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On The Bus With Rosa Parks Poems
 
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On The Bus With Rosa Parks Poems [Hardcover]

Rita Dove
3.0 out of 5 stars  See all reviews (6 customer reviews)

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Library Binding CDN $22.57  
Hardcover, April 1 1999 --  
Paperback CDN $13.53  

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If you find memoirs more immediate than contemporary poetry, novels more compelling, history more vivid, then you haven't read Rita Dove. A former poet laureate of the United States, Dove is at the height of her powers in On the Bus with Rosa Parks. Her range is extraordinary. The opening "Cameos" sequence reads like a compressed colloquial epic of one hard-up but lively family--Lucille with her "bright and bitter" eyes, her wandering husband, Joe, their bookish son and seven daughters ("their / names fantastic, myriad / as the points of a chandelier"). There are magnificent occasional pieces--"Incarnation in Phoenix" on breastfeeding a newborn ("I'm not ready for this motherhood stuff"); "Against Self-Pity" ("pure misery a luxury /one never learns to enjoy"); "The First Book" ("Dig in: / You'll never reach bottom"). "Rosa," the centerpiece of the title sequence, reads almost like haiku as Dove captures Rosa Parks's historic act of refusal in 12 taut lines.

And then there are poems that stand alone for their unique electrifying strangeness: "The Venus of Willendorf," in which Dove ponders the ancient sacred mystery of man's worship of the female body, and "Lady Freedom Among Us," in which Freedom is incarnated as a bag lady--"she who has brought mercy back into the streets / and will not retire politely to the potter's field."

Of the many notes that Dove hits in this volume, the most welcome is pure unadulterated delight, as in "Dawn Revisited": "Imagine you wake up / with a second chance..." Imagine: Dove has done the hard part. All we have to do is open this splendid volume, sit back, and enjoy the ride. --David Laskin

From Publishers Weekly

Dove's brillianceAas with all great writersAis inextricable from her formal gifts: her poems effortlessly suggest grand narratives and American myths, yet ground themselves tersely in localities, characters, practicalities and particulars. This seventh collection leads off with a Dove specialty, the historical sequence: her "Cameos" lend broad, social relevance to an intermittently abandoned Depression-era wife and her family. As in Alice Munro's fiction, slight notations of near-undetectable actions are keys to deep emotional transformation: "Now she just/ enjoys, and excess/ hardens on her like/ a shell./ She sheens." In subsequent poems such as "Testimonial" and "Maple Valley Branch Library, 1967," Dove revisits precocious origins ("I was pirouette and flourish,/ I was filigree and flame") and traces, with her characteristically strong enjambments, an emerging sexuality: "how her body felt/ tender and fierce, all at once." And as with the Pulitzer Prize-winning sonnets of Thomas and Beulah (no sonnets this time out), the reader follows the poet's imagined rituals and movementsA"each night the bed creaking/ cast onto the waves/ each dawn rose flaunting/ their loose tongues of flame"Aonly to come squarely back to earth in the title section: "Not even my own grandmother would pity me;/ instead she'd suck her teeth at the sorry sight/ of some Negro actually looking for misery.// Well. I'd go home if I knew where to get off." Readers will find that this is the place.
Copyright 1999 Reed Business Information, Inc.

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Customer Reviews

6 Reviews
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Average Customer Review
3.0 out of 5 stars (6 customer reviews)
 
 
 
 
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4.0 out of 5 stars Don't judge a book by its title..., Oct 29 2001
By A Customer
At first glance, one may think this book to be a collection of poems dealing with the civil rights movement. Dove illustrates her poetic talent, however, by writing about the struggles in the lives of her fictional characters. In fact, the only references to Rosa Parks are in the chapter named after the book itself. But by looking beneath the surface of Dove's poems, it becomes clear to the reader why "On the Bus With Rosa Parks" is a very appropriate title. Rita Dove uses Rosa Parks as a sort of personification of the recurring themes in the poems. Rosa Parks represents hope, living life to its fullest, and the idea of ordinary people overcoming adversity to do something extraordinary. It's wrong to downplay this work and say Dove was too young to accurately illustrate Rosa Parks' effect on the Civil Rights Movement. For one thing, I think we all know of her significance, no matter what age or race we are. But also, a reader of this book needs to look past the title and see that this is not just about Rosa Parks, it outlines *human* struggle, not just African American struggle. I highly recommend it...
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3.0 out of 5 stars not her best work, Sep 16 2001
having read rita dove's selected poems, i know she has written good poems (the adolescence poems, in the old neighborhood, the thomas and beuleh poems), but these poems don't have the same quality of her previous works. the poems in this collection don't have the narrative quality that made thomas and beuleh so good. the cameo sequence of poems is simply a poet trying to be difficult or experimental but not succeeding. the political preachiness wears on the reader after a while.
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1.0 out of 5 stars A Commerical Work[.], Aug 16 2000
By A Customer
This review is from: On The Bus With Rosa Parks Poems (Hardcover)
Here's a former poet, who has turned the corner -- producings works for mere commerical gain.
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