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The Unusual Life of Tristan Smith Paperback – Jan 23 1996


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Product Details

  • Paperback: 422 pages
  • Publisher: Vintage Canada (Jan. 23 1996)
  • Language: English
  • ISBN-10: 0679307753
  • ISBN-13: 978-0679307754
  • Product Dimensions: 20.4 x 13.5 x 2.4 cm
  • Shipping Weight: 386 g
  • Average Customer Review: 3.0 out of 5 stars  See all reviews (8 customer reviews)
  • Amazon Bestsellers Rank: #2,871,155 in Books (See Top 100 in Books)

Customer Reviews

3.0 out of 5 stars
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Most helpful customer reviews

Format: Hardcover
Oscar and Lucinda is one of my all-time favourite books. When I picked up this one, I expected a similar style of writing. Maybe it's because the world Carey has created here is too detached from my own familiarity that I could not fully relate to the characters. I must admit, however, that Carey's writing does make the reader feel. I had an eery feeling towards the protagonist throughout, but could never sympathize with him. I see in the reviews from others that perhaps this book is best left to Australians who understand something of where Carey is coming from. Usually, I would say that good writing and a good story can cross any cultural boundaries, but maybe this book IS best left to the Aussies. (Even though it's probably arguable that Canada's relationship to the American cultural "superpower" is/isn't similar to Australia's relationship to the US.)
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Format: Paperback
This remarkable book defines new territory between literary fiction and science fiction. It offers up a ringside seat to broad, concentric human and political themes that are likely to ring true many decades hence. The plot intricacies are tight, verging on being too clever, but Carey manages to lean towards the believable, producing a provocative and original book. I did not find the foreign words distracting or difficult, as did some readers. I think knowing more than one language helps. But don't let it deter you; Carey provides a glossary and footnotes to aid you in understanding the story.
The main character, Tristan Smith, has an unusual voice, not just in the physical sense, but in the sense of being the story-teller of not only the events he experienced, but also those he didn't, or was too young to remember. One cannot help but think him impulsive, willful, egotistical. It would be easy to dislike him, yet Carey must have realized Tristan's 'voice' could not have been otherwise, for he was both pampered and neglected and sheltered from normal human contact, an upbringing that protected him, on the one hand, but also impeded him socially, on the other. The reader will also appreciate the irony of a man's true character being glimpsed only when he wears a mask, and the truism that a nation's character is revealed by how they treat 'the least of these, my people.'
In contrast to Carey's book, we get a pretty steady diet of stories about handicapped people who triumph over impossible odds, who experience 'miracle healings,' who attain a magical status, who project what we want to see, that is, they appear to be happy because they are shunned if they honestly share their pain as well as their triumphs. Thus, I believe it took real courage to write and publish this book.
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By A Customer on March 20 2001
Format: Paperback
Peter Carey, since the publication of his first novel, has been constantly over-rated by critics. This novel is the greatest example of his true inability as an author/artist. The story-line is at best lame, with Carey foreshadowing any twists in the plot miles in advance. It is, of course, an attempt at satire, however he over reaches himself yet again. And yet again, because he uses a new language and is supposedly being clever, critics fawn madly over his talent and equate him with Dickens. Please. Carey is perhaps the best "first page" writer in the world, but unfortunately his novels go for much longer. Avoid this novel.
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By A Customer on Aug. 31 1999
Format: Paperback
A wierd and funny, but in the end, profound book. Carey shows us our world through the eyes of a deformed child. The "imaginary" countries are actually dead-on representations of our own-- America and probably Australia, big fish and minnow, 'culture' producer and 'culture' consumer. The paradox of puritanism and lurid spectacle that is America The Superpower. Tristan obviously comes to us via Oskar from The Tin Drum, but everything else is straight from the impressive imagination of Peter Carey.
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