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The Top (2cd Deluxe)
 
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The Top (2cd Deluxe) [Original recording remastered]

the Cure Audio CD
4.3 out of 5 stars  See all reviews (36 customer reviews)

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Product Details


Disc: 1
1. Shake Dog Shake [Disc 1]
2. Birdmad Girl [Disc 1]
3. Wailing Wall [Disc 1]
4. Give Me It [Disc 1]
5. Dressing Up [Disc 1]
6. The Caterpillar [Disc 1]
7. Piggy In The Mirror [Disc 1]
8. The Empty World [Disc 1]
9. Bananafishbones [Disc 1]
10. The Top [Disc 1]
Disc: 2
1. You Stayed... (RS Home demo) [Disc 2]
2. Ariel (RS Home Demo) [Disc 2]
3. A Hand Inside My Mouth (Studio demo) [Disc 2]
4. Sadacic (RS Studio demo) [Disc 2]
5. Shake Dog Shake (RS Studio demo) [Disc 2]
6. Piggy In The Mirror (RS Studio demo) [Disc 2]
7. Birdmad Girl (RS Studio demo) [Disc 2]
8. Give Me It (RS Studio demo) [Disc 2]
9. Throw Your Foot (RS Studio demo) [Disc 2]
10. Happy The Man (RS Studio demo) [Disc 2]
See all 17 tracks on this disc

Product Description

Chronique amazon.fr

Largement amorcés avec les singles compilés sur Japanese Whispers, la guérison du Cure dépressif et le renouvellement de sa musique dans des ambiances nettement moins pesantes prend effet sur album avec The Top en 1984. Ce qui en fait un de leurs disques les plus controversés des années 80. Les uns le voient comme un chef-d'oeuvre de neo-psychédélisme, les autres se sentent trahis et déplorent son côté outrageusement baroque à l'image d'une pochette nauséeuse. Il est vrai que sans complètement tourner le dos à la noirceur, Robert Smith grave dans ses sillons des sonorités latines, orientales, des parties de saxo (le terrifiant "Give Me It"), de flûtes, de pianos, de tambours… Bref, il se fait plaisir. Au-delà de ce débat, si certaines compositions sont sans doute plus faibles que d'habitude, d'autres tirent parfaitement leur épingle du jeu : le rageur "Shake Dog Shake" constituera pendant longtemps une parfaite ouverture pour les concerts du groupe, "The Wailing Wall" rappelle les grandes heures de Pornography en un peu plus folklorique, "Piggy In The Mirror" fait son nid dans vos oreilles et le single "The Caterpillar" montre les premiers signes d'un succès de masse dont l'album The Head On The Door se fera plus solidement l'écho. --Fabrice Courdan

Album Description

UK two pressing features the same content as the deleted Rhino/U.S. version, though packaged in the standard Universal 'Deluxe Edition' slipcase. Digitally remastered two CD edition of this 1984 album by Robert Smith and co-horts. This album was a dramatic musical transition for The Cure, integrating the band's trademark dark textures with increased melodic and pop tendencies. Disc One contains the album's 10 original tracks including 'The Caterpillar', 'Shake Dog Shake' and 'Bird Mad Girl'. Disc Two contains an additional 17 bonus tracks including demos, live recordings and four previously unreleased songs. Deluxe package contains a 20 page booklet including sleevenotes with rare and previously unseen photographs.

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Customer Reviews

36 Reviews
5 star:
 (20)
4 star:
 (11)
3 star:
 (3)
2 star:    (0)
1 star:
 (2)
 
 
 
 
 
Average Customer Review
4.3 out of 5 stars (36 customer reviews)
 
 
 
 
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1 of 1 people found the following review helpful
5.0 out of 5 stars Psychedelic Goth Masterpiece, April 14 2004
By 
This review is from: Top (Audio CD)
This brilliant album is as colorful as its cover. It's a fascinating window into the darkly distorted state of mind that Robert Smith (the Cure's mastermind) was regularly experiencing at the time. Some of his best music and most tripped out lyrics are featured here.

Smith plays most of the instruments on THE TOP while the talented but soon to be booted Andy Anderson plays the drums. Porl Thompson and Lol Tolhurst do contribute, but this is the closest thing to a solo album Smith has released, although I do have a bootleg solo album that Smith did by himself. With the JAPANESE WHISPERS singles, Robert Smith realized he could do any kind of music, and with the hallucinogenic TOP takes that notion to an extreme where he really lets it all hang out.

The breakdown:

"Shake Dog Shake" - a creepy, nightmarish vision with churning psychedelic guitar, death knell pacing and a grim smile. "Make up in the new blood/ And follow me to where the real fun is" *****

"Birdmad Girl" - beautiful song, lighthearted yet tinged with melancholy. Exudes an exuberant lust for life. Great piano, great guitars (both acoustic and electric). "She sends me everything/ She sends me everywhere" (love the way "me" switches from indirect object to direct object). *****

"Wailing Wall" - a fantastically gloomy Middle Eastern atmosphere pervades as Smiths electric guitar hovers in waves through the background. *****

"Give Me It" - full-throttle chaos and desperation, a harrowing vision to be sure. "Give me it, give me it give me it!/ Deaden my glassy mind!/ Give me it, give me it/ Make me blind!" ****

"Dressing Up" - a dreamy, soothing respite from the madness. Sotthing woodwind keyboards, very intimate. ****1/2

"The Caterpillar" - A sweet, mildly plaintive song and quite unique. Highly creative with distinctive percussion (bongos, a clapper that flickers like butterfly wings) and other interesting touches. *****

"Piggy in the Mirror" - The surreal lyrics reflect a very warped state of mind and are simply brilliant. The acoustic guitar solo at the middle 8 is otherworldly and exquisite. ****1/2

"The Empty World" - Easily the weakest track on THE TOP, it features a military march on drums and a keyboard line that sounds like a Revolutionary War flute. It also explores THE TOP's central motif - altered mind states. ***

"Bananafishbones" - Possibly Smith's most wigged-out, warped and psychedelic song ever and the best song on THE TOP. Absolutely chrning and thick like caramel with an uneasy, off-kilter heaviness that makes the room swim. "Turn off the lights/ And tell me 'bout the games you play." *****

"The Top" - a dark hypnotic "place where nobody goes/ You just imagine it all." Conveys a frightening sense of isolation. Cadences from percussion waver in tone and methodic drum rolls are divided into segments that make your mind swirl until an actual spinning top comes to a stop and falls over. ****1/2

For some reason THE TOP is often misunderstood and slagged, but mostly by people who don't get the Cure anyway. One of my favorite albums, by the Cure or anyone else.

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1 of 1 people found the following review helpful
4.0 out of 5 stars What's all this?, April 2 2004
By 
C. Mackey (Somerville, MA United States) - See all my reviews
(REAL NAME)   
This review is from: Top (Audio CD)
I'm sure that there are people who've given this album a good rating simply because it's a Cure album, and that isn't right. This album deserves a good rating because it is damn-near impenetrable by casual (and even dedicated) fans. A gutsy, drunken affair, the Top is exactly like it's cover art... strange. But it's saving grace is the reward a listener gets from really paying attention. The lyrics are downright absurd, spooky, sad, and angry. Certainly not the best Cure album, but one that deserves recognition. I group the Top in with Wild Mood Swings. Both albums are very good, but you must listen to them with an open mind. This is not a Cure record, really, but a Robert Smith record, made when he was quite inebriated, but still quite creative. Shake dog shake, Wailing Wall, Top, and Piggy in the Mirror are brilliant. A great overall album, even if it is eternally misunderstood.
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1 of 1 people found the following review helpful
3.0 out of 5 stars You spin me 'round, May 26 2000
This review is from: Top (Audio CD)
Quirky, strange, excellent for fingerpainting on a rainy day. "The Top" is like a practice run for "Head on the Door"---brillance shines through, but it would take a couple of years before full-blown genius took shape (and "Head.." remains one of my favorite all time albums ever, since that first listen in the fall of '85). "Top" is essential for anyone who wants to understand the evolution of a seminal band--those with short attention spans need not apply.
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