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The War of the World [Paperback]

Niall Ferguson
3.7 out of 5 stars  See all reviews (6 customer reviews)
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Book Description

Oct. 30 2007
Astonishing in its scope and erudition, this is the magnum opus that Niall Ferguson's numerous acclaimed works have been leading up to. In it, he grapples with perhaps the most challenging questions of modern history: Why was the twentieth century history's bloodiest by far? Why did unprecedented material progress go hand in hand with total war and genocide? His quest for new answers takes him from the walls of Nanjing to the bloody beaches of Normandy, from the economics of ethnic cleansing to the politics of imperial decline and fall. The result, as brilliantly written as it is vital, is a great historian's masterwork.

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The War of the World + The Pity Of War Explaining World War I + Colossus: The Rise and Fall of the American Empire
Price For All Three: CDN$ 48.61

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From Publishers Weekly

Why, if life was improving so rapidly for so many people at the dawn of the 20th century, were the next hundred years full of brutal conflict? Ferguson (Colossus) has a relatively simple answer: ethnic unrest is prone to break out during periods of economic volatility—booms as well as busts. When they take place in or near areas of imperial decline or transition, the unrest is more likely to escalate into full-scale conflict. This compelling theory is applicable to the Armenian genocide in Turkey, the slaughter of the Tutsis in Rwanda or the "ethnic cleansing" perpetrated against Bosnians, but the overwhelming majority of Ferguson's analysis is devoted to the two world wars and the fate of the Jews in Germany and eastern Europe. His richly informed analysis overturns many basic assumptions. For example, he argues that England's appeasement of Hitler in 1938 didn't lead to WWII, but was a misinformed response to a war that had started as early as 1935. But with Ferguson's claims about "the descent of the West" and the smaller wars in the latter half of the century tucked away into a comparatively brief epilogue, his thoughtful study falls short of its epic promise. (Sept. 25)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. --This text refers to an out of print or unavailable edition of this title.

From Booklist

Ferguson's broadest work to date, this sprawling book folds the author's previous theories of empire and economics into an international history of twentieth-century violence. What went wrong with modernity, he asks, such that the Fifty Years War from 1904 to 1953 could be the bloodiest in history, and why did so much violence happen at particular times (such as the early 1940s) and particular places (such as eastern Europe)? To the common answers of ethnic conflict and economic volatility, Ferguson adds, perhaps unsurprisingly, the decline of empires. Consistent with Empire and Colossus, the problem was frequently that the empires of the twentieth century were too strong not to fight, but that they were too weak, as illustrated by an analysis of Britain's reluctance to intervene in Germany before 1939. Coupled with ubiquitous and persistent notions of racial superiority and the ill-fitting contours of nation-states, the borderlands of empires--Manchuria, Poland, the Balkans--became the killing fields of the twentieth century. In chronicling what he labels the "descent of the West," Ferguson challenges many scholars on many fronts, and deploys a broad spectrum of sources--from war novels to population data to his perennial attention to the bond markets. His ultimate conclusion--that the War of the World was the suicide of the West--is tinged with regret about what might have been, and perhaps even a Gibbon-esque anxiety about the coming Asian century. Brendan Driscoll
Copyright © American Library Association. All rights reserved --This text refers to an out of print or unavailable edition of this title.

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2 of 2 people found the following review helpful
4.0 out of 5 stars Better than Expected Jan. 9 2012
By Volpone
Format:Paperback|Verified Purchase
Ferguson makes clear, very clear, that the inauguration of the 20th century was an unnecessary, baseless and monumentally destructive World War that could have been avoided. From there, he traces its consequences to the end of his book. You will have to judge for yourself how far he wanders away from his main thesis, or even if he does. The narrative leading up to the next World War is clarifying as well as edifying, to say the least.
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1 of 1 people found the following review helpful
4.0 out of 5 stars Very good Feb. 19 2014
By Kelsi
Format:Paperback|Verified Purchase
I really enjoy Niall Ferguson's writing, he always manages to include really interesting facts that keep my attention throughout the book. His arguments are effective as well.
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9 of 12 people found the following review helpful
3.0 out of 5 stars Promising, but only half-finished. May 15 2007
Niall Ferguson begins "The War of the World: Twentieth-Century Conflict and the Descent of the West" with a simple question - what made the twentieth century, particularly the period between 1912 to 1953, the most bloody period in human history?

The thesis seems well thought out and Ferguson has ample amount of supporting evidence to support his ideas, but his thoughts become disjointed as his narrative moves forward - losing most of its touch as the book nears its close. The goal one assumes Ferguson is making his way towards throughout is that the large decades long conflict was a herald of a shift of power away from the west and towards the east where in succession Japan and then China made vast steps in catching up with their more advanced neighbours. The final Epilogue seems almost anti-climatic, serving as only a mild movement towards the current political situation following the September 11th terrorist attacks, a movement that while helping to place the book into a modern context, does nothing to help stimulate the east-west dynamic which had so much unused potential. Simply put Ferguson doesn't manage to put together all the threads he put forward at the outset, leading to a book that comes off as half-finished.
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