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The Winter Vault Hardcover – Mar 31 2009


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Hardcover, Mar 31 2009
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Product Details

  • Hardcover: 352 pages
  • Publisher: McClelland & Stewart; First Edition edition (March 31 2009)
  • Language: English
  • ISBN-10: 077105890X
  • ISBN-13: 978-0771058905
  • Product Dimensions: 21.6 x 15 x 3.3 cm
  • Shipping Weight: 567 g
  • Average Customer Review: 3.1 out of 5 stars  See all reviews (12 customer reviews)
  • Amazon Bestsellers Rank: #143,307 in Books (See Top 100 in Books)


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Customer Reviews

3.1 out of 5 stars
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1 of 1 people found the following review helpful By Mr. Ed in Toronto on June 6 2010
Format: Paperback
I guess that I can see why not everyone loves this novel, in that this is not a strongly narrative work, but I found it powerful and moving, a book that tells me much about loss and its relationship to place. I strongly recommend it.
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14 of 16 people found the following review helpful By David Hatherly on June 7 2009
Format: Hardcover
The first half of the book was excellent. The linking of the St. Lawrence Seaway and Nile projects (and the impact on people's lives) was a brilliant idea and the love story of Avery and Jean well done.

But in the second half of the book, too many characters are introduced and the flowery text is hard to follow and frustrating. I slogged through the second half of the book. Overall, disappointing due to the book's annoying second half.
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Format: Paperback Verified Purchase
beautifully written, and moves at its own pace. Surprisingly informative. good book to relax with in your favourite chair and be transported to different places.
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Format: Hardcover
From the first page, I knew The Winter Vault by Anne Michaels was going to be a book I would fall in love with -- slowly, languorously, completely. I wanted to slow time down, to be able to savour the experience, to put the ending of this book off for as long as I could. I wanted it to be the opposite of a page-turner, whatever that is.

The story is set in the 1960‘s during the building of the St. Lawrence Seaway and later the Aswan dam in Egypt. One of the lead characters, Avery, is a civil engineer working on dismantling the sacred architecture of the Abu Simbel temple and moving it to higher ground. His new wife Jean accompanies him.

In a memorable passage, Avery paints watercolour landscapes on the bare white skin of Jean’s back on board the deck of a houseboat on the Nile. The image echoes the opening sentence of the book: “Perhaps we painted on our own skin, with ochre and charcoal, long before we painted on stone.”

The Winter Vault is a book about loss and dispossession and the inevitable loneliness of the human condition. But it’s also about individuals finding each other against all odds.
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By oldgirl on Dec 29 2012
Format: Hardcover Verified Purchase
I chose this because of the Lost Villages/St. Lawrence Seaway project content as I live in the Lost Viilages area. I began to read it twice the first time only a few chapters. The first time I was irritated by the format in which it was written and the lack of certain punctuation. Pages of non stop dialoguewith no quotations confused me as to who was speaking and I closed the book and gave up. I tried again to read it and and once I had resigned myself to the writer's style got over this and read it for what I believe the author meant it to be. I did finish it and I have a love/hate relationship with the book.
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12 of 16 people found the following review helpful By Friederike Knabe TOP 50 REVIEWER on May 27 2009
Format: Hardcover Verified Purchase
Not many authors would have the boldness to connect three completely unrelated examples of engineering ingenuity in three different continents under one thematic arc, however complex and multilayered. Anne Michaels has done just that in her new, long awaited second novel, THE WINTER VAULT. Michaels' passion is, however, less focused on the impressive visible results of these engineering achievements - the Aswan Dam in Egypt, the St. Lawrence Seaway in Canada and the post-World War II reconstruction of Warsaw's Old City - and centred more on the people who have been involved in these constructions or those who have been impacted by the resulting changes. In rich poetic prose, the author interweaves the intimate experiences and musings of her protagonists with broad societal questions and her own philosophical reflections.

The story begins in 1964 when the ancient Abu Simbel temple complex in Upper Egypt needed to be carved up and moved block by block, through a complicated process, to higher ground, to protect it from the impending flood waters of the dam. Avery Escher, a British engineer, is overseeing this delicate operation. His relevant experience stems from his training through his father during the construction of the St. Lawrence Seaway. Avery is a practical, forward looking man, who can only imagine positive change emerging from such major redesigning efforts. His young wife Jean, having grown up in this region of Canada, had a different perspective on the project, and as a result is less convinced of the potential benefits of change for the affected people. She is also concerned with the need to preserve what was there, such as the local flora and fauna.

What brought those two very different people together, other than some parallel aspects in their personal lives?
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