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From Publishers Weekly
Former academic Setterfield pays tribute in her debut to Brontë and du Maurier heroines: a plain girl gets wrapped up in a dark, haunted ruin of a house, which guards family secrets that are not hers and that she must discover at her peril. Margaret Lea, a London bookseller's daughter, has written an obscure biography that suggests deep understanding of siblings. She is contacted by renowned aging author Vida Winter, who finally wishes to tell her own, long-hidden, life story. Margaret travels to Yorkshire, where she interviews the dying writer, walks the remains of her estate at Angelfield and tries to verify the old woman's tale of a governess, a ghost and more than one abandoned baby. With the aid of colorful Aurelius Love, Margaret puzzles out generations of Angelfield: destructive Uncle Charlie; his elusive sister, Isabelle; their unhappy parents; Isabelle's twin daughters, Adeline and Emmeline; and the children's caretakers. Contending with ghosts and with a (mostly) scary bunch of living people, Setterfield's sensible heroine is, like Jane Eyre, full of repressed feeling—and is unprepared for both heartache and romance. And like Jane, she's a real reader and makes a terrific narrator. That's where the comparisons end, but Setterfield, who lives in Yorkshire, offers graceful storytelling that has its own pleasures. (Sept.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. --This text refers to the Hardcover edition.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. --This text refers to the Hardcover edition.
From Booklist
Margaret Lea, a bookish loner, is summoned to the home of Vida Winter, England's most popular novelist, and commanded to write her biography. Miss Winter has been falsifying her life story and her identity for more than 60 years. Facing imminent death and feeling an unexplainable connection to Margaret, Miss Winter begins to spin a haunting, suspenseful tale of an old English estate, a devastating fire, twin girls, a governess, and a ghost. As Margaret carefully records Vida's tale, she ponders her own family secrets. Her research takes her to the English moors to view a mansion's ruins and discover an unexpected ending to Vida's story. Readers will be mesmerized by this -story-within-a-story tinged with the eeriness of Rebecca and the willfulness of Jane Eyre. The author skillfully keeps the plot moving by unfurling a new twist in each chapter and leaves no strand untucked at the surprising and satisfying conclusion. A wholly original work told in the vein of all the best gothic classics. Lovers of books about book lovers will be enthralled. Kaite Mediatore
Copyright © American Library Association. All rights reserved --This text refers to the Hardcover edition.
Copyright © American Library Association. All rights reserved --This text refers to the Hardcover edition.
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Most helpful customer reviews
1 of 1 people found the following review helpful
5.0 out of 5 stars
The Thirteenth Tale,
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This review is from: The Thirteenth Tale (Paperback)
Exceptional. Totally engrossing. Fair warning. Better get a few good nights of sleep before you open this novel because you will want to finish it before getting any more sleep. Yes. It is that good. I usually read novels to unwind. I was unwound for quite a long spell (pun intended) after I finished it. If you like to start reading a new novel shortly after finishing one, forget it. You will not want to spoil the effect for a while.
23 of 28 people found the following review helpful
5.0 out of 5 stars
A brilliant debut,
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This review is from: The Thirteenth Tale (Hardcover)
When a first novel is immediately (and enthusiastically) compared to the works of such literary luminaries as the Bronte sisters, Jane Austen and Charles Dickens, a large dose of skepticism is in order. I read this book with a jaundiced eye, expecting to eventually uncover at least one unconvincing character, a plot twist that failed to surprise, or a passage less than vivid, unworthy of the masters.I did not. Diane Setterfield's The Thirteenth Tale carries the reader along like a turbulent river, with unexpected eddies and undertows you can't escape. The characters are absolutely true to the worlds of Dickens and Austen, but they're originals, not derivatives. They grieve and you do, they rejoice and you do, they die and you do- almost. The whole atmosphere of the book is powerful and sweeping, in the manner of Henry James or even Joseph Conrad. (Well, minus all those ships, of course.) If I had to pick one story that gave the same overall effect as Setterfield's book, I'd pick The Turn of the Screw, since the ghost element in Setterfield's book is equally shocking and unique, although James's classic novella lacks the grand span and scope of The Thirteenth Tale. Then again, Setterfield's characters could just as easily find a home in Dickens' dangerous London squalor or in the halls of a Bronte mansion, the air thick with secrets and heavy with troubled specters anxious to make themselves known. Intriguing, daring and even downright heart pounding at times, The Thirteenth Tale might well give you nightmares at the end, but they'll be the best- and most original- nightmares you've ever had. -Mark Wakely, author of An Audience for Einstein
5.0 out of 5 stars
Extraordinary writing....Fantastic Narrators. Buy it!,
This review is from: The Thirteenth Tale: A Novel (Audio CD)
A well written and well paced storyline with twists and turns that compel you to forget your plans for the day and finish the book. It was that good!
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