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Colleen McCullough's sweeping saga of dreams, struggles, dark passions, and forbidden love in the Australian Outback has enthralled readers the world over. This is the chronicle of three generations of Clearys, ranchers carving lives from a beautiful, hard land while contending with the bitterness, frailty, and secrets that penetrate their family. Most of all, it is the story of only daughter Meggie and her lifelong relationship with the haunted priest Father Ralph de Bricassart—an intense joining of two hearts and souls that dangerously oversteps sacred boundaries of ethics and dogma.
A poignant love story, a powerful epic of struggle and sacrifice, a celebration of individuality and spirit, Colleen McCullough's acclaimed masterwork remains a monumental literary achievement—a landmark novel to be cherished and read again and again.
--This text refers to the Paperback edition.McCullough fits the cliche of "born storyteller." She puts a lot of words down on paper, spinning the yarn out a long, long time and with no small amount of extraneous stuff. For example, she devotes at least one hundred pages to the lives of Justine and Dane when what we really want to know is what happens to Meggie and Ralph -- the ill-fated lovers who dominate the book.
I don't find the love story of Meggie and Ralph all that compelling -- although it will keep you turning the pages. The real merit of "The Thorn Birds" is the vivid picture it gives of life on a sheep station in the Australian outback before about 1950 when life there became electrified and telephoneified, and more or less the same as everywhere else.
"Thorn Birds" would be better if it were cut down to about 500 pages from the present 700. It seriously falters when the emphasis shifts from the outback to the theater in London and the Vatican in Rome. These are dime-a-dozen stories, but life in the outback, now that's a tale worth telling! And the author does it well.
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