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One of Shakespeare's most haunting and enigmatic late plays,
The Winter's Tale is a fine example of Shakespeare's fascination with the dramatic genre of "romance": the portrayal of magical lands, familial conflict and exile, and final reunion and reconciliation. Drawing on Robert Green's story
Pandosto, Shakespeare play tells the story of the middle-aged Leontes, king of Sicilia, and his childhood friend Polixenes, the king of Bohemia. Leontes mistakenly believes that his friend is having an affair with his wife, Hermione. In his jealousy, and consumed by "tremor cordis", he tries to murder Polixenes, who flees, and accuses his wife of adultery. Hermione gives birth to a baby girl, Perdita, who Leontes denounces as illegitimate, and casts her out into the wilderness. Hermione is ultimately proved innocent, but her son, Mamillius, dies of grief. Hermione collapses, apparently dead, and Leontes is left to pick up the tragic consequences of his actions. Time passes, and the action moves to Bohemia, where the lost child Perdita has grown up a shepherdess in the midst of "great creating nature". The final scenes of the play draw towards resolution and reconciliation between Leontes, Hermione and their lost daughter, culminating in one of Shakespeare's most moving final scenes. One of Shakespeare's most consummate plays,
The Winter's Tale is a fascinating study of male insecurity and the relations between art and nature. --
Jerry Brotton.
--This text refers to an out of print or unavailable edition of this title.
[Editor's Note: The following is a combined review with LOVE'S LABOUR'S LOST and HENRY VIII.]--Two of these productions in the Arkangel series are good, and the third is truly exceptional. LOVE'S LABOUR'S LOST concerns ascetic and naive young men who renounce the company of women only to meet their perfect mates soon after. Alex Jennings and Emma Fielding are superior as the lovers Berowne and Rosaline. The satire of courtiers and fops is also handled well, though ongoing wordplay is something of an acquired taste. The only lapse is the intrusive sound effects in outdoor scenes (flies buzzing, birds chirping). The fine production of HENRY VIII, about the king's effort to marry Anne Boleyn, infuses much more life into this stately, pageant-like play than one might expect from the text. Clive Brill, who directs the entire series, orchestrates a lifelike sound design that even includes the murmurs of agreement or dismay of listening characters. These undertones function like reaction shots in a movie. In HENRY VIII, they clarify the various court factions and intrigues. In THE WINTER'S TALE, Shakespeare's late romance about jealousy and time's restorative power, they add subtlety to an emotionally charged production. The voices in this recording are richly infused with personality, especially those of John Gielgud and Alex Jennings, who is a comic triumph as the rogue Autolycus. Gielgud performs the 32-line part of Time the Chorus, and his age-enfeebled voice resonates hauntingly. Clive Brill and his cast show why THE WINTER'S TALE has such an impressive stage history in as fine a recording of Shakespeare as you're likely to encounter. G.H. © AudioFile 2002, Portland, Maine--
Copyright © AudioFile, Portland, Maine
