From Amazon
"This was no random act of malice," proclaims stage manager Nicholas Bracewell, after an audience brawl disrupts the latest comedic performance by Westfield's Men, in Edward Marston's
The Vagabond Clown. If there was any doubt of design behind this affray, it's quickly dispelled by the discovery of a dead spectator in the gallery, Fortunates Hope--stabbed in the back. So who wielded the dagger, and why? Bracewell and the other members of his troupe haven't the time to find out, before they are ousted from their usual stage in Elizabethan London and forced to take to the road for their income, beginning a tour of the Kent countryside that will bring them even more trouble than they could typically find in the English capital.
Misfortune is guaranteed when--needing a clown to stand-in for the querulous Barnaby Gill, whose leg was broken during the riot--the company hires his hated but gifted rival, Gideon Mussett. Aware of Mussett's reputation for "drunkenness and truculence," Bracewell wrests from him a pledge to behave. However, this proxy jester proves difficult to handle from the outset, and only becomes more so as his performances gain Westfield's Men acclaim. Among his supposed infractions are several prankish attacks on the injured Gill, who has insisted on traveling with Westfield's Men in order to ensure that Mussett won't try usurping his position. But Bracewell thinks fault for his company's recent adversities may lie, instead, with another, less successful band of thespians who are also traveling through the area, and whose patron knew the murdered Hope. He's convinced of their culpability after Westfield's Men are ambushed on the open road, Gill is threatened with drowning, and Giddy Mussett is assaulted in a stable. Somebody, it appears, is determined to bring the curtain down on Bracewell's band, once and for all.
The Nicholas Bracewell novels (of which The Vagabond Clown is the 13th) offer a fulfilling blend of hilarity and heart, romance and mystery. And Marston's flair for capturing both the upright and ribald elements of his Elizabethan setting is to be envied. If there's any disappointment in these pages, it's that a late scene involving a sea chase never achieves the swashbuckling excitement it promises. --J. Kingston Pierce
From Publishers Weekly
Edgar nominee Marston sends in the clowns in his 13th Nicholas Bracewell mystery (after 2002's The Bawdy Basket), once again providing an engaging look at the life of players in Shakespeare's day, with their aristocratic sponsors, resident playwrights, actor-managers and apprentice boys (who played female parts). When a riot and murder (both perhaps engineered by a jealous rival company) during a play performance deprive Westfield's Men of their London venue and cripple their clown, the company seems doomed, but ever-reliable, ever-resourceful Nicholas finds a substitute clown and helps to arrange a tour in Kent. The author vividly evokes the sights, sounds and smells of the taverns, inns, guildhalls and castles visited by the players, each of whom is a distinct personality. He shows how important it was for travelers to have skills as carpenters, blacksmiths, wheelwrights and fighters. The suspense builds, as attacks and delays by clever, ruthless adversaries imperil the company's livelihood and very existence. Excellent as the theater background is, the climax may come as a disappointment to some readers, especially those who appreciate how fervently Catholics held to their faith in Elizabethan times. FYI: Marston is the pseudonym of Keith Miles, who is also the author of The Owls of Gloucester and other titles in his Domesday Book mystery series.
Copyright 2003 Reed Business Information, Inc.
From Booklist
Ill luck plagues Lord Westfield's Men, the Elizabethan theater troupe ably managed by book holder Nicholas Bracewell. Driven from its home base in London after a murderous riot breaks out during one of its performances, the company retreats from the city on a hastily cobbled together tour of Kent. Seriously injured in the riot, comedic genius Barnaby Gill must be replaced before Westfield's Men can perform any of the comic gems that appeal to the rural masses. When Nick engages itinerant clown Giddy Mussett to take the place of Gill, the stage is set for a clash of tempers and egos. Upsetting the delicate balance of the players, the talented Giddy incites both envy and disdain among his fellow thespians. After Giddy is stabbed in the back, it is up to Nick to expose a cunning murderer with a peculiar axe to grind against Lord Westfield's Men. Steeped in authentic Elizabethan detail, this delectably ribald series continues to serve up equal portions of humor and suspense.
Margaret FlanaganCopyright © American Library Association. All rights reserved
Book Description
When unexpected disaster strikes Lord Westfield's Men during a packed performance, Nicholas Bracewell, the theater company's stage manager and all around performer of miracles, must save the day once again. A melee caused by disguised men is brought under control, but before the troupe can lament their destroyed set Nick discovers a body in the stands with a knife sticking out of it's back. They soon realize they are out one theater and one clown: Barnaby Gill, always hilarious on the stage and hopelessly curmudgeonly off, has broken his leg.
With long months of repairs before them, Westfield's Men embark on a tour of the Kent countryside in order to salvage some of the down time. They hire a stand-in for Gill, one Gideon Mussett, a gifted comedian and an even more gifted drunk. It seems no clown is perfect; while Gill has never been a barrel of laughs when not in front of an audience, Musset simply doesn't seem to know when to quit being funny.
Their major wound bandaged, no matter how temporarily, Nick and the troupe are hoping to leave their troubles behind. But misfortune follows them at every turn, and the company finds that no matter what they do or where they go someone very sinister is just moments behind. It's up to Nick Bracewell to find out what's going on, and exactly how it ties in to their wayward comedian. Will the Vagabond Clown prophecy the end of Westfield's Men, and perhaps the demise of Nick himself? Longtime readers of mystery master Edward Marston will line up to find out in this suspenseful entry in a series that never disappoints.
About the Author
Edward Marston is the author of twelve previous entries in the Edgar Award-nominated Nicholas Bracewell series set in the theaters of Elizabethan England, as well as the Domesday series set in medieval England. He lives in the United Kingdom.
