Balram Halwai is the narrator of this darkly comical view of life in contemporary India. The main theme of the novel is the stark contrast between the `Darkness' inhabited by the working class and the rural poor and the `Light' occupied by the wealthy, as India rises to be a modern global economy. There are other contrasts included: the religious tensions between Hindus and Muslims, as well as the tension for individuals between family loyalty and independence.
Balram's story comes to us via seven letters to the Chinese prime minister who, Balram has decided, should be told the truth about India before a forthcoming state visit. And Balram's form of truth, and his own part in India's transition, makes for interesting reading.
Balram lived in the village of Laxmangarh, deep in rural India. He's the son of a rickshaw puller, and is unable - because of his family's poverty - to finish school. Despite being clever, and being promised a scholarship, Balram is forced to work. One of his jobs involves wiping tables in a Dhanbad teashop. When Balram learns of the high salary paid to car drivers, he learns to drive and gets a lucky break when a rich man from his village (known as `The Stork') hires him as a chauffeur for his son, Ashok, who lives in New Delhi. Living in New Delhi is a revelation for Balram, who quickly becomes aware of immense wealth and opportunity around him, and of the great chasm between the wealthy and the poor. These experiences make Balram worldlier and more ambitious, and he wants to be part of this glamorous new India.
So, how does Balram make his own transition from the Darkness into the Light? By murdering his employer, and assuming a new identity.
`White men will be finished within my lifetime', he tells, us. `In my humble opinion, in twenty years' time, it will be just us yellow men and brown men at the top of the pyramid, and we'll rule the whole world.'
I admired this novel rather than enjoyed it. Some of the different worlds of India may well be accurately depicted, and they are neither comfortable nor pleasant. Of course, the setting is both important and irrelevant: important because it is the tension between the haves and the have-nots that underpin this story; irrelevant because those tensions occur in most (if not all) countries.
Jennifer Cameron-Smith