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The Unbearable Lightness of Being (Widescreen)


Price: CDN$ 91.55
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Frequently Bought Together

The Unbearable Lightness of Being (Widescreen) + My Left Foot + In the Name of the Father (Widescreen)
Price For All Three: CDN$ 120.77

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Product Details

  • Actors: Daniel Day-Lewis, Juliette Binoche, Lena Olin, Derek de Lint, Erland Josephson
  • Directors: Philip Kaufman
  • Writers: Philip Kaufman, Jean-Claude Carrière, Milan Kundera
  • Producers: Bertil Ohlsson, Paul Zaentz, Saul Zaentz
  • Format: Special Edition, Widescreen, NTSC
  • Subtitles: English
  • Aspect Ratio: 1.85:1
  • Number of discs: 1
  • MPAA Rating: R
  • Studio: Vid Canada
  • Release Date: Sept. 14 1999
  • Run Time: 171 minutes
  • Average Customer Review: 4.0 out of 5 stars  See all reviews (22 customer reviews)
  • ASIN: 0780022386
  • Amazon Bestsellers Rank: #67,995 in DVD (See Top 100 in DVD)

Product Description

Product Description

Philip Kaufman achieves a delicate, erotic balance with his screen version of Milan Kundera's "unfilmable" novel. Adapted by Kaufman and Jean-Claude Carrière, the film follows a womanizing surgeon (Daniel Day-Lewis) as he struggles with his free-spirited mistress (Lena Olin) and his childlike wife (Juliette Binoche). An intimate epic, The Unbearable Lightness of Being charts the frontiers of relationships with wit, emotion, and devastating honesty.

Amazon.ca

Daniel Day-Lewis stars as Tomas, the happily irresponsible Czech lover of Milan Kundera's novel, which is set in Prague just before and during the Soviet invasion in 1968. Lena Olin and Juliette Binoche are the two vastly different women who occupy his attention and to some extent represent different sides of his values and personality. In any case, the character's decision to flee Russian tanks with one of them--and then return--has profound consequences on his life. Directed by Philip Kaufman, this rich, erotic, fascinating character study with allegorical overtones is a touchstone for many filmgoers. Several key sequences--such as Olin wearing a bowler hat and writhing most attractively--linger in the memory, while Kaufman's assured sense of the story inspires superb performances all around. --Tom Keogh --This text refers to an alternate DVD edition.

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Customer Reviews

4.0 out of 5 stars

Most helpful customer reviews

4 of 4 people found the following review helpful By Jenny J.J.I. TOP 500 REVIEWER on June 30 2007
Format: DVD
One of the most haunting aspects of this movie is that my video store today has it under the "Adult entertainment" section which I thought was a joke. I first saw this on its release in 1988 at the age when I shouldn't have seen it. I'd forgotten so many details of it, and I was newly impressed at the film for the second time.

That aside, I must say that despite the length (and a tendency for some parts to be longer than they should have been), this is a very good film. Daniel Day-Lewis plays Tomas so brilliantly, it's hard to think of him in his other familiar roles (Last of the Mohicans, for instance). Juliette Binoche is also great as Tereza Tomas wife. Supporting characters come and go, and the tone frequently changes with little warning. But those two things work perfectly within the context of the movie. Lena Olin, as Sabrina, does well on her role as a sculptor who also can find no place for love without freedom in her life. Her relationship with Tomas is based upon friendship and convenience. Their lovemaking is passionate but not empty or cold. If there is love, it is left unspoken.

You can see how Teresa, Tomas and Sabina's actions flow from what they are on the *inside*: This film shows how Tomas is driven to his womanizing by his need to be 'light', and how Teresa finds this 'lightness' unbearable by her need for intimacy.

Add on the absolutely mesmerizing cinematography (it acts as naturally as Teresa, Tomas, and Sabina do), and music that seems written for the movie yet is over 60 years old. This is truly a beautiful European film. Not in the ersatz 'Chocolat' style, but in the tradition of Krieslowski and Wajda. Within itself, it is a very moral film.
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3 of 3 people found the following review helpful By marty mcfly on Feb. 25 2004
Format: DVD
I believe that the current crop of young director's in Hollywood should be sat down and forced to enjoy this film, for it is a perfect example of exactly how a simple movie can be elevated to a piece of art work. Of course it cannot hurt if your base is a novel worthy in its own right, but the transfer to the screen does not always go this well.
First and foremost there is a little of everything here. Daniel Day-Lewis is possibly the finest method actor of his generation and the subtlety of the Czech accent, the easy passion of the love scenes and the frankly mouth-watering on-screen tension with Lena Olin is a joy to behold. As for Olin herself, i may be alone, but i think she oozes sexuality and temptation here in a way that a Sharon Stone never could in Basic Instinct. Juliette Binoche is also one of the finest actresses of a generation (Alice et Martin, Three Colurs Blue and an Oscar for the terrible English Patient where she was the only thing worth watching) and she portrays the innocence and vulnerability of Theresa with an effortlessness that she deploys in all of her film roles. As for her display of under-arm hair, i have nothing to add!
Take three fine lead performances, add the perfect, haunting, musical score and the tense backdrop of the Prague Spring of 1968 and we almost have a perfect film. At times the story meanders and at 2h 46mins, does lose the attention into the third hour. I wondered at times why more was not made of the on-screen dynamic between the two female leads and also why the camera dwelt for such long periods on Day-Lewis driving his East-European motor vehicle, but it all adds to the period feel of the piece.
If you do not feel sad come the end, i should be extremely surprised, this is an excellent and engaging piece of film-making.
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Format: DVD
I've always felt it is a mistake to compare a film adaptation to its literary counterpart. The Unbearable Lightness of Being, as a novel, is hugely significant and wonderful. As a film, it is not necessarily true to the book and that is solely because as a film it is not capable of being true to the book. I would compare making a movie out of Milan Kundera's novel to making a video game out of the Godfather or Pulp Fiction. If that was done we run into issues like forgetting to include the priorities of game play, or simply cashing in on the success of the film. With the Unbearable Lightness of Being, there are inevitably going to be lovers of the book waiting to attack the film, and that has happened. Of course it prioritizes itself efficiently as a cinematic experience, while at the same time it makes for about as good an adaptation of the novel as you can possibly get. It wasn't a filmable story to begin with and even Kundera came forward and said that, but he also consulted the writers of the screenplay. So comparisons between the film and novel are in my opinion pointless but also inescapable. I've already made them myself.

I'm not going to summarize the whole film for you as that would probably be too long-winded and could potentially spoil the story. I'll introduce the characters, place them in a setting and then say go...and then you can add this to your shopping cart, proceed to check out, and then a few days later press play. The film takes place in Prague in 1968 just after Alexander Dubcek lead the Prague Spring advancement. Soon after that the characters suffer through further reform following the eventual invasion of the Soviets and the Warsaw Pact. The film opens with two characters who are lighthearted and carefree lovers.
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