1 of 1 people found the following review helpful
5.0 out of 5 stars
Psychedelic Goth Masterpiece, April 14 2004
This brilliant album is as colorful as its cover. It's a fascinating window into the darkly distorted state of mind that Robert Smith (the Cure's mastermind) was regularly experiencing at the time. Some of his best music and most tripped out lyrics are featured here.
Smith plays most of the instruments on THE TOP while the talented but soon to be booted Andy Anderson plays the drums. Porl Thompson and Lol Tolhurst do contribute, but this is the closest thing to a solo album Smith has released, although I do have a bootleg solo album that Smith did by himself. With the JAPANESE WHISPERS singles, Robert Smith realized he could do any kind of music, and with the hallucinogenic TOP takes that notion to an extreme where he really lets it all hang out.
The breakdown:
"Shake Dog Shake" - a creepy, nightmarish vision with churning psychedelic guitar, death knell pacing and a grim smile. "Make up in the new blood/ And follow me to where the real fun is" *****
"Birdmad Girl" - beautiful song, lighthearted yet tinged with melancholy. Exudes an exuberant lust for life. Great piano, great guitars (both acoustic and electric). "She sends me everything/ She sends me everywhere" (love the way "me" switches from indirect object to direct object). *****
"Wailing Wall" - a fantastically gloomy Middle Eastern atmosphere pervades as Smiths electric guitar hovers in waves through the background. *****
"Give Me It" - full-throttle chaos and desperation, a harrowing vision to be sure. "Give me it, give me it give me it!/ Deaden my glassy mind!/ Give me it, give me it/ Make me blind!" ****
"Dressing Up" - a dreamy, soothing respite from the madness. Sotthing woodwind keyboards, very intimate. ****1/2
"The Caterpillar" - A sweet, mildly plaintive song and quite unique. Highly creative with distinctive percussion (bongos, a clapper that flickers like butterfly wings) and other interesting touches. *****
"Piggy in the Mirror" - The surreal lyrics reflect a very warped state of mind and are simply brilliant. The acoustic guitar solo at the middle 8 is otherworldly and exquisite. ****1/2
"The Empty World" - Easily the weakest track on THE TOP, it features a military march on drums and a keyboard line that sounds like a Revolutionary War flute. It also explores THE TOP's central motif - altered mind states. ***
"Bananafishbones" - Possibly Smith's most wigged-out, warped and psychedelic song ever and the best song on THE TOP. Absolutely chrning and thick like caramel with an uneasy, off-kilter heaviness that makes the room swim. "Turn off the lights/ And tell me 'bout the games you play." *****
"The Top" - a dark hypnotic "place where nobody goes/ You just imagine it all." Conveys a frightening sense of isolation. Cadences from percussion waver in tone and methodic drum rolls are divided into segments that make your mind swirl until an actual spinning top comes to a stop and falls over. ****1/2
For some reason THE TOP is often misunderstood and slagged, but mostly by people who don't get the Cure anyway. One of my favorite albums, by the Cure or anyone else.
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1 of 1 people found the following review helpful
4.0 out of 5 stars
What's all this?, April 2 2004
I'm sure that there are people who've given this album a good rating simply because it's a Cure album, and that isn't right. This album deserves a good rating because it is damn-near impenetrable by casual (and even dedicated) fans. A gutsy, drunken affair, the Top is exactly like it's cover art... strange. But it's saving grace is the reward a listener gets from really paying attention. The lyrics are downright absurd, spooky, sad, and angry. Certainly not the best Cure album, but one that deserves recognition. I group the Top in with Wild Mood Swings. Both albums are very good, but you must listen to them with an open mind. This is not a Cure record, really, but a Robert Smith record, made when he was quite inebriated, but still quite creative. Shake dog shake, Wailing Wall, Top, and Piggy in the Mirror are brilliant. A great overall album, even if it is eternally misunderstood.
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1 of 1 people found the following review helpful
3.0 out of 5 stars
You spin me 'round, May 26 2000
Quirky, strange, excellent for fingerpainting on a rainy day. "The Top" is like a practice run for "Head on the Door"---brillance shines through, but it would take a couple of years before full-blown genius took shape (and "Head.." remains one of my favorite all time albums ever, since that first listen in the fall of '85). "Top" is essential for anyone who wants to understand the evolution of a seminal band--those with short attention spans need not apply.
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