Review
The Women of Beaver Hall: Canadian Modernist Painters... is a handsome book in the finest coffee-table tradition, its pages thick and glossy, its more than 65 plates in full colour. But it's much more than that, too.
Striding far beyond the narrow borders usually associated with coffee tables, The Women of Beaver Hall is at once exposition, homage and feminist celebration of 10 remarkable artists.
Janice Kennedy,
Ottawa Citizen, January 24, 2006
Ten Canadian women, counterparts of the Group of Seven, are finally being given their due. Long overlooked by critics and historians, their works are today among the most sought-after Canadian paintings. The Beaver Hall women ventured into a male-dominated art world, lived remarkable lives and produced exceptional work. Engaging and beautifully designed, The Women of Beaver Hall portrays the lives and works of Nora Collyer, Emily Coonan, Prudence Heward, Mabel Lockerby, Henrietta Mabel May, Kathleen Moir Morris, Lilias Torrance Newton, Sarah Robertson, Anne Savage and Ethel Seath. With its clear, concise style and more than 65 colour plates, this important reference book is a work of art in itself.
The Record, February 11th 2006
Book Description
Ten women artists, counterparts of the Group of Seven, are finally being given their due. Long overlooked by critics and historians, they are today amongst the most sought-after Canadian painters. The Beaver Hall Group ventured into a male-dominated art world, lived remarkable lives, and produced exceptional work.
This beautifully produced book portrays the life and work of Emily Coonan, Nora Collyer, Prudence Heward, Mabel Lockerby, Mabel May, Sarah Robertson, Anne Savage, and Ethel Seath. Long-lost catalogues, old newspaper reviews, and personal papers document their story, and more than 60 reproductions bring to light paintings that have lain hidden for more than fifty years.
