format:Hardcover|Amazon Vine™ Review
Short summary and review - no spoilers.

This novel jumps around in time and place - from 1930's Manchuria to 1980's New York and Italy. We start off in Korea in the early 1950's during the Korean War. We are introduced to one of the main characters in the book - a young girl we come to know as June, who is one of the many refugees who are fleeing their homes. She is only 11 years old, and seeking shelter, food and safety for her and her younger siblings.

This first chapter is just an extraordinary opening - and it is one of the most harrowing descriptions I've ever read of the refugee/wartime experience.

Other key characters include Hector, an American soldier who joins the army to get away from his small town after a tragic event involving his family. Hector is a wonderful character - he is a noble, decent man put in war time situations that could break anyone's spirit. We also meet Sylvie Tanner, the daughter of missionaries, who ends up in Korea just after the war taking care of Korean orphans with her husband. It is here that Sylvie meets up with Hector and June.

We know from the early chapters that take place in 1980s New York that June is trying to locate her her son and that she wants Hector to go with her. By going back and forth between time and place, we can see how early horrific wartime experiences changed their lives forever .

There is a tremendous amount of foreshadowing in this novel - in seemingly every chapter we are made aware of secrets and horrors from each character's past, and it is only at the end when we find out the whole story. In some ways this felt a bit manipulative, but not overly so and it did add to the book being a page-turner, especially towards the end. (And there is a good twist for people who like this sort of thing, and I do.)

This book is not for those who are squeamish about violence and tales of war. For anyone else, and for those looking for a big epic book that will transport you to several other (dark) times and places, this is for you.

Recommended.
67 of 74 people found the following review helpful
3.0 out of 5 stars Arms and a woman Feb 7 2010
By M. Feldman - Published on Amazon.com
Format:Hardcover|Amazon Vine™ Review
In "The Surrendered," Chang-Rae Lee examines the effects of the Korean War on two survivors: a child, June, who loses her entire family in the flight of civilian refugees southward down the Korean peninsula, and, an American soldier, Hector Brennan, caught in the same retreat. Nearly starved, she follows him to safety, and then to a Korean orphanage, where Hector works as a handyman. Years later, their lives intersect once more, in the U.S., where Hector, who lives on the edge of down and out, still handles a mob and broom, and June, suffering from cancer, begins a journey to understand--if not solve--more than one mystery.

The scenes in the novel that are set during the war and afterward, at the orphanage, as well as a sub-plot set during the Japanese occupation of Manchuria, run like a vivid thread through "The Surrendered." Here, Lee conveys, in compelling detail, the cost of the war not only in lives but in emotional suffering. These scenes, taut and well plotted, are the best part of the novel.

The depiction of the adult lives of Hector and June is less successful, primarily because Lee utilizes long passages of interior consciousness that add little to the characterization of either one of them. After a while, I found my eye sliding over these. Even descriptive passages are sometimes too prolix, as if the narrator could not bear to leave out a single detail, however irrelevant. A sheet of dryer fabric softener, for example, smells of lilacs, and then of the memory of Hector's mother's lilacs. As the characters pass through Siena, the narrator offers a tourist's guidebook sidebar on the festival of the Palio. Details of illness, addiction or even drunkenness--retching, nausea, injections, the growth of a tumor, the look of someone's vomit, and so on--recur, to excess. The book, nearly 450 pages long, would have been better if it had been shorter.

The plot of "The Surrendered" is intricate and ambitious. Its action occurs on three continents, over a span of decades, as it moves from Korea to Ilion, classically-named Hector's classically-named upstate New York hometown. (Lee sings of the real Ilion, where Remington Arms made the town.) It ends in Italy, in Solferino, site of a monument to a bloody 19th century Italian battle. There are also parts of the novel set in in Fort Lee and in Manhattan. So much happens that at times the plot strains credulity: an automobile accident is just too convenient, a passport fraud too easy, an unlocked cottage too handy.

At the center of the novel is June, the mostly unloved Korean orphan who achieves little happiness in her adult life. She is a sympathetic character. Her unnaturally smooth palms, the outward sign of a terrible physical injury, suggest that the trauma of her childhood is only superficially healed. If you are interested in Korea, you will not want to miss this story, which traces the impact of war not just on soldiers, but on civilians like June. It would make interesting reading alongside David Halberstam's fine history of the Korean conflict, entitled "The Coldest Winter." In "The Surrendered," June has set out on a journey in order to achieve a necessary reconciliation. Does she find it? One can only think of the Korean War itself, which to this day has no peace treaty, only an uneasy armistice.
M. Feldman
24 of 27 people found the following review helpful
3.0 out of 5 stars Damaged Lives Mar 12 2010
By Roger Brunyate - Published on Amazon.com
Format:Hardcover|Amazon Vine™ Review
Chang-Rae Lee has written an ambitious novel containing scenes of undeniable power. His ability to capture the collateral casualties of war was obvious from the first, and I found myself admiring both his writing and narrative technique, even as I was repelled by the grimness of the picture he was painting. But I could not fully warm to any of the characters. As the book went on, I found myself reading with growing impatience, as his skill at jumping around between time periods began to look like delaying tactics, making a long novel even longer without significantly deepening his character portrayal or developing his theme.

The setting of the novel ranges from China in 1934 to Italy in 1986, but the central events take place in an orphanage in Korea in 1953, where the lives of three people intersect. June is a young Korean girl who lost her parents and siblings during the flight from the advancing Communists in 1950. Hector is an American GI, a psychological casualty of the Korean War, now working as a handyman. And the lovely Sylvie, herself the daughter of missionaries, is the wife of the director of the mission orphanage. Both June and Hector become attracted to Sylvie, who has herself been traumatized by her experiences during the Japanese invasion of China in 1934. They are three damaged people trying in vain to find healing in one another.

Lee's handling of the back-stories is extraordinary. The opening sequence with June fleeing South is gripping; Hector's adolescence in upstate New York looking after his bar-brawling father is merely grungy, but his encounter with a young Korean prisoner is riveting; and Sylvie's violent introduction to love and betrayal is incandescent, far and away the strongest chapter in the book. Moving forward, the scenes in the mission, interspersed throughout the book, are generally well told, although it can be difficult to get a clear sense of the passage of time.

But it is in the after-story that Lee fails. The first flash-forward is intriguingly mysterious, but the facts soon emerge: June is dying of cancer and sells up her successful New York antiques business, heading for Italy to track down her son Nicholas, the fruit of her brief marriage of convenience to Hector. It soon becomes obvious that this later story is created solely as a framework to contain the flashbacks. Nicholas never gets fleshed out as a human being, and Lee is astoundingly cavalier in manipulating events to suit his purposes, introducing characters only to dismiss them on a whim, and stretching credulity to its limits. The book ends in the ossuary in Solferino, the 1859 Italian battlefield that is mentioned several times earlier in the novel, with the sole apparent purpose of having somewhere to end it.

In tracing the long-term effects of warfare, Chang-Rae Lee has a powerful theme. But it is difficult to maintain interest in damaged characters who, even through no fault of their own, are only half functioning as human beings. Sylvie is addicted to drugs; Hector is a compulsive drinker; June is so far gone in her sickness that her actions are unpredictable, and even in the orphanage it appears that her moral compass is damaged or missing. They are all half-people at best. Although we sympathize with their tragedy, and even discern glimmers of goodness among the psychic rubble, they make poor companions on a long journey to a place that is not very meaningful anyway.
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