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The Sweet Hereafter [Blu-ray + DVD] (Bilingual)


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The Sweet Hereafter [Blu-ray + DVD] (Bilingual) + Exotica [Blu-ray + DVD] + The Barbarian Invasions (Les Invasions Barbares) [Blu-ray + DVD] (English & French Subtitles) (Version française)
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Product Details

  • Actors: Ian Holm, Sarah Polley, Bruce Greenwood, David Hemblen
  • Directors: Atom Egoyan
  • Format: NTSC, Color
  • Language: English, French
  • Subtitles: English, French
  • Region: Region A/1
  • Aspect Ratio: 2.35:1
  • Number of discs: 2
  • MPAA Rating: R
  • Studio: Alliance Films
  • Release Date: June 19 2012
  • Run Time: 112 minutes
  • Average Customer Review: 4.2 out of 5 stars  See all reviews (112 customer reviews)
  • ASIN: B005WKH3GM
  • Amazon Bestsellers Rank: #12,886 in DVD (See Top 100 in DVD)

Product Description

Amazon.ca

In synopsis The Sweet Hereafter may sound like a devastatingly unpleasant downer, but don't be discouraged. The real subjects of this luminous picture (adapted by director Atom Egoyan from Russell Banks's novel) are hope and renewal--avoiding the cheap emotions suggested by those clichéd terms. Like other Egoyan films (Exotica, for one), it's an intriguing sort of mystery, a puzzle in which the big picture is not revealed until the very last piece is in place. A metropolitan attorney (Ian Holm) travels to a small British Columbian town where 14 children have been killed in a school bus accident to prepare a class-action suit. With sensitivity and empathy, he approaches relatives with promises that the suit will give focus and closure to their grief. And as he investigates the circumstances of the accident, he not only uncovers a few local secrets, but dredges up some painful pieces of his own past. Slowly, deeper mysteries are revealed--eternal mysteries at the very heart of human nature: Who is to blame for a tragedy like this? And why do people feel such a need to assign blame? Is that how they give meaning to otherwise inconceivable events? How does one reassemble a shattered life? The Sweet Hereafter is too honest to offer bromides, but it shows how a few people struggle, as best they can, to answer these questions for themselves. --Jim Emerson

From the Studio

Atom Egoyan’s haunting adaptation of the Russell Banks novel “The Sweet Hereafter” was the Canadian filmmaker’s most successful film to
date, taking home a Special Grand Jury Prize at the 1997 Cannes Film
Festival and scoring a pair of Academy Award® nominations,
including Best Director. The story concerns the cultural aftershocks
which tear apart a small British Columbia town in the wake of a school-bus accident which leaves a number of local children dead. Ian
Holm stars as Mitchell Stephens, a big-city lawyer who arrives in the interest of uniting the survivors to initiate a lawsuit; but his maneuvering
only drives the community further apart.

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Customer Reviews

4.2 out of 5 stars

Most helpful customer reviews

3 of 3 people found the following review helpful By Suze on July 8 2004
This is one of those rare films which is at least equal to the novel's quality, even surpassing it in some respects. Subtle and moving, it is refreshing to watch a film that incoporates so much imagery and symbolism without beating the viewer over the head with a skillet. The commentary by Atom Egoyan and Russell Banks provided much insight into why the film had to be structured so differently than the book, and I highly recommend watching the special feature of Russell Banks reading excerpts from the novel.
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2 of 2 people found the following review helpful By Anastasia on Jan. 10 2004
The Sweet Hereafter is my all-time favorite film. No film has ever touched me or gotten under my skin more than this one. Egoyan creates a truly hypnotic piece of work that wraps itself around your brain and makes you see tragedy in a different way(actually in 4 different ways.)
I was so glad that New Line decided to go all out on this one, which they don't seem to do often with "smaller" films but this one got the "Platinum Series" treatment.
The video discussion "Before and After The Sweet Hereafter" with Russell Banks, who wrote the novel that this film is based on and it's director, Atom Egoyan is espically interesting with in depth discussions of the film instead of being one of those boring little "promo" docs it actually discusses the film IN DEPTH! The readings from the novel are espically interesting.
I also really enjoyed the short Q&As with the actors on their characters, although they were a little TOO short in my opinion.
The best extra was including the Robert Browning poem, "The Pied Piper of Hamelin." Though I've never really been a fan of the poem,(I think it's seriously creepy, but the film uses it to great effect) it was so important to the film that it would be almost absurd not to include it.
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2 of 2 people found the following review helpful By Steven Y. on Feb. 23 2003
Atom Egoyan's "The Sweet Hereafter," is a film I wish I could like more. I had heard so many wonderful things about the film that I eagerly awaited my opportunity to view it for myself. Strangely enough, my local video store never bothered to stock it which looking back now might have been an omen of things to come. I finally did track down a copy to rent in due time and, I'm sad to report, was left with a sense of disappointment when the film ended.
"The Sweet Hereafter" opens with twin tragedies. In a small Canadian town, a school bus accident has occurred which has left 14 children dead. Miles away, a lawyer who would become involved in the bus accident receives a phone call from his estranged daughter. She tells him she is dying. The lawyer's name is Mitchell Stephens (Ian Holm) and he tracks down the parents who lost children in the accident hoping to file a class action lawsuit against the bus company. Stephens is driven to represent the townspeople partly because that is what he does in life and partly to distract him from the situation with his daughter. The town becomes divided over whether to pursue the lawsuit. Eventually, everything comes down to the testimony of one of the accident's survivors. Her name is Nicole (Sarah Polley) and what she says ensures that there will be no winners.
Egoyan's film is as much a commentary on survivor's guilt as it is about the dark secrets a town can hold even though everything appears proper on the outside. It is a film about heartbreak and facades and how life can be so unfair. Yet, the film feels distant. While the various story arcs are well-defined and acted, I found it difficult to become immersed in the world I was watching. The film felt too muted and devoid of an emotional spark.
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The Sweet Hereafter is more a work of art than a film, and that in itself will put off some people. Its a slow moving, dreary, and depressing motion picture, full of real people, real struggles, and real dialogue. It's a profound experience that moves like a dream, slowly easing its way to an incomplete yet satisfying finale. Egoyan certainly knows how to work with his actors, as is evident by all the brilliant performances he has captured. This is a top-notch film, hard to love, and at the same time, very difficult to hate. Egoyan always has a way to make a challenging motion picture, allowing the audience to think and discuss long after the film is over. He continues to amaze me. This is one of those rare films that might move slowly, but is worth watching. It's a tough one to watch because of the subject matter (children dying in a school bus accident), but in the end, it is well worth it. Egoyan is a brilliant director and he is in top form here. Any fans of his other works who haven't seen this should definitely look for it. Everyone else should also give it a chance. They might enjoy it, or then again, they might hate me for recommending it. Either way, it's at least worth a look.
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By gonn1000 on March 4 2004
Format: VHS Tape
This quiet, subtle and gripping movie is an impressive work about death, grief, change, secrets and communities, a strong, moving and complex cinematic experience. Director Atom Egoyan handles a difficult subject and knows how to develop an interesting and thought-provocking approach.
The basic story is about the aftermath of a school bus accident that led to the death of 14 children. An attourney (Ian Holm) then tries to find out who was the responsible for such dramatic and unfortunate incident, looking for clear answers but failing to achieve them.
Was it really just an accident? Why did it happen? Was it that surprising and unexpected? These are some of the questions that the lawyer tries to find answers to, so he starts looking for them in the little, calm and peaceful canadian village where the disaster happened.
As the lawyer`s quest unfolds, Egoyan shows us his motivations, giving a glipse about his relationship with his drug-addicted daughter that he is unable to help.
"The Sweet Hereafter" is a powerful story about loss and frustration in a world where parents can`t seem to help their children, dreams start to fade and hope is destroyed. But it`s also a story told in a realistic and credible way, avoiding easy melodramatic devices and dramatic overacting. Egoyan doesn`t offer a tearjerker session here, given that his approach is subtle, letting hope and reconstruction unfold.
The storytelling techniques are unique, given that the plot development isn`t linear and mixes three different timeframes that are related and co-dependent. The movie also presents an ethereal, hypnotic and dream-like atmosphere, creating a particular and unique feel, although it never loses its realistic elements.
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